A dark journey into a serial killer's twisted mind. Out of nowhere, a retired 60-year old handyman goes on a murder-spree, abducting healthy young people and torturing them with hand-tools. After he's caught, a media fascination in The Handyman swells. People want to know why he snapped. They want to hear ALL the grisly details.But he'll only tell his gruesome story to one person-- His estranged son.From the author of Intercepts and The Venue comes this must-read for anyone who is fascinated by serial killers. Not for the faint-of-heart.

A memoir in which "writer Chris Offutt struggles to understand his recently deceased father based on his reading of the 400-plus novels [Andrew Offutt]--a well-known writer of pornography in the 1970s and 80s--left him in his will"--Publisher marketing.

Reeling from the loss of her mother, plagued with a bad case of writer's block (and don't even talk about those extra twenty pounds), Renata DeChavannes feels as though everything is just plain wrong. And that was before the tabloids caught her sweetheart, filmmaker Ferg Lauderdale, sharing an intimate squeeze with Hollywood's hottest young tamale. But the granddaughter of the formidable Honora DeChavannes possesses more hell than belle in her backbone—and she's about to reclaim it. Heading south to Honora's home on the Gulf Coast, Renata is determined to stop feeling like a wilted gardenia and emerge as the unstoppable kudzu her beloved grandmother proudly proclaimed she would be. But for that to happen Renata's got to face some not-so-genteel ghosts from her past, discover the truth about the mother she desperately misses, and make peace with the first man who abandoned her and broke her heart: her handsome and distant father.

A sensational collection of stories of the American experience from the Depression to the aftermath of 9/11, by one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series. John Updike mingles narratives of Pennsylvania with stories of New England suburbia and of foreign travel: “Personal Archaeology” considers life as a sequence of half-buried layers, and “The Full Glass” distills a lifetime’s happiness into one brimming moment of an old man’s bedtime routine. High-school class reunions, in “The Walk with Elizanne” and “The Road Home,” restore their hero to youth’s commonwealth where, as the narrator of the title story confides, “the self I value is stored, however infrequently I check on its condition.” Exotic locales encountered in the journeys of adulthood include Morocco, Florida, Spain, Italy, and India. The territory of childhood, with its fundamental, formative mysteries, is explored in “The Guardians,” “The Laughter of the Gods,” and “Kinderszenen.” Love’s fumblings among the bourgeoisie yield the tart comedy of “Free,” “Delicate Wives,” “The Apparition,” and “Outage.”

Young Elmer voyages to Wild Island to rescue a captive dragon by outwitting hungry tigers, cranky crocodiles, and other fierce animals. This charmingly illustrated Newbery Honor Book has delighted generations of readers.

Now a major motion picture streaming on Hulu, starring Anne Hathaway and Thomasin McKenzie Shortlisted for the Man Booker Prize “Eileen is a remarkable piece of writing, always dark and surprising, sometimes ugly and occasionally hilarious. Its first-person narrator is one of the strangest, most messed-up, most pathetic—and yet, in her own inimitable way, endearing—misfits I’ve encountered in fiction. Trust me, you have never read anything remotely like Eileen.” —Washington Post So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes—a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to use his name for such a place feels appropriate. In a week, I would run away from home and never go back. This is the story of how I disappeared. The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman trapped between her role as her alcoholic father’s caretaker in a home whose squalor is the talk of the neighborhood and a day job as a secretary at the boys’ prison, filled with its own quotidian horrors. Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping to the big city. In the meantime, she fills her nights and weekends with shoplifting, stalking a buff prison guard named Randy, and cleaning up her increasingly deranged father’s messes. When the bright, beautiful, and cheery Rebecca Saint John arrives on the scene as the new counselor at Moorehead, Eileen is enchanted and proves unable to resist what appears at first to be a miraculously budding friendship. In a Hitchcockian twist, her affection for Rebecca ultimately pulls her into complicity in a crime that surpasses her wildest imaginings. Played out against the snowy landscape of coastal New England in the days leading up to Christmas, young Eileen’s story is told from the gimlet-eyed perspective of the now much older narrator. Creepy, mesmerizing, and sublimely funny, in the tradition of Shirley Jackson and early Vladimir Nabokov, this powerful debut novel enthralls and shocks, and introduces one of the most original new voices in contemporary literature. Ottessa Moshfegh is also the author of My Year of Rest and Relaxation, Homesick for Another World: Stories, and McGlue.

“Between fish, my father and I, two men who are as comfortable with each other’s voice as we are with each other’s silences, talk about the purpose of things, and how everything fits into the overall design.” This book is like no memoir you’ve ever read. Paul Rath writes with the soul of a poet, his prose alive with vibrant images and metaphors that capture the raw beauty and challenges of fishing for white fish in the frigid November air – “when the wind takes us into her cold mouth, and crunches us between her teeth. Her cold makes our eyes freeze – until they feel like stones, frozen in their sockets of mud ...” Yet this no mere fish story. As much as this book is about fishing, it is even more about relationships. Fishing with My Fathers explores the deep bonds that form between men of the earth, between men and the land and the water and the creatures that feed their spirits. Rath, the eldest son of a Lutheran pastor, pays homage to his father and tribute to the men who shaped and challenged him, even as he claimed his own space and place in their lineage. With wonderful humour and genuine sensitivity, he regales the reader with tales of his father, grandfather, great-grandfather, as well as of his mentors – of the men who taught him how to grow up, how to control his emotions, how to work, how to grow his spirit, how to love, as well as how to fish.