This prosopographical study provides information about each Venetian living in the early Middle Ages, from the invasion of the Lombards in 569 - an action that forced part of the North-East Italy's population to seek refuge in the islands of the Venetian lagoon - to the rule of Duke Petrus Ursoylus II (991-1008). There is an entry for each individual listing all available information and quoting the full text of primary sources within the footnotes. The data are organized in categories such as families, first names, rulers, women, office holders, ecclesiastics, occupations, and places of residence (Venice was a duchy with different urban centers). Venice is an extremely important place for this kind of analysis. It is the area in which family name use began for the first time in medieval Europe. Venice was never conquered by a 'Germanic' people, and therefore it is possible to study the evolution of a post-Roman/Byzantine society by analyzing the names of the Venetians. Moreover, scholars interested in later periods will be able to find the origins of all the most important Venetian families.

Early Medieval Venice examines the significant changes that Venice underwent between the late-sixth and the early-eleventh centuries. From the periphery of the Byzantine Empire, Venice acquired complete independence and emerged as the major power in the Adriatic area. It also avoided absorption by neighbouring rulers, prevented serious destruction by raiders, and achieved a stable state organization, all the while progressively extending its trading activities to most of northern Italy and the eastern Mediterranean. This was not a linear process, but the Venetians obtained and defended these results with great tenacity, creating the foundations for the remarkable developments of the following centuries. This book presents the most relevant themes that characterized Venice during this epoch, including war, violence, and the manner in which ‘others’ were perceived. It examines how early medieval authors and modern scholars have portrayed this period, and how they were sometimes influenced by their own ‘present’ in their reconstruction of the past.

Winner of the 2005 Otto Grundler Award, the International Congress on Medieval Studies Between the eleventh and thirteenth centuries, Venice transformed itself from a struggling merchant commune to a powerful maritime empire that would shape events in the Mediterranean for the next four hundred years. In this magisterial new book on medieval Venice, Thomas F. Madden traces the city-state's extraordinary rise through the life of Enrico Dandolo (c. 1107–1205), who ruled Venice as doge from 1192 until his death. The scion of a prosperous merchant family deeply involved in politics, religion, and diplomacy, Dandolo led Venice's forces during the disastrous Fourth Crusade (1201–1204), which set out to conquer Islamic Egypt but instead destroyed Christian Byzantium. Yet despite his influence on the course of Venetian history, we know little about Dandolo, and much of what is known has been distorted by myth. The first full-length study devoted to Dandolo's life and times, Enrico Dandolo and the Rise of Venice corrects the many misconceptions about him that have accumulated over the centuries, offering an accurate and incisive assessment of Dandolo's motives, abilities, and achievements as doge, as well as his role—and Venice's—in the Fourth Crusade. Madden also examines the means and methods by which the Dandolo family rose to prominence during the preceding century, thus illuminating medieval Venice's singular political, social, and religious environment. Culminating with the crisis precipitated by the failure of the Fourth Crusade, Madden's groundbreaking work reveals the extent to which Dandolo and his successors became torn between the anxieties and apprehensions of Venice's citizens and its escalating obligations as a Mediterranean power.

Inscriptions, medals, and travelers' accounts, on more learned humanist and antiquarian writings, and, most importantly, on the art of the period, Brown explores Venice's evolving sense of the past. She begins with the late middle ages, when Venice sought to invent a dignified civic past by means of object, image, and text. Moving on to the fourteenth and fifteenth centuries, she discusses the collecting and recording of antiquities and the incorporation of Roman forms.

Few Renaissance Venetians saw the New World with their own eyes. As the print capital of early modern Europe, however, Venice developed a unique relationship to the Americas. Venetian editors, mapmakers, translators, writers, and cosmographers represented the New World at times as a place that the city's mariners had discovered before the Spanish, a world linked to Marco Polo's China, or another version of Venice, especially in the case of Tenochtitlan. Elizabeth Horodowich explores these various and distinctive modes of imagining the New World, including Venetian rhetorics of 'firstness', similitude, othering, comparison, and simultaneity generated through forms of textual and visual pastiche that linked the wider world to the Venetian lagoon. These wide-ranging stances allowed Venetians to argue for their different but equivalent participation in the Age of Encounters. Whereas historians have traditionally focused on the Spanish conquest and colonization of the New World, and the Dutch and English mapping of it, they have ignored the wide circulation of Venetian Americana. Horodowich demonstrates how with their printed texts and maps, Venetian newsmongers embraced a fertile tension between the distant and the close. In doing so, they played a crucial yet heretofore unrecognized role in the invention of America.

In this colourful new history of Venice, Elizabeth Horodowich, one of the leading experts on Venice, tells the story of the place from its ancient origins, and its early days as a multicultural trading city where Christians, Jews and Muslims lived together at the crossroads between East and West. She explores the often overlooked role of Venice, alongside Florence and Rome, as one of the principal Renaissance capitals. Now, as the resident population falls and the number of tourists grows, as brash new advertisements disfigure the ancient buildings, she looks at the threat from the rising water level and the future of one of the great wonders of the world.

An extraordinary chronicle of Venice, its people, and its grandeur Thomas Madden’s majestic, sprawling history of Venice is the first full portrait of the city in English in almost thirty years. Using long-buried archival material and a wealth of newly translated documents, Madden weaves a spellbinding story of a place and its people, tracing an arc from the city’s humble origins as a lagoon refuge to its apex as a vast maritime empire and Renaissance epicenter to its rebirth as a modern tourist hub. Madden explores all aspects of Venice’s breathtaking achievements: the construction of its unparalleled navy, its role as an economic powerhouse and birthplace of capitalism, its popularization of opera, the stunning architecture of its watery environs, and more. He sets these in the context of the rise and fall of the Byzantine Empire, the endless waves of Crusades to the Holy Land, and the awesome power of Turkish sultans. And perhaps most critically, Madden corrects the stereotype of Shakespeare’s money-lending Shylock that has distorted the Venetian character, uncovering instead a much more complex and fascinating story, peopled by men and women whose ingenuity and deep faith profoundly altered the course of civilization.