An old friend. A new course. A deadly ship with a secret cargo. Ishmael Wang returns to Port Newmar but ghosts from his past have followed him. His old shipmate, Phillip Carstairs, offers him the opportunity to track down the man who killed his lover. The catch? He must take command of the Chernyakova, a ship that still stinks of death and haunts Ishmael's nightmares. Together, Phillip and Ismael begin a journey into unknown reaches of the Deep Dark to bring back the man who killed Greta.

I have written this story as if it were composed by the head of security for the Stinson family at the request of Mrs. Stinson. The story line is intended to show the events of this fictional tale as told by numerous characters as if from TV, radio, and newspaper interviews or notes from police records, court records, etc. Mrs. Stinson is supposedly writing a history of her family and of one particular child as a message of hope and triumph to her descendants. Marchela Wells

Born from the ashes When nights were wintry cold Witness ice- fire clashes See how my life unfolds. Listen to my love songs Songs of hope and joy, May you sing along if they resonate, and you enjoy. Finally, gaining my freedom Come bear witness to my flight How I grow stronger, untangling from all the horrific plights.

The indebtedness of contemporary thinkers to Derrida's project of deconstruction is unquestionable, whether as a source of inspiration or the grounds of critical antagonism. This collection considers: how best to recall deconstruction? Rather than reduce it to an object of historical importance or memory, these essays analyze its significance in terms of complex matrices of desire; provoked in this way, deconstruction cannot be dismissed as 'dead', nor unproblematically defended as alive and well. Repositioned on the threshold of life-death, deconstruction profoundly complicates the field of critical thought which still struggles to memorialize, inter, or reduce the deconstructive corpus to ashes.

In this powerful and culminating work about a group of inner-city children he has known for many years, Jonathan Kozol returns to the scene of his previous prize-winning books, and to the children he has vividly portrayed, to share with us their fascinating journeys and unexpected victories as they grow into adulthood. For nearly fifty years, Jonathan has pricked the conscience of his readers by laying bare the savage inequalities inflicted upon children for no reason but the accident of being born to poverty within a wealthy nation. But never has his intimate acquaintance with his subjects been more apparent, or more stirring, than in Fire in the Ashes, as Jonathan tells the stories of young men and women who have come of age in one of the most destitute communities of the United States. Some of them never do recover from the battering they undergo in their early years, but many more battle back with fierce and often jubilant determination to overcome the formidable obstacles they face. As we watch these glorious children grow into the fullness of a healthy and contributive maturity, they ignite a flame of hope, not only for themselves but also for our society.

On the morning of September 11, 2001, cousins Emilia and Fiona meet for breakfast. The two young women resemble each other and are as close as sisters. After breakfast, Fiona meets her husband in his office at the World Trade Center, and both are killed when the towers collapse. Emilia, trapped in an unhappy marriage to a low-level mafioso, seizes this opportunity to change her life. She hops a bus to a small town in Maine and assumes Fionaas identity. There, she finds work as a housekeeper for the Shane family, who treat her as one of their own. Despite her best intentions, she becomes involved with their son, Ethan, a federal prosecutor in New York. Their relationship and Emiliaas life are threatened when her Mafia husband finally tracks her down.