“Please allow me to introduce myself. My name is Guillaume Groen van Prinsterer. I heard that you don’t know who Stahl is. And I could not help wondering – please pardon my incivility, but … what rock have you been hiding under? Never heard of Stahl? Why, he is simply one of the greatest statesmen and legal scholars that Germany ever produced. “Everyone knows Stahl – usually without wanting to. For he has many opponents, who execrated what he stood for. They had a host of names for him: ‘a friend of compulsion, of princely absolutism, of medieval prejudices and misconceptions, a thoughtless fanatic, attached to obsolete forms, who foolishly mixes politics with religion; an ultra-Lutheran, Puseyite, head of the Junker party, proponent of feudal abuses, sophist in scientific outfit, dreamer about whose metaphysical speculations one reluctantly racks one's brains.’ When he died, they were happy to see him go: ‘Every sane person gladly sends such wicked men as this crusader chasing the holy cross, when heaven pleases to call them.’ Crusader! And they say that of someone who is Jewish! That’s right, Stahl was a convert to Christianity. And then, about his legacy – they are certain it will not follow after him: ‘It does not look as if Stahl will rise from the dead anymore.’ “But it will. I – we – will make sure that it does. Stahl was a voice crying in the wilderness, but his message is timeless. The kingdom of God and of His Christ will be recognized, on earth as it is in heaven. Here and now, among the rulers and powers, among the nations. ‘Every knee shall bow and every tongue confess that Jesus Christ is Lord.’ That is Stahl’s message, not only in private, among the congregation and around the dinner table, but in public, in the halls of power, the groves of academia, the popular consciousness, the public’s opinion. The gospel is an affair of public interest, it is a message to the nations. It concerns their weal and woe, their destiny. Such is by no means a matter of indifference to the kingdom of God. “That has been my message as well. Believe me, it is not a popular one in this day and age. The entire Zeitgeist is running against it. No one wants to hear of ‘the faithful witness, the firstborn of the dead, and the ruler of the kings of the earth’ – not even His followers! But does that mean that we are to be silenced? Or worse yet, to silence ourselves? Forbid it, Almighty God! “It is time men like Stahl were recognized for their work, their achievement, and their vision for the church, the nations, and the kingdom of God. It is past time to embrace and build upon their legacies, especially Stahl’s, which is so rich, profitable, rewarding. Read this memorial and acquaint yourself with someone who well deserves your undivided attention.”

Guillaume Groen van Prinsterer "Please allow me to introduce myself. My name is Guillaume Groen van Prinsterer. I heard that you don't know who Stahl is. And I could not help wondering - please pardon my incivility, but ... what rock have you been hiding under? Never heard of Stahl? Why, he is simply one of the greatest statesmen and legal scholars that Germany ever produced. "Everyone knows Stahl - usually without wanting to. For he has many opponents, who execrated what he stood for. They had a host of names for him: 'a friend of compulsion, of princely absolutism, of medieval prejudices and misconceptions, a thoughtless fanatic, attached to obsolete forms, who foolishly mixes politics with religion; an ultra-Lutheran, Puseyite, head of the Junker party, proponent of feudal abuses, sophist in scientific outfit, dreamer about whose metaphysical speculations one reluctantly racks one's brains.' When he died, they were happy to see him go: 'Every sane person gladly sends such wicked men as this crusader chasing the holy cross, when heaven pleases to call them.' Crusader! And they say that of someone who is Jewish! That's right, Stahl was a convert to Christianity. And then, about his legacy - they are certain it will not follow after him: 'It does not look as if Stahl will rise from the dead anymore.' "But it will. I - we - will make sure that it does. Stahl was a voice crying in the wilderness, but his message is timeless. The kingdom of God and of His Christ will be recognized, on earth as it is in heaven. Here and now, among the rulers and powers, among the nations. 'Every knee shall bow and every tongue confess that Jesus Christ is Lord.' That is Stahl's message, not only in private, among the congregation and around the dinner table, but in public, in the halls of power, the groves of academia, the popular consciousness, the public's opinion. The gospel is an affair of public interest, it is a message to the nations. It concerns their weal and woe, their destiny. Such is by no means a matter of indifference to the kingdom of God. "That has been my message as well. Believe me, it is not a popular one in this day and age. The entire Zeitgeist is running against it. No one wants to hear of 'the faithful witness, the firstborn of the dead, and the ruler of the kings of the earth' - not even His followers! But does that mean that we are to be silenced? Or worse yet, to silence ourselves? Forbid it, Almighty God! "It is time men like Stahl were recognized for their work, their achievement, and their vision for the church, the nations, and the kingdom of God. It is past time to embrace and build upon their legacies, especially Stahl's, which is so rich, profitable, rewarding. Read this memorial and acquaint yourself with someone who well deserves your undivided attention."

This book provides a comprehensive analysis of major works in Japanese literature and film through the interpretive lens of trauma and PTSD studies. Focusing critical attention on the psychodynamics and enduring psychosocial aftereffects of social trauma, it also evaluates the themes of dissociation, failed mourning, and psychological defence fantasies. Building on earlier studies, this book emphasizes the role of protagonists in managing to effect partial recovery by composing memoirs in which they transform dissociated traumatic memory into articulate, narrative memory or bring about advanced recovery by pioneering alternative means of orally communicating, working through, and overcoming debilitating personal histories of traumatization and victimization. In so doing, Stahl also demonstrates that what holds true on the individual and microcosmic level, also does so on the collective and macrocosmic level. This new critical approach sheds important new light on canonical Japanese novels and films and enables recognition and appreciation of integral psychosocial aspects of these traumatic narratives. As such, the book will be of huge interest to students and scholars of Japanese film and literature, as well as those of trauma studies.

In 1957 two young scientists, Matthew Meselson and Frank Stahl, produced a landmark experiment confirming that DNA replicates as predicted by the double helix structure Watson and Crick had recently proposed. It also gained immediate renown as a “most beautiful” experiment whose beauty was tied to its simplicity. Yet the investigative path that led to the experiment was anything but simple, Frederic L. Holmes shows in this masterful account of Meselson and Stahl’s quest. This book vividly reconstructs the complex route that led to the Meselson-Stahl experiment and provides an inside view of day-to-day scientific research--its unpredictability, excitement, intellectual challenge, and serendipitous windfalls, as well as its frustrations, unexpected diversions away from original plans, and chronic uncertainty. Holmes uses research logs, experimental films, correspondence, and interviews with the participants to record the history of Meselson and Stahl’s research, from their first thinking about the problem through the publication of their dramatic results. Holmes also reviews the scientific community’s reception of the experiment, the experiment’s influence on later investigations, and the reasons for its reputation as an exceptionally beautiful experiment.

A highly-illustrated and reader-friendly text on the key psychopharmacology concepts surrounding Alzheimer's disease and other dementias.

Japanese literature and film have frequently been approached using lenses such as language, genre and ideology. Yet, despite a succession of major social traumas that have marked, and in many ways shaped and defined much of modern Japan, Japanese fiction and cinema have not often been examined psychoanalytically. In this book, David Stahl conducts in-depth readings and interpretations of a set of Japanese novels and film. By introducing the methodology of trauma/PTSD studies, Stahl seeks to provide a better understanding of the insights of Japanese writers and directors into their societies, cultures and histories. In particular, by building on the work of practitioner-theoreticians, such as Pierre Janet and Judith Herman, Stahl analyses a number of key texts, including Kawabata Yasunari’s Sleeping Beauties (1961), Enchi Fumiko’s Female Masks (1958) and Imamura Sho- hei’s Vengeance is Mine (1979). Consequently, through using concepts of social trauma, dissociation, failed mourning, revenge and narrative memory, this book sheds new light on the psychological aftereffects and transgenerational legacies of trauma depicted in Japanese works. Trauma, Dissociation and Re-enactment in Japanese Literature and Film will be of interest to students and scholars of Japanese Literature and Cinema, as well as those interested in Japanese History and Trauma Studies.

This collection of heroin stories from Eric Bogosian, Jerry Stahl, Lydia Lunch, and more “will satisfy devotees of noir fiction and outsider art alike” (Publishers Weekly). On the heels of The Speed Chronicles (Sherman Alexie, William T. Vollmann, Megan Abbott, James Franco, Beth Lisick, etc.) and The Cocaine Chronicles (Lee Child, Laura Lippman, etc.) comes The Heroin Chronicles, a volume sure to frighten and delight. The literary styles of these stories are as diverse as the moral quandaries they explore. From the groundbreaking novels of William S. Burroughs to the mind-altering music of The Velvet Underground, heroin—in all its ecstasy and tragedy—has been the subject of many an underground masterpiece. Collected here are all-new short stories about the infamous drug by some of today’s most celebrated and provocative writers, including Eric Bogosian, Lydia Lunch, Jerry Stahl, Nathan Larson, Ava Stander, Antonia Crane, Gary Phillips, Jervey Tervalon, John Albert, Michael Albo, Sophia Langdon, Tony O’Neill, and L.Z. Hansen.