This is a major, collaborative study of organised military activity and its broad impact on Ireland over the last thousand years or so, from the middle of the first millennium AD to modern times. It integrates the best recent scholarship in military history into its social and political context to provide a comprehensive treatment of the Irish military experience. The eighteen chronologically-organised chapters are written by leading scholars each of whom is an authority on the period in question. Drawing the whole work together is a wide-ranging introductory essay on the 'Irish military tradition' which explores the relationship of Irish society and politics with militarism and military affairs. The text is illustrated throughout by over 120 pictures and maps.

Strange things have been brewing in the village of Ashlaw in 1923: the once-prosperous drapers' shop has gone bankrupt and three separate families' lives have each, it seems, been hexed. In a bigger town such news might happen every day, but in tiny, remote Ashlaw, even one of these curses can set the whole village off-kilter. So what could be responsible for the stir? Margot, a local, precocious schoolgirl, has been trying to figure this out, especially since hers was one of the three ill-fated families. She comes to a strange conclusion--each of these curses somehow involves one Linden Grey, the most intriguing woman Margot has ever met. She determines to understand, once and for all, Linden's identity and her preternatural, even deadly, powers. But in her search, is Margot willing to hand over her childish innocence? With eerie suspense and clever turns of plot, Anna Gilbert bewitches believers and non-believers alike in A Hint of Witchcraft, a chronicle of a village's encounter with the other-worldly.

The first book to explore, in depth the complete range of paranormal phenomena reported throughout Hampshire in modern times.

Published on the occasion of an exhibition by the same name to be held at Musaee Matisse, Le Cateau-Cambraesis, Oct. 23, 2004-January 25 2005, Royal Academy of Arts, London, March 5-May 30 2005, and The Metropolitan Museum of Art, New York, June 23-September 25, 2005.

Recent calls for a return to aesthetics occur precisely at a moment when it is increasingly evident that nothing concerning aesthetics is self-evident anymore. Determined to recover the value of aesthetic experience for artistic, cultural, and social analysis, the contributors to this volume--prominent scholars in literature, philosophy, art history, architecture, history, and anthropology--begin from a shared recognition that ideological readings of the aesthetic have provided invaluable insights, in particular, that analyses of aesthetics within historical and social contexts tell us a great deal about the experience of aesthetic encounters. From multiple and complementary perspectives, the contributors address topics as varied as Nabokov and Dickens, Caravaggio and Shelley Winters, gender and sexuality, advertising and AIDS. Taken together, their essays constitute a sustained and multifarious effort to resituate aesthetic pleasure in the mixed, impure conditions characteristic of every social practice and experience, however privileged or marginalized, and to ask what happens to the aesthetic if we consider it apart from--or at least in tension with--its historically dominant discursive formulations. As such, this volume establishes a renewed sense of aesthetic discourse and its usefulness as a tool for understanding culture.