Humor is essential in second generation AIDS theatre, and this anthology provides an entire spectrum of comedic drama - satire, farce, romance, burlesque, and slapstick. Included are: "The Baddest of Boys" by Doug Holsclaw / "Myron, a Fairy Tale in Black and White" by Michael Kearne / "Queen of Angels" by James Carroll Pickett / "Satan and Simon DeSoto" by Ted Sod / "AIDS! The Musical" by Wendell Jones and David Stanley / "What Are Tuesdays Like?" by Victor Bumbalo / "My Queer Body" by Tim Miller.

The laudatory essay, in which one author praises the work of another, is frequently characterized as an unimportant, even uncritical mode of writing. But as Eleanor Kaufman argues in The Delirium of Praise, this mode of exchange is serious and substantial enough to merit scholarly attention. By not conforming to standard practices of critical discourse, laudatory essays give new status to supposedly inferior forms of communication and states of being—including chatter, silence, sickness, imbalance, and absence of work—and emphasize affective states or emotions such as joy, friendship, and longing. The Delirium of Praise examines a group of five twentieth-century French intellectuals—Georges Bataille, Maurice Blanchot, Michel Foucault, Gilles Deleuze, and Pierre Klossowski—and their laudatory essays about each other. Structured as a circular series of exchanges, the book examines pairings of two thinkers with respect to a given theme. The exchange between Bataille and Blanchot takes up the themes of chatter and silence with regard to the novelist Louis-René des Forêts; the Blanchot-Foucault exchange explores friendship and impersonality through the lens of Jacques Derrida; the Foucault-Deleuze exchange considers "absence of work" (désoeuvrement) and the obscure French philosopher Jacques Martin; the Deleuze-Klossowski exchange revolves around the question of the sick body and the person of Nietzsche; and the final exchange between Klossowski and Bataille focuses on imbalanced economies and the writings of the Marquis de Sade. Where the praise is most excessive, approaching delirium, Kaufman locates a powerful thought-energy that pushes the laudatory essay to its limits. In her conclusion, she presents this unique mode of thought exchange as a form of intellectual hospitality. Kaufman uncovers a suspension of subjectivity, of personality, even of place and time, that is both articulated in the laudatory essays and enacted by them. Her examination of this neglected mode as practiced by five important French thinkers offers a unique perspective on twentieth-century intellectual history.

'The greatest book of philosophy I have ever read, on a par with Nietzsche himself.' Michel Foucault Pierre Klossowski (1905-) is the author of numerous philosophical works, as well as several novels. He published many translations of German poets and philosophers, including Nietzsche himself. Recognised as a masterpiece of Nietzsche scholarship, Nietzsche and the Vicious Circle emphasises and explores the notion of Eternal Return - central to an understanding of Nietzsche's self-denial, self-refutation and self-consumption. Translated by Daniel W. Smith>

These lives converge in a surreal, labyrinthine narrative, building up to the novel's climax: the dance of death between the man who has destroyed the public space - the modern architect - and the man who has destroyed the private - the invasive biographer.

Darkness, both literal and psychological, holds its own unique fascination. Despite our fears, or perhaps because of them, readers have always been drawn to tales of death, terror, madness, and the supernatural, and no more so than today when a wildly imaginative new generation of dark dreamers is carrying on in the tradition of Poe and Lovecraft and King, crafting exquisitely disturbing literary nightmares that gaze without flinching into the abyss—and linger in the mind long after. Multiple award-winning editor Ellen Datlow knows the darkest corners of fiction and poetry better than most. Once again, she has braved the haunted landscape of modern horror to seek out the most chilling new works by both legendary masters of the genre and fresh young talents. Here are twisted hungers and obsessions, human and otherwise, along with an unsettling variety of spine-tingling fears and fantasies. The cutting edge of horror has never cut deeper than in this comprehensive showcase of the very best the field has to offer. Enter at your own risk.