With three generations of one family, we share moments that are meant to be savored in this special book that beautifully illustrates the words of John Lennon and Paul McCartney’s world-renowned song “In My Life.” There are places I’ll remember, in my life, though some have changed... One gift with a bright bow starts a young girl on a path…one her mother follows with her as she explores, grows, and rides off on her own, only to return again with her own daughter in tow. This hauntingly beautiful book shares the small moments of that journey that are meant to be remembered and savored in the lyrics of this classic song.

Real-Life Stories that will inspire you.

Yes, In My Lifetime is a collection of selected articles and essays by Haroub Othman, written over the span of his career of nearly four decades. Originally appearing in a wide range of fora, the writings reflect Othman’s growth as an intellectual and an activist. They also encapsulate his life’s passions ñ the plight of the people and their struggles for their rights, the state of the Union of Tanganyika and Zanzibar, and international solidarity with the oppressed the world over. A child of Zanzibar, Othman fought long and hard for the unity of those islands, and for their continued presence in the Union, and the set of articles in that section pay homage to that work. Haroub Othman was a professor of development studies at the University of Dar es Salaam, having specialised in international law and political science. He was still working with the University when he passed away in 2009. His many Kiswahili writings are unfortunately not included in this book.

The Dean of American Rock Critics tackles the decade when music exploded. The '90s saw more albums produced and distributed than any other decade. It was a fertile era for new genres, from alt-rock to Afropop, hip hop to techno. Rock critic Robert Christgau's obsessive ear and authoritative pen have covered it all-over 3,800 albums graded and classified, from A+s to his celebrated turkeys and duds. A rich appendix section ensures that nothing's been left out-from "subjects for further research" to "everything rocks but nothing ever dies." Christgau's Consumer Guide is essential reading and reference for any dedicated listener.

“Music is a world within itself, with a language we all understand.” —Stevie Wonder, “Sir Duke” In 2003, young professor Ferentz LaFargue traveled to Paris, where his fiancée, Tricia, declared she wasn’t happy with their relationship, ending what he thought was a wonderful engagement. After days of “craying”—“that sorrow-laden blend of crying and praying delivered in perfect pitch by those in mourning”—Ferentz happened upon Stevie Wonder’s 1976 classic double album Songs in the Key of Life. Listening to it anew was a healing, spiritual trip down memory lane, helping him to come to terms with his breakup and reflect on how songs in general have been linked to his life. In this book, Ferentz invites us to get cozy and listen as he hits PLAY on meaningful tracks from Wonder and others, including Lauryn Hill, Wyclef Jean, LL Cool J, Beenie Man, Sheryl Crow, Roberta Flack, Donny Hathaway, and Black Sabbath. He recalls: How the fusion of rock and rap in the breakthrough Run-D.M.C./Aerosmith video “Walk This Way” helped to change an adolescent Ferentz from outcast to authority figure How Michael Jackson’s Thriller brought back a traumatic childhood experience How Kanye West’s “Jesus Walks” speaks to the tension between his Christian beliefs and his need to rip it up in clubs as a hip-hop head In the tradition of Nick Hornby’s Songbook¸ these words paint a portrait of a life framed by sounds, allowing all of us to think about what songs have been key in our own lives.

My Decade at Old Sun, My Lifetime of Hell is a simple and outspoken account of the sexual and psychological abuse that Arthur Bear Chief suffered during his time at Old Sun Residential school in Gleichen on the Siksika Nation. In a series of chronological vignettes, Bear Chief depicts the punishment, cruelty, abuse, and injustice that he endured at Old Sun and then later relived in the traumatic process of retelling his story at an examination for discovery in connection with a lawsuit brought against the federal government. He returned to Gleichen late in life—to the home left to him by his mother—and it was there that he began to reconnect with Blackfoot language and culture and to write his story. Although the terrific adversity Bear Chief faced in his childhood made an indelible mark on his life, his unyielding spirit is evident throughout his story.