The fascinating story of a friendship, a lost tradition, and an incredible discovery, revealing how enslaved men and women made encoded quilts and then used them to navigate their escape on the Underground Railroad. In Hidden in Plain View, historian Jacqueline Tobin and scholar Raymond Dobard offer the first proof that certain quilt patterns, including a prominent one called the Charleston Code, were, in fact, essential tools for escape along the Underground Railroad. In 1993, historian Jacqueline Tobin met African American quilter Ozella Williams amid piles of beautiful handmade quilts in the Old Market Building of Charleston, South Carolina. With the admonition to "write this down," Williams began to describe how slaves made coded quilts and used them to navigate their escape on the Underground Railroad. But just as quickly as she started, Williams stopped, informing Tobin that she would learn the rest when she was "ready." During the three years it took for Williams's narrative to unfold—and as the friendship and trust between the two women grew—Tobin enlisted Raymond Dobard, Ph.D., an art history professor and well-known African American quilter, to help unravel the mystery. Part adventure and part history, Hidden in Plain View traces the origin of the Charleston Code from Africa to the Carolinas, from the low-country island Gullah peoples to free blacks living in the cities of the North, and shows how three people from completely different backgrounds pieced together one amazing American story. With a new afterword. Illlustrations and photographs throughout, including a full-color photo insert.

For decades, the formal peculiarities of War and Peace disturbed Russian and Western critics, who attributed both the anomalous structure and the literary power of the book to Tolstoy's "primitive," unruly genius. Using that critical history as a starting point, this volume recaptures the overwhelming sense of strangeness felt by the work's first readers and thereby illuminates Tolstoy's theoretical and narratological concerns. The author demonstrates that the formal peculiarities of War and Peace were deliberate, designed to elude what Tolstoy regarded as the falsifying constraints of all narratives, both novelistic and historical. Developing and challenging the ideas of Mikhail Bakhtin, Morson explores Tolstoy's account of the work's composition in light of various myths of the creative process. He proposes a theory of "creation by potential" that incorporates Tolstoy's main concerns: the "openness" of each historical moment; the role of chance in history and within narrative patterns; and the efficacy of ordinary events, "hidden in plain view," in shaping history and individual psychology. In his reading of Tolstoy, he demonstrates how we read literary works within the "penumbral text" of associated theories of creativity.

Hidden in Plain View: Undesigned Coincidences in the Gospels and Acts revives an argument for the historical reliability of the New Testament that has been largely neglected for more than a hundred years. An undesigned coincidence is an apparently casual, yet puzzle-like -fit- between two or more texts, and its best explanation is that the authors knew the truth about the events they describe or allude to. Connections of this kind among passages in the Gospels, as well as between Acts and the Pauline epistles, give us reason to believe that these documents came from honest eyewitness sources, people -in the know- about the events they relate. Supported by careful research yet accessibly written, Hidden in Plain View provides solid evidence that all Christians can use to defend the Scriptures and the truth of Christianity.

Are you tired of people knowing who you are but no one really knowing you? As the star of the twentieth season of The Bachelor, Ben Higgins looked like he had it all together. Instead, Ben felt dissatisfied, fearful, and deeply alone. Like so many of us, he thought of himself as the kid who never got picked for the game, the person always on the outside of the joke, the friend who knew a lot of people but was never truly known. He wondered if he mattered at all. In Alone in Plain Sight, Ben vulnerably shares how he found authentic connection with himself, with others, and with God. As Ben helps us name our own yearning for meaning, he explores ways to understand ourselves more deeply so that we are free to connect with others; how shared pain can bridge even the widest gaps between two very different people; why we must deconstruct our culture’s fairy-tale view of love; and how the God who longs for relationship with us is the answer to our need for connection. As Ben discovered, in a disconnected world, it is still possible to have lasting purpose and peace. You are already known. You are already loved. You are already seen. Discover how to live out how much you matter as you embrace the true meaning of your one incredible life.

In Plain View - 30 years of Artworks Illegal and Otherwise is the first and long overdue monograph on the work of Dan Witz. New York artist Dan Witz has been doing street art since the late 1970s. In his enduring street art career, he has specialized in a smaller, more intimate kind of street art. For Witz, a sense of wonder and curiosity are key. Strongly influenced by the changing cultural landscape of the New York City streets where he developed his craft, Witz has traveled the path from dark to light and back again. In the book, his wandering journey through the no-wave and DIY movements of New York's Lower Eastside of the 70's, the Reaganomics of the 80's to the flourishing of graffiti art in the new millennium is beautifully illustrated in 250 color photographs and narrated through an interview with the Wooster Collective.

Aboriginal people are prominent in accounts of early colonial Sydney, yet we seem to skip a century as they disappear from the historical record and re-emerge in early in the twentieth century. Paul Irish's Hidden in Plain View explores what happened in the interim. How did Indigenous people come to be ignored in colonial narratives? In this original and important book, he brings this poorly understood period of Sydney's Aboriginal history back into focus. Irish tells the compelling story of the Aboriginal presence in the heart of Sydney during the nineteenth century and reveals the complex relationship between Aboriginal people and the growth of Sydney. He shows that Aboriginal people were not pushed out of the way by urban expansion and charts how they developed cross-cultural relationships and established links with the settler economy. Hidden in Plain View reminds us that Aboriginal people have always been part of the physical and historical fabric of Sydney.

Sophie lives with Mama and Daddy and Grandpa, who spends his days by the window. Every day after school, it's Grandpa whom Sophie runs to. "Here I am, Grandpa!" "Ah, Sophie, how was your day?" As Sophie and her grandpa talk, he asks her to find items he's "lost" throughout the day, guiding Sophie on a tour through his daily life and connecting their generations in this sweet, playful picture book from Richard Jackson, illustrated by Caldecott Medalist and Laura Ingalls Wilder Award winner Jerry Pinkney.