A clever, moving novel about the impact of the internet on our relationships. Jim and Renata Delpe's life is in a very modern crisis. With their son, Jeff, sending text messages to his dead brother while slipping quickly into internet addiction, and with Renata engaged in a secret internet relationship with a figure she has never actually met, Jim Delpe - who has long had 'a love-hate relationship' with computers - is left with no choice but to log in himself, if the family is to be saved. In this ambitious, suspenseful and achingly human novel, set against the decline of the nuclear family and the unstoppable rise of digital relationships, In The Absence Of Heroes gives us the complex modern world, full of hard, binary choices: make one or two bad choices in a row and just see what happens . . . This is sequel to Death of a Superhero, now made into a movie, starring Andy Serkis and Thomas Brodie-Sangster.

Pindar and the Cult of Heroes combines a study of Greek culture and religion (hero cult) with a literary-critical study of Pindar's epinician poetry. It looks at hero cult generally, but focuses especially on heroization in the 5th century BC. There are individual chapters on the heroization of war dead, of athletes, and on the religious treatment of the living in the 5th century. Hero cult, Bruno Currie argues, could be anticipated, in different ways, in a person's lifetime. Epinician poetry too should be interpreted in the light of this cultural context; fundamentally, this genre explores the patron's religious status. The book features extensive studies of Pindar's Pythians 2, 3, 5, Isthmian 7, and Nemean 7.

Davy Bowman’s dad looks forward to Halloween more than a kid, and Davy’s brother, Bill, flies B-17s. Davy adores these two heroes and tries his best to follow their lead, especially now. World War II has invaded Davy’s homefront boyhood. Bill has joined up, breaking their dad’s heart. It’s an intense, confusing time, and one that will spur Davy to grow up in a hurry. This is one of Richard Peck’s finest novels—a tender, unforgettable portrait of the World War II home front and a family’s enduring love.

Everyone’s favorite Dirty Old Man returns with a new volume of uncollected work. Charles Bukowski (1920–1994), one of the most outrageous figures of twentieth-century American literature, was so prolific that many significant pieces never found their way into his books. Absence of the Hero contains much of his earliest fiction, unseen in decades, as well as a number of previously unpublished stories and essays. The classic Bukowskian obsessions are here: sex, booze, and gambling, along with trenchant analysis of what he calls "Playing and Being the Pet." Among the book's highlights are tales of his infamous public readings ("The Big Dope Reading," "I Just Write Poetry So I Can Go to Bed with Girls"); a review of his own first book; hilarious installments of his newspaper column, Notes of a Dirty Old Man, including meditations on neo-Nazis and driving in Los Angeles; and an uncharacteristic tale of getting lost in the Utah woods ("Bukowski Takes a Trip"). Yet the book also showcases the other Bukowski-an astute if offbeat literary critic. From his own "Manifesto" to his account of poetry in Los Angeles ("A Foreword to These Poets") to idiosyncratic evaluations of Allen Ginsberg, Robert Creeley, LeRoi Jones, and Louis Zukofsky, Absence of the Hero reveals the intellectual hidden beneath the gruff exterior. Our second volume of his uncollected prose, Absence of the Hero is a major addition to the Bukowski canon, essential for fans, yet suitable for new readers as an introduction to the wide range of his work. "He loads his head full of coal and diamonds shoot out of his finger tips. What a trick. The mole genius has left us with another digest. It's a full house--read 'em and weep."—Tom Waits "This second volume of Bukowski's uncollected stories and essays offers all that Bukowski is known for—wry obscenity, smutty wisdom, seeming ramblings whose hidden smarts catch you unaware--but in addition there are moments here in which he takes off the mask and strips away the bravado to show himself at his most vulnerable and human. A must for Bukowski aficionados."—Brian Evenson, author of Last Days and The Open Curtain "Like a brass-rail Existentialist or a skid-row Transcendentalist, [Bukowski] is candid, unblinking, leaving it to his readers to cast their own judgment about his mishaps, his drinking, his sexual appetite or his own pessimism. He is Ralph Waldo Emerson as a Dirty Old Man, not lounging in the grape-arbor of Concord, Massachusetts, but bent-over a table in an L.A. flophouse scribbling in pencil to the strains of Sibelius."—Paul Maher Jr., Phawker "[Bukowski] could be generous and mean-spirited, heroic and defensive, spot-on and slanted, but he became the world-class writer he had set out to be; he has joined the permanent anti-canon or shadow-canon whose denizens had shown him the way. Today the frequent allusions to him in both popular and mainstream culture tend more to respect than mockery. If scholarship has lagged, this book would indicate that this situation is changing."—Gerald Locklin, Resources for American Literary Study "The pieces range over nearly half a century, and include a story about a baseball player seized by a sudden bout of existential paralysis, along with early, graphically sexual (and masterfully comic) stories published in such smut mags as Candid Press."—Penthouse "An absolute must for fans of Charles Bukowski's work, Absence of a Hero is also a welcome addition to public and college library literary studies shelves."—Midwest Book Review

Political prophecy was a common mode of literature in the British Isles and much of Europe from the Middle Ages to at least as late as the Renaissance. At times of political instability especially, the manuscript record bristles with prophetic works that promise knowledge of dynastic futures. In Welsh, the later development of this mode is best known through the figure of the mab darogan, the 'son of prophecy', who - variously named as Arthur, Owain or a number of other heroes - will return to re-establish sovereignty. Such a returning hero is also a potent figure in English, Scottish and wider European traditions. This book explores the large body of prophetic poetry and prose contained in the earliest Welsh-language manuscripts, exploring the complexity of an essentially multilingual, multi-ethnic and multinational literary tradition, and with reference to this wider tradition critical and theoretical questions are raised of genre, signification and significance.

For years Grant Kessler has smuggled goods from one end of the world to the next. When business turns in a direction Grant isn't willing to follow he decides to retire and by all appearances he settles down in a nowhere town called Durstrand. But his real plan is to wait a few years and let the FBI lose interest, then move on to the distant coastal life he's always dreamed of. Severely autistic, Morgan cannot look people in the eye, tell left from right, and has uncontrolled tics. Yet he's beaten every obstacle life has thrown his way. And when Grant Kessler moves into town Morgan isn't a bit shy in letting the man know how much he wants him. While the attraction is mutual, Grant pushes Morgan away. Like the rest of the world he can't see past Morgan's odd behaviors Then Morgan shows Grant how light lets you see but it also leaves you blind. And once Grant opens his eyes, he loses his heart to the beautiful enigma of a man who changes the course of his life.

Where Have All the Heroes Gone? provides an analysis of heroism's application and meaning among political and media elites, as well as the mass public over the past fifty years. In asking "what has happened" to American heroes over this span, it explores how heroes are used strategically by governing officials and providers of media content in ways that are frequently divergent from and even directly opposed to popular expectations.