"In Cupid's court" by Ina Russelle Warren. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Eleanor of Aquitaine was the wife of two kings, Louis VII of France and Henry II Plantagenet of England, and the mother of two others, Richard the Lionhearted and John Lackland. In her eventful, often stormy life, she not only influenced the course of events in the twelfth century but also encouraged remarkable advances in the literary and fine arts. In this book, experts in five disciplines—history, art history, music, French and English literature—evaluate the influence of Eleanor and her court on history and the arts. Elizabeth A. R. Brown views Eleanor as having played a significant role as parent and politician, but not as patron. Rebecca A. Baltzer takes a new look at the music of the period that was written by and for Eleanor, her court, and her family. Moshé Lazar reexamines her relationship to the courtly-love literature of the period. Eleanor S. Greenhill and Larry M. Ayres reassess her influence in the realm of art history. Rossell Hope Robbins traces the lines extending from the French courtly literature of Eleanor's period down into fourteenth-century Chaucerian England. The essays reflect divergent but generally complementary assessments of this remarkable woman's influence on her own era and on future times as well. This volume is the result of a symposium held at the University of Texas in 1973.

Cupid became a popular figure in the literary and visual culture of post-Reformation England. He served to articulate and debate the new Protestant theory of desire, inspiring a dark version of love tragedy in which Cupid kills. But he was also implicated in other controversies, as the object of idolatrous, Catholic worship and as an adversary to female rule: Elizabeth I's encounters with Cupid were a crucial feature of her image-construction and changed subtly throughout her reign. Covering a wide variety of material such as paintings, emblems and jewellery, but focusing mainly on poetry and drama, including works by Sidney, Shakespeare, Marlowe and Spenser, Kingsley-Smith illuminates the Protestant struggle to categorise and control desire and the ways in which Cupid disrupted this process. An original perspective on early modern desire, the book will appeal to anyone interested in the literature, drama, gender politics and art history of the English Renaissance.

The lightheartedness of these works both masks and enhances their engagement with provocative issues of continuing interest today: conduct in society, literary practice and moral praxis, relations between men and women, the value of received wisdom. This volume offers texts of two medieval French poems by Christine de Pizan: the Epistre au dieu d'amours and Dit de la Rose, together with the first translation of these poems into modern English. The medieval English adaptation of Christine's Epistre, Thomas Hoccleve's The Letter of Cupid, is likewise presented here, and provided with a modern English translation. Finally, an eighteenth-century version of Hoccleve's poem, George Sewell's The Proclamation of Cupid, is edited here for the first time. The editions of these poems by Christine, last edited a century ago, are based on the most recent scholarly findings. The edition of Hoccleve's poem reproduces its authorial punctuation from manuscript for the first time, and thus sheds light on the vexed question of fifteenth- century English metrics. The lively modern English translations of both can be used by students, scholars, and the general reader.