In the African-American Culture, What Makes Preachers and/or Pastors Great? By: J. William Poole What makes preachers and/or pastors in the African American culture great is that they lead by example. Utilizing the talents of others through challenging, inspiring, not enabling, modeling and encouraging. To illustrate these leadership techniques, J. William Poole’s In the African-American Culture, What Makes Preachers and/or Pastors Great? examines the characteristics of “great pastors and/or preachers.” Thus, John provides a section were the lives and work of four renowned Afro-American preachers and/or pastors are presented. The lives of the four exemplify personal integrity and flexibility, great team builders with a sense of direction with great faith, commitment and great joy in ministry. Through the Holy Spirit, they found and followed God’s Plan for their lives. The four are Dr. Benjamin E. Mays, Dr. L. Venchael Booth, Dr. Edward Victor Hill and Dr. Gardner C. Taylor. Thus, preaching the faith, for many the faithful is exemplified.

Say It! A Celebration of Expository Preaching in the African American Tradition argues that Biblical Exposition is most dynamic when coupled with the African American preaching tradition. Charlie Dates, Romell Williams, George Parks, Jr., Terry D. Streeter and a cast of pastors and preaching professors collaborate to demonstrate the power of exposition in the cradle of the Black pulpit. The contributors in this volume give examples of African American Biblical exposition in every section of the Old Testament and New Testament. They also explain how to preach from narrative, poetical, prophetic, epistolary, and apocalyptic genres throughout the Scriptures. This important and powerful resource celebrates the faithful, biblical preaching of African Americans that is so often overlooked because it's stylistically different than the style of most white preachers. Appropriate for training associate ministers or use as a textbook in homiletics, Say It! will give the preacher what is needed to speak to real life from every page of the Book!

The Journey and Promise of African American Preaching is a constructive effort to examine the historical contributions of African American preaching, the challenges it faces today, and how it might become a renewed source of healing and strength for at-risk communities and churches. --from publisher description

With the Bible as a guide and heaven as the goal, Oneness Embraced calls God's people to kingdom-focused unity. It tells us why we don't have it, what we need to get it, and what it will look like when we do. Mr. Evans weaves his own story into this word to the church.

With a basis in environmental history, this groundbreaking study challenges the idea that a meaningful attachment to nature and the outdoors is contrary to the black experience. The discussion shows that contemporary African American culture is usually seen as an urban culture, one that arose out of the Great Migration and has contributed to international trends in fashion, music, and the arts ever since. However, because of this urban focus, many African Americans are not at peace with their rich but tangled agrarian legacy. On one hand, the book shows, nature and violence are connected in black memory, especially in disturbing images such as slave ships on the ocean, exhaustion in the fields, dogs in the woods, and dead bodies hanging from trees. In contrast, though, there is also a competing tradition of African American stewardship of the land that should be better known. Emphasizing the tradition of black environmentalism and using storytelling techniques to dramatize the work of black naturalists, this account corrects the record and urges interested urban dwellers to get back to the land.

Black churches in America have long been recognized as the most independent, stable, and dominant institutions in black communities. In The Black Church in the African American Experience, based on a ten-year study, is the largest nongovernmental study of urban and rural churches ever undertaken and the first major field study on the subject since the 1930s. Drawing on interviews with more than 1,800 black clergy in both urban and rural settings, combined with a comprehensive historical overview of seven mainline black denominations, C. Eric Lincoln and Lawrence H. Mamiya present an analysis of the Black Church as it relates to the history of African Americans and to contemporary black culture. In examining both the internal structure of the Church and the reactions of the Church to external, societal changes, the authors provide important insights into the Church’s relationship to politics, economics, women, youth, and music. Among other topics, Lincoln and Mamiya discuss the attitude of the clergy toward women pastors, the reaction of the Church to the civil rights movement, the attempts of the Church to involve young people, the impact of the black consciousness movement and Black Liberation Theology and clergy, and trends that will define the Black Church well into the next century. This study is complete with a comprehensive bibliography of literature on the black experience in religion. Funding for the ten-year survey was made possible by the Lilly Endowment and the Ford Foundation.

The overlooked African American religious history of the phonograph industry Winner of the 2015 Frank S. and Elizabeth D. Brewer Prize for outstanding scholarship in church history by a first-time author presented by the American Society of Church History Certificate of Merit, 2015 Award for Excellence in Historical Recorded Sound Research presented by the Association for Recorded Sound Collections From 1925 to 1941, approximately one hundred African American clergymen teamed up with leading record labels such as Columbia, Paramount, Victor-RCA to record and sell their sermons on wax. While white clerics of the era, such as Aimee Semple McPherson and Charles Fuller, became religious entrepreneurs and celebrities through their pioneering use of radio, black clergy were largely marginalized from radio. Instead, they relied on other means to get their message out, teaming up with corporate titans of the phonograph industry to package and distribute their old-time gospel messages across the country. Their nationally marketed folk sermons received an enthusiastic welcome by consumers, at times even outselling top billing jazz and blues artists such as Bessie Smith and Ma Rainey. These phonograph preachers significantly shaped the development of black religion during the interwar period, playing a crucial role in establishing the contemporary religious practices of commodification, broadcasting, and celebrity. Yet, the fame and reach of these nationwide media ministries came at a price, as phonograph preachers became subject to the principles of corporate America. In Preaching on Wax, Lerone A. Martin offers the first full-length account of the oft-overlooked religious history of the phonograph industry. He explains why a critical mass of African American ministers teamed up with the major phonograph labels of the day, how and why black consumers eagerly purchased their religious records, and how this phonograph religion significantly contributed to the shaping of modern African American Christianity. Instructor's Guide