A collection of writings includes images of a variety of handwritten speeches, letters, and childhood notebooks, accompanied by commentary by James M. McPherson, Ken Burns, Doris Kearns Goodwin, John Updike, Toni Morrison, and other notables.

Unable to close his previous case against the Monument Bomber, Senior FBI Special Agent Zane Rigby has been re-assigned to uncover a secret. Is Abraham Lincoln's body in his grave? When DNA from a hand found with a blackmail note traced back to 1901 matches the DNA from bone taken at Lincoln's autopsy, Rigby is shuffled off to Springfield, Illinois where all manner of obstacles threaten his success. He discovers a local congressman hiding a dreaded secret, a strange doctor who claims he can perform medical miracles and his own ill-timed urge to rekindle a relationship with his college sweetheart. And then there is the dead body of a young woman found near Lincoln's Tomb. As the Monument Bomber threatens to strike again, Rigby searches for redemption in solving the murder and discovering the secret buried in Lincoln's tomb.

On the occasion of the 200th anniversary of Abraham Lincoln’s birth and in conjunction with the Library of Congress 2009 Bicentennial Exhibition, In Lincoln’s Hand offers an unprecedented look at perhaps our greatest president through vivid images of his handwritten letters, speeches, and even childhood notebooks—many never before made available to the public. Edited by leading Lincoln scholars Joshua Wolf Shenk and Harold Holzer, this companion volume to the Library of Congress exhibition offers a fresh and intimate perspective on a man whose thoughts and words continue to affect history. To underscore the resonance of Lincoln’s writings on contemporary culture, each manuscript is accompanied by a reflection on Lincoln by a prominent American from the arts, politics, literature, or entertainment, including Toni Morrison, Sam Waterston, Robert Pinsky, Gore Vidal, and presidents Carter, George H.W., and George W. Bush. While Lincoln’s words are quite well known, the original manuscripts boast a unique power and beauty and provide rare insight into the creative process. In this collection we can see the ebb and flow of Lincoln’s thoughts, emotions, hopes, and doubts. We can see where he paused to dip his pen in the ink or to capture an idea. We can see where he added a word or phrase, and where he crossed out others, searching for the most precise, and concise, expression. In these marks on the page, Lincoln’s character is available to us with a profound immediacy. From such icons as the Gettysburg Address and the inaugural speeches to seldom-seen but superb rarities, here is the world as Lincoln saw and shaped it in words and images that resound to this very day.

From Kirkus Reviews: A friendly yet not uncritical biography of the secretary of state in the Lincoln and Andrew Johnson Cabinets. Taylor--who chronicled his father's life in General Maxwell Taylor (1987)- -offers neither much original scholarship nor

April 14, 1865. A famous actor pulls a trigger in the presidential balcony, leaps to the stage and escapes, as the president lies fatally wounded. In the panic that follows, forty-six terrified people scatter in and around Ford’s Theater as soldiers take up stations by the doors and the audience surges into the streets chanting, “Burn the place down!” This is the untold story of Lincoln’s assassination: the forty-six stage hands, actors, and theater workers on hand for the bewildering events in the theater that night, and what each of them witnessed in the chaos-streaked hours before John Wilkes Booth was discovered to be the culprit. In Backstage at the Lincoln Assassination, historian Thomas A. Bogar delves into previously unpublished sources to tell the story of Lincoln’s assassination from behind the curtain, and the tale is shocking. Police rounded up and arrested dozens of innocent people, wasting time that allowed the real culprit to get further away. Some closely connected to John Wilkes Booth were not even questioned, while innocent witnesses were relentlessly pursued. Booth was more connected with the production than you might have known—learn how he knew each member of the cast and crew, which was a hotbed of secessionist resentment. Backstage at the Lincoln Assassination also tells the story of what happened to each of these witnesses to history, after the investigation was over—how each one lived their lives after seeing one of America’s greatest presidents shot dead without warning. Backstage at the Lincoln Assassination is an exquisitely detailed look at this famous event from an entirely new angle. It is must reading for anyone fascinated with the saga of Lincoln’s life and the Civil War era.

A history of U.S. Civil War monuments that shows how they distort history and perpetuate white supremacy The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent end was told in public spaces—specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest era of monument building in American history took place amid struggles over race, gender, and collective memory. Standing Soldiers, Kneeling Slaves probes a host of fascinating questions and remains the only sustained investigation of post-Civil War monument building as a process of national and racial definition. Featuring a new preface by the author that reflects on recent events surrounding the meaning of these monuments, and new photography and illustrations throughout, this new and expanded edition reveals how monuments exposed the myth of a "united" people, and have only become more controversial with the passage of time.

Winner of the Pura Belpré Illustrator Award A Kirkus Reviews Best Picture Book In soaring words and stunning illustrations, Margarita Engle and Rafael López tell the story of Teresa Carreño, a child prodigy who played piano for Abraham Lincoln. As a little girl, Teresa Carreño loved to let her hands dance across the beautiful keys of the piano. If she felt sad, music cheered her up, and when she was happy, the piano helped her share that joy. Soon she was writing her own songs and performing in grand cathedrals. Then a revolution in Venezuela forced her family to flee to the United States. Teresa felt lonely in this unfamiliar place, where few of the people she met spoke Spanish. Worst of all, there was fighting in her new home, too—the Civil War. Still, Teresa kept playing, and soon she grew famous as the talented Piano Girl who could play anything from a folk song to a sonata. So famous, in fact, that President Abraham Lincoln wanted her to play at the White House! Yet with the country torn apart by war, could Teresa’s music bring comfort to those who needed it most?