This volume offers a counterbalance to the dismissal that Orosius's Histories Against the Pagans has suffered in most recent criticism. Orosius is traditionally considered to be a mediocre scholar and an essentially worthless historian. This book takes his literary endeavour seriously, recognising the unique contribution the Histories made at a crucial moment of debate and uncertainty, where the present was shaped by restructuring the past. The significance of the Histories is recognised intrinsically rather than only in comparison with other texts and authors, principally Augustine of Hippo, Orosius's mentor. The approach of the book is historiographical, exploring the form, purpose and meaning of the Histories. The themes of divine providence, monotheism, and imperial authority are examined, and the subjects of war and the sack of Rome receive extended analysis. The book foregrounds Orosius's significant historiographical innovations that are seldom explored, such as the subversion of imperial history within a Christian spectrum in the synchronisation of the emperor Augustus and Christ. Each chapter contributes to the progression of knowledge about Orosius's Histories and the wider literary and historiographical culture of disruption that characterised the late fourth and early fifth centuries CE.

This volume offers a counterbalance to the dismissal that Orosius’s Histories Against the Pagans has suffered in most recent criticism. Orosius is traditionally considered to be a mediocre scholar and an essentially worthless historian. This book takes his literary endeavour seriously, recognizing the unique contribution the Histories made at a crucial moment of debate and uncertainty, where the present was shaped by restructuring the past. The significance of the Histories is recognised intrinsically rather than only in comparison with other texts and authors, principally Augustine of Hippo, Orosius's mentor. The approach of the book is historiographical, exploring the form, purpose, and meaning of the Histories. The themes of divine providence, monotheism, and imperial authority are examined, and the subjects of war and the sack of Rome receive extended analysis. The book foregrounds Orosius's significant historiographical innovations that are seldom explored, such as the subversion of imperial history within a Christian spectrum in the synchronization of the emperor Augustus and Christ. Each chapter contributes to the progression of knowledge about Orosius’s Histories and the wider literary and historiographical culture of disruption that characterised the late fourth and early fifth centuries CE.

Choice Outstanding Academic Title "State-of-the-art yet accessible analyses that significantly expand understanding of the role of anarchism in Latin America. . . . Will long be a standard text that provides [an] important reference for scholars and students of labor and social movement history."--Choice "A vivid picture of the transnational nature of the anarcho-syndicalist/anarchist movement."--Anarcho-Syndicalist Review "A pioneering collection of essays on the world of anarchists, anarcho-syndicalists and libertarian thinkers in Latin America."--Barry Carr, coeditor of The New Latin American Left: Cracks in the Empire "An important contribution to a recent trend which sees anarchism not as derived from a European center but as a genuine Latin American phenomenon."--Bert Altena, coeditor of Reassessing the Transnational Turn: Scales of Analysis in Anarchist and Syndicalist Studies "Thoughtful, well-researched, and well-written. As a collection, this goes a long way to furthering our understanding not just of anarchism in Latin America, but of anarchism more generally."--Mark Leier, author of Bakunin: The Creative Passion. In this groundbreaking collection of essays, anarchism in Latin America becomes much more than a prelude to populist and socialist movements. The contributors illustrate a much more vast, differentiated, and active anarchist presence in the region that evolved on simultaneous--transnational, national, regional, and local--fronts. Representing a new wave of transnational scholarship, these essays examine urban and rural movements, indigenous resistance, race, gender, sexuality, and social and educational experimentation. They offer a variety of perspectives on anarchism’s role in shaping ideas about nationalism, identity, organized labor, and counterculture across a wide swath of Latin America.

Presents the history of the efforts to integrate the University of Mississippi, describing James Meredith's struggles to become its first African-American student and the conflict between segregationist Governor Ross Barnet and federal law enforcement officials.

In Defiance of Time contends that the antiquarian project, integral to early modern literary and intellectual culture, depended on the antiquaries' capacity to restore - in their imagination at least - the fragments of the past. It offers original readings of important authors such as Leland, Stow, Spenser, Camden, Drayton, and Selden.

The prevailing image of European Jews during the Holocaust is one of helpless victims, but in fact many Jews struggled against the terrors of the Third Reich. In Defiance, Nechama Tec offers a riveting history of one such group, a forest community in western Belorussia that would number more than 1,200 Jews by 1944--the largest armed rescue operation of Jews by Jews in World War II. Tec reveals that this extraordinary community included both men and women, some with weapons, but mostly unarmed, ranging from infants to the elderly. She reconstructs for the first time the amazing details of how these partisans and their families--hungry, exposed to the harsh winter weather--managed not only to survive, but to offer protection to all Jewish fugitives who could find their way to them. Arguing that this success would have been unthinkable without the vision of one man, Tec offers penetrating insight into the group's commander, Tuvia Bielski. Tec brings to light the untold story of Bielski's struggle as a partisan who lost his parents, wife, and two brothers to the Nazis, yet never wavered in his conviction that it was more important to save one Jew than to kill twenty Germans. She shows how, under Bielski's guidance, the partisans smuggled Jews out of heavily guarded ghettos, scouted the roads for fugitives, and led retaliatory raids against Belorussian peasants who collaborated with the Nazis. Herself a Holocaust survivor, Nechama Tec here draws on wide-ranging research and never before published interviews with surviving partisans--including Tuvia Bielski himself--to reconstruct here the poignant and unforgettable story of those who chose to fight.

The Art of Defiance is an ethnographic portrait of how graffiti writers see their city and, in turn, how their city sees them. It explores how becoming a graffiti writer helps disenfranchised urban citizens negotiate their cultural identities, build their social capital, and gain a voice within an urban environment that would prefer they remain quiet, passive, and anonymous. In order to both demystify and complicate our understanding of the practice of graffiti writing, this book pushes past the narrative that links the origins of graffiti to criminal gangs and instead offers a detailed portrait of graffiti as a rich urban culture with its own rules and practices. To do so, it examines the cultural history of graffiti in Philadelphia from the early 1970s onward and explores what it is like to be a graffiti writer in the city today. Ultimately, Tyson Mitman aims to humanize graffiti writers and to show that what they do is not merely destructive or puerile, but, rather, adds something important to the urban experience that is a conscious and deliberate act on the part of its practitioners.