Twelve birds. One country. A wild Ireland waiting to be discovered. In Ireland Through Birds, Conor O’Brien takes the reader on an ornithological adventure around Ireland in search of twelve of our rarest and most elusive birds. Along the journey the author explores every kind of landscape and habitat our island has to offer across all four seasons, from the remote isles of Donegal to the rugged mountains of Kerry and urban parks of Dublin. Through it all, O’Brien is enchanted by calling corncrakes, mesmerised by hunting harriers, and chased by angry skuas. It’s a journey through a staggering array of landscapes that’ll bring the reader face to face with the rich history and stunning wildlife to be savoured right on our doorstep. It explores the stories of the remarkable birds that live here: the genius of the jay, the sublime mimicry of the cuckoo, the nocturnal prowess of the barn owl, while paying a moving,poetic tribute to our natural heritage – and a warning about the threats that face it. Ireland Through Birds is a unique blend of natural history and travelogue, making it a great read for anyone with an interest in Ireland’s natural world.

Ireland 590 A.D. A woman is found by a track, nearly dead from appalling wounds and remembers nothing. Her terror and her injuries are so great that she is given sanctuary in Mother Gobnait's unusual community of nuns, while all around her a war is being waged in which she is a pawn. The women name her Aine. Disturbing fragments of Aine's memory begin to surface, and in desperation she asks to remain in the safety of the community, but is it really safe for her anywhere? It is only after events take another terrible turn that Aine is forced to discover who she really is and make life-changing choices - but will they prove to be her undoing? A literary novel inspired by real women - complex female characters who strain against the cruel chains and crippling prejudices of a society where no woman has power. Except, perhaps, one... Kristin Gleeson has performed with admirable deftness the difficult trick of sweeping the reader back in time to the distant emotional and physical landscapes of 6th century Ireland. The result is a highly readable and continuously rewarding novel that the reader does not want to end--Tim Weed, author of Will Poole's Island I found in this well-told story, the first strokes of paint on the huge, mostly blank, canvas that is our image and perception of our Irish or Gaelic past - the canvas of our increasingly dispossessed native culture. I found myself drawn into a realm that felt oddly familiar and full of cultural touchstones of the indigenous Irish past, faint echoes of which still linger in parts of this island today.In Praise of the Bees is a good read. GuIm faoi scAth is dIdean Gobnait is AbAin tU - go mairir--Peadar O Riada

This is the story of life in Ireland – a story half a billion years in the making. With its castles, crannogs and passage tombs, Ireland is a land where history looms large, but the saga of life on this island dates back millions of years before the first people set foot here. In Life in Ireland, Conor O’Brien guides the reader on a journey around the island to explore the history of natural life here, from the Jurassic Coast of Antrim to the great Ice Age bone-beds of Cork. Along the way, we’ll meet some of the astonishing creatures to have called Ireland home through the ages: shelled monsters; huge marine lizards; armoured dinosaurs; giant deer; mighty mammoths. Vital strands in the story of life on Earth have left their mark here, including some of the first creatures to crawl onto land or take to the wing. This epic journey will take us from the first fossils to the present day, to see how our wildlife has adapted to the human age and explore what the future might hold for life in Ireland.

"Aboriginal design is of a distinctly cultural nature, based in the Dreaming and in ancient practices grounded in Country. It is visible in the aerodynamic boomerang, the ingenious design of fish traps and the precise layouts of community settlements that strengthen social cohesion. Alison Page and Paul Memmott show how these design principles of sophisticated function, sustainability and storytelling, refined over many millennia, are now being applied to contemporary practices. Design: Building on Country issues a challenge for a new Australian design ethos, one that truly responds to the essence of Country and its people. About the series: Each book is a collaboration between Indigenous and non-Indigenous writers and editors; the series is edited by Margo Neale, senior Indigenous curator at the National Museum of Australia. Other titles in the series include: Songlines by Margo Neale & Lynne Kelly (2020); Country by Bill Gammage & Bruce Pascoe (2021); Plants by Zena Cumpston, Michael Fletcher & Lesley Head (2022); Astronomy (2022); Innovation (2023)."--

Irish poetry presents various routes into which readers can delve: some depend on gender and questions of the place of women, while others use myth, folklore, and religion; landscape eco-criticism and etymologies of place; and concerns of nation-states, regions, and empire. The work of certain members of the younger generation of Irish poets contains what might be termed a post-national, trans-historical urge, or at least a post-Ireland one. The essays herein, written by established and emerging scholars, recognize both the perpetual search for a sustaining national concept of Ireland, as well as a sense that long-established definitions no longer necessarily apply. The poets discussed herein include those who write in the shadow of Irish history cast by the Northern Troubles and those who feel that connections to a wider culture (poetic and political) are equally, or more, significant. Migration (immigration and emigration, internal and external) continues to be an issue. If Ireland is post-nation, does it look toward Europe? America? Boston or Belgium? As Irish society has changed and continues to change, so too has Irish poetry entered into a time of transition. This volume of essays charts these transitions and sets coordinates for future critical endeavors.

Often imitated but never equalled, the Old Ireland in Colour books are beloved by Irish readers at home and abroad, and in this, the third book of the series, the authors have uncovered yet more photographic gems and breathed new life into them in glorious colour. All of Irish life is here – from evictions in Connemara to the mosgt elegant drawing rooms in Dublin. Famous faces from politics and the arts appear alongside humble labourers and farmers and impish children from all kinjds of backgrounds light up this book’s glorious pages. With endless surprising details to pore over in every picture, and captivating and illuminating text, Old Ireland in Colour 3 is a winning addition to this spectacular series of bestsellng books.