Dive in between the covers of a whimsical, wonderful debut and discover that everything in the world is relative — including you. Look over there — the cat is between a table and a chair with a tear. But now look again: the cat is on top of the dog, who’s between the floor and the cat (and not too happy about that!). As you wander through the delightfully detailed illustrations, the more you look, the more you’ll see — including colors made from a mix of two others, hybrid implements such as a spork, warm nooks that are neither too cold nor too hot, even a cross of a zebra and cow that makes a . . . zebrow? In an engaging and utterly stylish debut, rising star Priscilla Tey leads readers on an addictive exploration of the in-between, a surprisingly far-reaching and everywhere concept.

‘In-between Things: A book of poetry, stories of identity, and interpreting society’ is an anthology of poems, creative non-fiction pieces, essays and social commentary written by the young writer and aspiring scholar/activist Teju Adisa-Farrar. This book maps the progress of her ideas throughout her last year of high school and first few years of college. Starting with pieces of her life and memories from childhood, the book starts off as a creative biography. As the book continues on it develops into an array of writings on the author’s feelings about love, social issues, and histories. The author shares her intimate thoughts along side old, new, and developing beliefs and theories about the society she lives in and the world we are all apart of. While the author does not hold all these ideas as true anymore she wanted to map out and explore how growth is a creative process that does not mean we are becoming someone different, rather that we are learning more about the essence we were always meant to grow into. In this book she uses various types of written form to understand her own identity as it relates to her own stories and her expanding understanding of the world. This anthology combines identity and interpretation in a way that helps us discover the stories in Adisa-Farrar’s mind. The free-flowing nature of the book allows each piece to be new and of it’s own, but add to a larger story of the world as seen through the eyes of a young adult who’s passion is endless and boundless.

Between inside and outside, between upstairs and down, a world of in-between things can be found!

Internet trolls live to upset as many people as possible, using all the technical and psychological tools at their disposal. They gleefully whip the media into a frenzy over a fake teen drug crisis; they post offensive messages on Facebook memorial pages, traumatizing grief-stricken friends and family; they use unabashedly racist language and images. They take pleasure in ruining a complete stranger's day and find amusement in their victim's anguish. In short, trolling is the obstacle to a kinder, gentler Internet. To quote a famous Internet meme, trolling is why we can't have nice things online. Or at least that's what we have been led to believe. In this provocative book, Whitney Phillips argues that trolling, widely condemned as obscene and deviant, actually fits comfortably within the contemporary media landscape. Trolling may be obscene, but, Phillips argues, it isn't all that deviant. Trolls' actions are born of and fueled by culturally sanctioned impulses -- which are just as damaging as the trolls' most disruptive behaviors. Phillips describes, for example, the relationship between trolling and sensationalist corporate media -- pointing out that for trolls, exploitation is a leisure activity; for media, it's a business strategy. She shows how trolls, "the grimacing poster children for a socially networked world," align with social media. And she documents how trolls, in addition to parroting media tropes, also offer a grotesque pantomime of dominant cultural tropes, including gendered notions of dominance and success and an ideology of entitlement. We don't just have a trolling problem, Phillips argues; we have a culture problem. This Is Why We Can't Have Nice Things isn't only about trolls; it's about a culture in which trolls thrive.

We habitually categorize the world in binary logics of 'animate' and 'inanimate', 'natural' and 'supernatural', 'self' and 'other', 'authentic' and 'inauthentic'. The Inbetweenness of Things rejects such Western classificatory traditions – which tend to categorize objects using bounded notions of period, place and purpose – and argues instead for a paradigm where objects are not one thing or another but a multiplicity of things at once. Adopting an 'object-centred' approach, with contributions from material culture specialists across various disciplines, the book showcases a series of objects that defy neat classification. In the process, it explores how 'things' mediate and travel between conceptual worlds in diverse cultural, geographic and temporal contexts, and how they embody this mediation and movement in their form. With an impressive range of international authors, each essay grounds explorations of cutting-edge theory in concrete case studies. An innovative, thought-provoking read for students and researchers in anthropology, archaeology, museum studies and art history which will transform the way readers think about objects.

The essays in this volume explore how two domains of human experience and action--religion and technology--are implicated in each other. Contrary to commonsense understandings of both religion (as an "otherworldly" orientation) and technology (as the name for tools, techniques, and expert knowledges oriented to "this" world), the contributors to this volume challenge the grounds on which this division has been erected in the first place. What sorts of things come to light when one allows religion and technology to mingle freely? In an effort to answer that question, Deus in Machina embarks upon an interdisciplinary voyage across diverse traditions and contexts where religion and technology meet: from the design of clocks in medieval Christian Europe, to the healing power of prayer in premodern Buddhist Japan, to 19th-century Spiritualist devices for communicating with the dead, to Islamic debates about kidney dialysis in contemporary Egypt, to the work of disability activists using documentary film to reimagine Jewish kinship, to the representation of Haitian Vodou on the Internet, among other case studies. Combining rich historical and ethnographic detail with extended theoretical reflection, Deus in Machina outlines new directions for the study of religion and/as technology that will resonate across the human sciences, including religious studies, science and technology studies, communication studies, history, anthropology, and philosophy.

On the morning of December 14, 2012, I tried to go to sleep. Just before I could slip into a deep sleep, I started to get the beginnings of a poem repeating inside my head. It started out as two rhyming sentences that kept repeating over and over in my head as I was trying to go to sleep. I eventually got up and wrote the whole poem. Later that week, as I was thinking about that poem and another poem came into my head. My girlfriend eventually joined in on the fun of finding different things to write poems on. She would say to me, “Why don’t you write a poem about this, or that?” So, when she mentioned it, I started to write about it. When I finished, I decided to compile all of the poems into a book, and share them with the rest of the world.