Melvyn Bragg's In Our Time series regularly enlightens and entertains substantial audiences on BBC Radio 4. For this book he has selected episodes which reflect the diversity of the radio programmes, and takes us on an amazing tour through the history of ideas, from philosophy, physics and history to religion, literature and biology. We can discover the reasons for the fall of the Byzantine empire, and why women were persecuted as witches in the seventeenth century. What happened in the peasants' revolt? What shape is the origin of life? Where does our calendar come from? We can unearth the influence of great Islamic thinkers, prime numbers, Socrates and Tectonic plates. Melvyn Bragg orchestrates the ideas of leading academics in each field so that the dynamic and lively discussion from the programmes comes through vividly on the page. In Our Time brings to life the signposts of history, the moments that significantly changed the world as we know it, and the individuals and ideas that made us what we are today.

The Day of Sir Wilfrid Laurier retells the chronicles of a successful man in politics living in Quebec in the 1800s. You will enjoy this humble and comprehensive snapshot of Canadian history. Contents: The Making of a Canadian, Politics in the Sixties, First Years in Parliament, In Opposition, 1878-1887, Leader of the Opposition.

"The Day of Sir Wilfrid Laurier: A Chronicle of Our Own Time" is a historical and biographical novel of the Canadian lawyer, statesman, and politician who served as the seventh Prime Minister of Canada from 1896 to 1911. The first French Canadian prime minister, his 15-year tenure remains the longest unbroken term of office among Canadian prime ministers and his nearly 45 years of service in the House of Commons is a record for the House. Laurier is best known for his compromises between English and French Canada. The main emphasis of the book is to look more at the significant events in Canada during his time in office, rather than a more personalized biography.

In A Time of One’s Own Catherine Grant examines how contemporary feminist artists are turning to broad histories of feminism ranging from political organizing and artworks from the 1970s to queer art and activism in the 1990s. Exploring artworks from 2002 to 2017 by artists including Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz, Grant maps a revival of feminism that takes up the creative and political implications of forging feminist communities across time and space. Grant characterizes these artists’ engagement with feminism as a fannish, autodidactic, and collective form of learning from history. This fandom of feminism allows artists to build relationships with previous feminist ideas, artworks, and communities that reject a generational model and embrace aspects of feminism that might be seen as embarrassing, queer, or anachronistic. Accounting for the growing interest in feminist art, politics, and ideas across generations, Grant demonstrates that for many contemporary feminist artists, the present moment can only be understood through an embodied engagement with history in which feminist pasts are reinhabited and reimagined.