Graciela LimÑnÍs absorbing first novel, In Search of Bernab?, humanizes the political turmoil of contemporary Central America by focusing on one womanÍs anguish when she is separated from her son in the chaos that follows the assassination of Archbishop Romero in El Salvador. Against incredible odds, Luz Delcano is determined to find her son, Bernab?. Her unshakeable conviction that her son has fled to the north as so many other Salvadorans were doing leads her on an odyssey through Mexico and into the United States. Meanwhile, Bernab? finds himself almost unwillingly pulled into the life of a guerrilla fighter in the mountains. Repulsed by the violent life of the guerrillas, he is unable to return to the seminary where he was to be ordained as a priest for fear of being murdered. Intertwined with the story of the Salvadorans is the story of Father Hugh, an American priest struggling with his conscience as he watches the horrors committed in El Salvador with weapons he sold to the Salvadoran military.

An Aztec princess describes the Spanish conquest of Mexico. She is Huitzitzlin, 82, of the court of Montezuma and she tells her tale to a priest so history will know who the Aztecs really were. By the author of The Memories of Ana Calderon.

Employing a comparative and cross-ethnic approach, this book provides a sophisticated literary and cultural analysis of texts by Mexican American, Puerto Rican, Cuban American, and Dominican American women writers. As she engages contemporary feminist, political, postcolonial, and psychoanalytic theory, Fatima Mujčinović investigates how selected U.S. Latina narratives have proposed a rethinking of minority subject positioning under the postmodern conditions of cultural hybridization, gender objectification, political oppression, and geographic displacement. In its emphasis on gendered, diasporic, exilic, and geopolitical identities, this book specifically examines works by Ana Castillo, Cristina García, Graciela Limón, Demetria Martínez, Rosario Morales, Aurora Levins Morales, Judith Ortiz Cofer, Helena María Viramontes, and Julia Alvarez.

A group of would-be immigrants follows smuggler Leonardo Cerda in an attempt to cross the desert border between Mexico and the United States. The grueling and desperate trip will mark their lives forever.

Completed in 1653, Father Bernabe Cobo's Historia del Nuevo Mundo is an important source of information on pre-conquest and colonial Spanish America. Though parts of the work are now lost, the remaining sections which have been translated offer valuable insights into Inca culture and Peruvian history. Inca Religion and Customs is the second translation by Roland Hamilton from Cobo's massive work. Beginning where History of the Inca Empire left off, it provides a vast amount of data on the religion and lifeways of the Incas and their subject peoples. Despite his obvious Christian bias as a Jesuit priest, Cobo objectively and thoroughly describes many of the religious practices of the Incas. He catalogs their origin myths, beliefs about the afterlife, shrines and objects of worship, sacrifices, sins, festivals, and the roles of priests, sorcerers, and doctors. The section on Inca customs is equally inclusive. Cobo covers such topics as language, food and shelter, marriage and childrearing, agriculture, warfare, medicine, practical crafts, games, and burial rituals. Because the Incas apparently had no written language, such postconquest documents are an important source of information about Inca life and culture. Cobo's work, written by one who wanted to preserve something of the indigenous culture that his fellow Spaniards were fast destroying, is one of the most accurate and highly respected.

This collection includes one-act plays by the famous farmwork theater, El Teatro Campesino, and its director Luis Valdez; one of the first fully realized, full-length plays by Valdez alone; and an original narrative poem by Luis Valdez.

It's 1852 in Cholula, Mexico, and three sisters, indigenous girls of the Chontal people, seek work at the Hacienda La Perla. They rapidly make their way from dish washers to the cook's assistants before entering the house as servants to the wealthy Acuña family. But when the youngest sister is viciously raped by a family member, they flee the estate, after taking their revenge, only to be caught up in the historic Battle of Puebla, where native Mexicans defeat invading French troops. Fearful that the Acuña family will not rest until the sisters are found and punished, they keep moving, ultimately finding work as servants at the National Palace in Mexico City, where the French have recently taken control. There, the sisters' fortunes become intertwined with that of the Empress Carlota. Both beautiful and extremely intelligent, she dedicates herself to the empire, chastising Napoleon when he reneges on his promise to send troops and antagonizing the Church by proposing that the empire secularize at least part of its holdings. But her love for Mexico's people is not reciprocated, and soon the sisters have to decide whether to stay behind without the empress' protection or to accompany her to Europe. Weaving the story of Mexico's indigenous peoples with that of the tragic Belgian princess who became the wife of the Austrian Archduke Maximillian von Hapsburg, acclaimed author Graciela Limón once again explores issues of race, class and women's rights. She skillfully crafts a gripping novel about a smart, wealthy woman who is not afraid to challenge powerful men, and re-imagines the story behind Empress Carlota's descent into madness and eventual imprisonment in a remote European castle.