An enthrallingly expansive family saga set against the backdrop of the collapse of East German communism, from a major new international voice * Over 450,000 copies sold in Germany alone * Rights sold in 20 countries * Winner of the German Book Prize * A PW "First Fiction" pick * In Times of Fading Light begins in September 2001 as Alexander Umnitzer, who has just been diagnosed with terminal cancer, leaves behind his ailing father to fly to Mexico, where his grandparents lived as exiles in the 1940s. The novel then takes us both forward and back in time, creating a panoramic view of the family's history: from Alexander's grandparents' return to the GDR to build the socialist state, to his father's decade spent in a gulag for criticizing the Soviet regime, to his son's desire to leave the political struggles of the twentieth century in the past. With wisdom, humor, and great empathy, Eugen Ruge draws on his own family history as he masterfully brings to life the tragic intertwining of politics, love, and family under the East German regime.

For over five decades, the Newcastle-based Amber Film and Photography Collective has been a critical (if often unheralded) force within British documentary filmmaking, producing a variety of innovative works focused on working-class society. Situating their acclaimed output within wider social, political, and historical contexts, In Fading Light provides an accessible introduction to Amber’s output in both national and transnational perspectives, including experimental, low-budget documentaries in the 1970s; more prominent feature films in the 1980s; studies of post-industrial life in the 1990s; and the distinctive perils and opportunities posed by the digital era.

"Things are not as they seem in Ashraf Kagee's startling and profound evocation of Salt River in 1960, as he traces the lives of Amin's three friends. The boys, mischievous and fun-loving, play a prank which sets in motion a series of events that places their live at risk. In this gripping story, they discover an awful truth about their community. Set in the aftermath of the Sharpeville massacre, the lives of four young boys weave together in a story of lost innocence, the uncertainty of kinship and the unbending nature of fate."--Back cover.

'Lush, romantic and full of intrigue' Tracy Rees, Richard & Judy bestselling author From the award-winning author of The Apothecary's Daughter comes The Fading of the Light, the next book in the Spindrift Trilogy - a beautifully evocative, family drama, perfect for fans of Santa Montefiore, Lucinda Riley and Elizabeth Jane Howard's Cazalet Chronicles. 1902. Spindrift House, Cornwall Edith Fairchild, deserted by her feckless husband Benedict eight years before, has established the thriving Spindrift artists' community by the sea and found deep and lasting love with Pascal. They have accepted that they cannot marry, but when Benedict returns unexpectedly to Spindrift House, all Edith and Pascal's secret hopes and dreams of a joyous life together are overturned. Benedict's arrival shatters the peaceful and creative atmosphere of the close-knit community. When Edith will not allow him back into her bed, the conflict escalates and he sets in motion a chain of tragic events that reverberate down the years and threatens the happiness of the community forever . . . Why do readers love Charlotte Betts? 'A deeply romantic novel whose vivid characters will linger in your mind' Margaret Kaine 'Romantic, poignant and gripping . . . a fabulous holiday read' Deborah Swift 'A stunning and captivating read . . . full of drama, love, loss and life' Book Literati 'Lush, romantic and full of intrigue. I loved the idyllic setting of a Cornish artists' community in Edwardian times. A book to drift away with' Tracy Rees, Richard & Judy bestselling author 'This is a story filled with secrets and revelations. It is one that lingers in the heart long after the final page is turned. The Fading of the Light is a must read for anyone who wants to be absorbed as well as utterly enchanted' Carol McGrath 'A compelling story, beautifully written and brought alive with rich historical detail . . . I was delighted to be taken back to Cornwall' Liz Harris 'A rich cast of characters, whose complex personalities I totally believed in, pulled me into this absorbing story' Molly Green 'An absorbing read with an interesting set of characters that vividly depicts the bohemian life of these Edwardian artists and their family dramas' Janet MacLeod Trotter

Rebecca J. Manring offers an illuminating study and translation of three hagiographies of Advaita Acarya, a crucial figure in the early years of the devotional Vaisnavism which originated in Bengal in the fifteenth century. Advaita Acarya was about fifty years older than the movement's putative founder, Caitanya, and is believed to have caused Caitanya's advent by ceaselessly storming heaven, calling for the divine presence to come to earth. Advaita was a scholar and highly respected pillar of society, whose status lent respectability and credibility to the new movement. A significant body of hagiographical and related literature about Advaita Acarya has developed since his death, some as late as the early twentieth century. The three hagiographic texts included in The Fading Light of Advaita Acarya examine the years of Advaita's life that did not overlap with Caitanya's lifetime, and each paints a different picture of its protagonist. Each composition clearly advocates the view that Advaita was himself divine in some way, and a few go so far as to suggest that Advaita reflected even greater divinity than Caitanya, through miraculous stories that can be found nowhere else in Bengali Vaisnava literature. Manring provides a detailed introduction to these texts, as well as remarkably faithful translations of Haricarana Dasa's Advaita Mangala, Laudiya Krsnadasa's Balya-lila-sutra, and Isana Nagara's Advaita Prakasa.

I Am Not Sidney Poitier is an irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in America I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier. Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation. Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: "What's your name?" a kid would ask. "Not Sidney," I would say. "Okay, then what is it?"

For over five decades, the Newcastle-based Amber Film and Photography Collective has been a critical (if often unheralded) force within British documentary filmmaking, producing a variety of innovative works focused on working-class society. Situating their acclaimed output within wider social, political, and historical contexts, In Fading Light provides an accessible introduction to Amber’s output from both national and transnational perspectives, including experimental, low-budget documentaries in the 1970s; more prominent feature films in the 1980s; studies of post-industrial life in the 1990s; and the distinctive perils and opportunities posed by the digital era.