Unable to sleep, a young boy climbs into his father's arms and asks about birds, foxes, and whether his mother will ever awaken, then under a starry sky, the father provides clear answers and assurances.

first paperback edition: To the outside world, Walter de Milly's father was a prominent businessman, a dignified Presbyterian, and a faithful husband; to Walter, he was an overwhelming, handsome monster. This paperback edition of In My Father's Arms: A Son's Story of Sexual Abuse adds a reflective preface by the author and a foreword by Richard B. Gartner, author of Beyond Betrayal: Taking Charge of Your Life after Boyhood Sexual Abuse. "A sensitive and compelling account of father-son incest. In spite of the suffering portrayed, the account also gives testimony to the strength of family bonds, and to the courage and resilience of the human spirit."—Fred S. Berlin, MD, Director of the National Institute for the Study, Prevention and Treatment of Sexual Trauma "This is the most detailed and utterly plausible account I've ever read of what it feels like to be an abused child, and it is told with cinematic presence and verisimilitude. The anger, the love, the evasiveness and jealousy and confusion, the need to dissociate oneself from one's own actions and reactions—all are presented in a harrowing narrative, which is as tragic as a Greek drama and as engrossing as a Victorian novel. The unexpected element in this book—which falls on it like manna—is its nourishing, exquisite lyricism."—Edmund White, author of A Boy's Own Story cloth: "Walter de Milly has written a sensitive and compelling account of father-son incest. In spite of the suffering portrayed, the account also gives testimony to the strength of family bonds, and to the courage and resilience of the human spirit."—Fred S. Berlin, M.D., Director of the National Institute for the Study, Prevention and Treatment of Sexual Trauma "This is the most detailed and utterly plausible account I've ever read of what it feels like to be an abused child, and it is told with cinematic presence and verisimilitude. The anger, the love, the evasiveness and jealousy and confusion, the need to dissociate oneself from one's own actions and reactions—all are presented in a harrowing narrative, which is as tragic as a Greek drama and as engrossing as a Victorian novel. The unexpected element in this book—which falls on it like manna—is its nourishing, exquisite lyricism."—Edmund White The TV-perfect family of Walter de Milly III was like many others in the American South of the 1950s—seemingly close-knit, solidly respectable, and active in the community. Tragically, Walter's deeply troubled father would launch his family on a perilous journey into darkness. To the outside world, this man is a prominent businessman, a dignified Presbyterian, and a faithful husband; to Walter, he is an overwhelming, handsome monster. Whenever the two are together, young Walter becomes a sexual plaything for his father; father and son outings are turned into soul-obliterating nightmares. Walter eventually becomes a successful businessman only to be stricken by another catastrophe: his father, at the age of seventy, is caught molesting a young boy. Walter is asked to confront his father. Walter convenes his family, and in a private conference with a psychiatrist, the father agrees to be surgically castrated. De Milly's portraits of his relationships with his father and mother, and the confrontation that leads to his father's bizarre and irreversible voluntary "cure," are certain to be remembered long after the reader has set aside this powerful contribution to the literature of incest survival. Walter de Milly is a writer living in Key West, Florida.

A young Kurd comes of age in a war-torn land. This beautiful, spare narrative tells of the life of a boy named Azad--in fact the author, a Kurdish filmmaker--as he grows to manhood in Iraq during the 1960s and 1970s. Azad is born into a vibrant village culture, to a family that is proud of its Kurdish past and hopes for a free Kurdish future. He loves his mother's orchard, his cousin's stunt pigeons, his father's old Czech rifle, his brother who is fighting in the mountains. But before he is even of school age, Azad has experienced strafing and bombing; he watches as friends and neighbors are assassinated; and he sees his father humiliated when he tries to get food for his starving family. Forced into a refugee camp in Iran for years, his family realizes, on their return, that Saddam Hussein and his regime are destroying the autonomy he had promised their people. In a burst of adolescent impatience, Azad briefly runs off to the mountains to fight for Kurdish liberty, like his brother. But Azad has also discovered art--drawings, poetry, film--and he senses that he must find his own way to advance the Kurdish cause. My Father's Rifle ends with his heartbreaking departure from his parents and flight across the Syrian border to freedom. Stunning in its unadorned intensity, My Father's Rifle is a moving portrait of a boy who embraces the land and culture he loves, even as he leaves them.

Relates the author's decision, years after her father was taken away by the KGB, to relocate to her uncle's home in America, where she pursued an education and worked as an interpreter before becoming a cultural adviser for the U.S. Army.

A collection of poems celebrating African-American fathers by Angela Johnson, E. Ethelbert Miller, Carole Boston Weatherford, and others.

By turns heart-tugging and hilarious, Myron Uhlberg’s memoir tells the story of growing up as the hearing son of deaf parents—and his life in a world that he found unaccountably beautiful, even as he longed to escape it. “Does sound have rhythm?” my father asked. “Does it rise and fall like the ocean? Does it come and go like the wind?” Such were the kinds of questions that Myron Uhlberg’s deaf father asked him from earliest childhood, in his eternal quest to decipher, and to understand, the elusive nature of sound. Quite a challenge for a young boy, and one of many he would face. Uhlberg’s first language was American Sign Language, the first sign he learned: “I love you.” But his second language was spoken English—and no sooner did he learn it than he was called upon to act as his father’s ears and mouth in the stores and streets of the neighborhood beyond their silent apartment in Brooklyn. Resentful as he sometimes was of the heavy burdens heaped on his small shoulders, he nonetheless adored his parents, who passed on to him their own passionate engagement with life. These two remarkable people married and had children at the absolute bottom of the Great Depression—an expression of extraordinary optimism, and typical of the joy and resilience they were able to summon at even the darkest of times. From the beaches of Coney Island to Ebbets Field, where he watches his father’s hero Jackie Robinson play ball, from the branch library above the local Chinese restaurant where the odor of chow mein rose from the pages of the books he devoured to the hospital ward where he visits his polio-afflicted friend, this is a memoir filled with stories about growing up not just as the child of two deaf people but as a book-loving, mischief-making, tree-climbing kid during the remarkably eventful period that spanned the Depression, the War, and the early fifties. From the Hardcover edition.

From the author of The Latehomecomer, a powerful memoir of her father, a Hmong song poet who sacrificed his gift for his children's future in America In the Hmong tradition, the song poet recounts the story of his people, their history and tragedies, joys and losses; extemporizing or drawing on folk tales, he keeps the past alive, invokes the spirits and the homeland, and records courtships, births, weddings, and wishes. Following her award-winning book The Latehomecomer, Kao Kalia Yang now retells the life of her father Bee Yang, the song poet, a Hmong refugee in Minnesota, driven from the mountains of Laos by American's Secret War. Bee lost his father as a young boy and keenly felt his orphanhood. He would wander from one neighbor to the next, collecting the things they said to each other, whispering the words to himself at night until, one day, a song was born. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp. But the songs fall away in the cold, bitter world of a Minneapolis housing project and on the factory floor until, with the death of Bee's mother, the songs leave him for good. But before they do, Bee, with his poetry, has polished a life of poverty for his children, burnished their grim reality so that they might shine. Written with the exquisite beauty for which Kao Kalia Yang is renowned, The Song Poet is a love story -- of a daughter for her father, a father for his children, a people for their land, their traditions, and all that they have lost.