'From the moment I crossed the mountain I fell in love. With the place, which was more beautiful than any place I'd ever seen. With the people I met there. And with a way of looking at life that was deeper, richer and wiser than any I'd known before. When I left I dreamt of clouds on the mountain. I kept going back.' We all lead very busy lives and sometimes it's hard to find the time to be the people we want to be. Twelve years ago Felicity Hayes-McCoy left the hectic pace of the city and returned to Ireland to make a new life in a remarkable house on the stunning Dingle peninsula. Beautifully written, this is a life-affirming tale of rediscovering lost values and being reminded of the things that really matter.

Taking readers on a guided tour of the stately manor houses and romantic cottages of Ireland, this book includes personal texts by each home's owner and 170 full-color photographs.

Taking readers on a guided tour of the stately manor houses and romantic cottages of Ireland, this book includes personal texts by each home's owner and 170 full-color photographs.

22 Folk Tales from Ireland retold and illustrated by the author. One of Irish-American writer James Reynolds’ best works is this lively compilation of Irish ghost stories that reflects the rich Celtic imagination. First published in 1947, this compilation draws from his personal collection of over 200 tales, ranging from the tenth to the twentieth centuries, these 22 yarns are a mix of the eerie, the terrifying, and the madly comic. In “The Bloody Stones of Kerrigan’s Keep,” vengeful spirits from a centuries-old massacre terrorize all who come close to their fortress grave. In “The Headless Rider of Castle Sheela,” the ghost of a beheaded horseman continues to haunt his castle every Christmas day. You’ll meet the demonic harpies of “The Ghostly Catch,” the giddy spirits of the fashionable O’Haggerty twins, and the gluttonous ghost of Jason Bannott. Other tales include “The Weeping Wall,” “The Bridal Barge of Aran Roe,” “Mrs. O’Moyne and the Fatal Slap,” and more. Enhanced by Reynolds’ illustrations of Irish houses and their residents—both ghostly and human—this anthology is a treasure to savor.

The gripping story of the tumultuous destruction of the Irish country house, spanning the revolutionary years of 1912 to 1923 During the Irish Revolution nearly three hundred country houses were burned to the ground. These “Big Houses” were powerful symbols of conquest, plantation, and colonial oppression, and were caught up in the struggle for independence and the conflict between the aristocracy and those demanding access to more land. Stripped of their most important artifacts, most of the houses were never rebuilt and ruins such as Summerhill stood like ghostly figures for generations to come. Terence Dooley offers a unique perspective on the Irish Revolution, exploring the struggles over land, the impact of the Great War, and why the country mansions of the landed class became such a symbolic target for republicans throughout the period. Dooley details the shockingly sudden acts of occupation and destruction—including soldiers using a Rembrandt as a dart board—and evokes the exhilaration felt by the revolutionaries at seizing these grand houses and visibly overturning the established order.

The luck of the Irish runs out for a professional poker player in this mystery set in County Cork that will “will leave cozy readers well satisfied” (Publishers Weekly). A poker tournament in the small village of Kilbane in County Cork is drawing players from across the country, but none more famous than Eamon Foley. A tinker out of Dublin, he’s called the Octopus for playing like he has eight hands under the table. But when Foley is found at the end of a rope, swinging from the rafters of Rory Mack’s pub, it’s time for the garda to take matters into their own hands. Detective Sargent Macdara Flannery would lay odds it’s a simple suicide—after all, there’s a note and the room was locked. But officer Siobhán O’Sullivan suspects foul play, as does Foley’s very pregnant widow. Soon it’s up to Siobhán to call a killer’s bluff, but if she doesn’t play her cards right, she may be the next one taken out of the game.

A photographic chronicle of Irish country houses from their heyday to contemporary times.