A publishing event -- the history and evolution of Antonio Negri's philosophical and political thought. A leading Marxist political philosopher and intellectual firebrand, Antonio Negri has inspired anti-empire movements around the world through his writings and personal example. In Praise of the Common, which began as a conversation between Negri and literary critic Cesare Casarino, is the most complete review of the philosopher's work everpublished. It includes five exchanges in which the two intellectuals discuss Negri's evolution as a thinker from 1950 to the present, detailing for the first time the genealogy of his concepts.

795 hymns without music.

Miniature critical essays on contemporary poetry and fiction. In only a few pages, Boyers can encapsulate an entire career, revealing with fesh immediacy the power, obsessions, and surprises of the work at hand. Marvelous models for the short critical essay.

Does a market economy encourage or discourage music, literature, and the visual arts? Do economic forces of supply and demand help or harm the pursuit of creativity? This book seeks to redress the current intellectual and popular balance and to encourage a more favorable attitude toward the commercialization of culture that we associate with modernity. Economist Tyler Cowen argues that the capitalist market economy is a vital but underappreciated institutional framework for supporting a plurality of co-existing artistic visions, providing a steady stream of new and satisfying creations, supporting both high and low culture, helping consumers and artists refine their tastes, and paying homage to the past by capturing, reproducing, and disseminating it. Contemporary culture, Cowen argues, is flourishing in its various manifestations, including the visual arts, literature, music, architecture, and the cinema. Successful high culture usually comes out of a healthy and prosperous popular culture. Shakespeare and Mozart were highly popular in their own time. Beethoven's later, less accessible music was made possible in part by his early popularity. Today, consumer demand ensures that archival blues recordings, a wide array of past and current symphonies, and this week's Top 40 hit sit side by side in the music megastore. High and low culture indeed complement each other. Cowen's philosophy of cultural optimism stands in opposition to the many varieties of cultural pessimism found among conservatives, neo-conservatives, the Frankfurt School, and some versions of the political correctness and multiculturalist movements, as well as historical figures, including Rousseau and Plato. He shows that even when contemporary culture is thriving, it appears degenerate, as evidenced by the widespread acceptance of pessimism. He ends by considering the reasons why cultural pessimism has such a powerful hold on intellectuals and opinion-makers.

A spirited defense of the relevance of reason for an era of popular skepticism over such matters as climate change, vaccines, and evolution. Why does reason matter, if (as many people seem to think) in the end everything comes down to blind faith or gut instinct? Why not just go with what you believe even if it contradicts the evidence? Why bother with rational explanation when name-calling, manipulation, and force are so much more effective in our current cultural and political landscape? Michael Lynch's In Praise of Reason offers a spirited defense of reason and rationality in an era of widespread skepticism—when, for example, people reject scientific evidence about such matters as evolution, climate change, and vaccines when it doesn't jibe with their beliefs and opinions. In recent years, skepticism about the practical value of reason has emerged even within the scientific academy. Many philosophers and psychologists claim that the reasons we give for our most deeply held views are often little more than rationalizations of our prior convictions. In Praise of Reason gives us a counterargument. Although skeptical questions about reason have a deep and interesting history, they can be answered. In particular, appeals to scientific principles of rationality are part of the essential common currency of any civil democratic society. The idea that everything is arbitrary—that reason has no more weight than blind faith—undermines a key principle of a civil society: that we owe our fellow citizens explanations for what we do. Reason matters—not just for the noble ideal of truth, but for the everyday world in which we live.

The earth is the common home of humanity. It is a gift from God. Yet man’s abuse of freedom threatens that home. In his encyclical Praise Be to You (Laudato Si’), Pope Francis challenges all people to praise God for his glorious creation and to work to safeguard her. The encyclical letter takes its name from St. Francis of Assisi’s Canticle of the Creatures, which depicts creation as “a sister with whom we share our life and a beautiful mother who opens her arms to embrace us”. “This sister”, Pope Francis declares, “now cries out to us because of the harm we have inflicted on her by our irresponsible use and abuse of the goods with which God has endowed her”. He calls for an “integral ecology” based on what Pope St John Paul called an “ecological conversion”—a moral transformation linking the proper response to God for the gift of his creation to concern for justice, especially for the poor. He challenges people to understand ecology in terms of the right ordering of the fundamental relationships of the human person: with God, oneself, other people, and the rest of creation. Francis examines such ecological concerns as pollution, waste, and what he calls “the throwaway culture”. Climate, he insists, is a common good to be protected. He explores the proper use of natural resources and notions such as sustainability from a Judeo-Christian perspective. The loss of biodiversity due to human activities, decline in the quality of life for many people, global inequality of resources, as well as concerns over consumerism and excessive individualism also threaten the good order of creation, writes Pope Francis. While valuing technology and invnovation, he rejects efforts to repudiate the natural order, including the moral law inscribed in human nature or to rely simply on science to solve ecological problems. Moral and spiritual resources are crucial, including openness to God’s purpose for the world. Expounding the biblical tradition regarding creation and redemption in Christ, Francis stresses man’s subordination to God’s plan and the universal communion of all creation. “Dominion”, he maintains, means “responsible stewardship” rather than exploitation. He rejects treating creation as if it were “divine” and insists on the primacy of the human person in creation. He also explores the roots of the ecological crisis in man’s abuse of technology, his self-centeredness, and the rise of practical relativism. Without rejecting political changes, he implores people to change their hearts and their ways of life. Popes Benedict XVI, St John Paul II, and Blessed Paul VI addressed key themes regarding stewardship of God’s creation and justice in the world. But Pope Francis is the first to devote an entire encyclical to the subject.

This volume brings together essays by different generations of Italian thinkers which address, whether in affirmative, problematizing or genealogical registers, the entanglement of philosophical speculation and political proposition within recent Italian thought. Nihilism and biopolitics, two concepts that have played a very prominent role in theoretical discussions in Italy, serve as the thematic foci around which the collection orbits, as it seeks to define the historical and geographical particularity of these notions as well their continuing impact on an international debate. The volume also covers the debate around OCyweak thoughtOCO (pensiero debole), the feminist thinking of sexual difference, the re-emergence of political anthropology and the question of communism. The contributors provide contrasting narratives of the development of post-war Italian thought and trace paths out of the theoretical and political impasses of the presentOCoagainst what Negri, in the text from which the volume takes its name, calls OCythe Italian desertOCO."