Most of the time we find people who are very pleased or disappointed of someone’s pen, the reason is because the writer’s pen either stimulates or sours the taste of the reader by its tone or subject mode. I do not know yet your taste of a pen, but I promise this book is going to win your friendship and your sensational thirst of reading! La plupart du temps, nous trouvons des personnes très satisfaites ou déçues de la plume de quelqu’un; La raison en est que la plume de l’écrivain stimule ou aigrit le goût du lecteur par son ton ou son mode de sujet. Je ne connais pas encore vos goûts pour la plume, mais je vous promets que ce livre va gagner votre amitié et votre sensationnelle soif de lecture!

Probably the most delightful, useful, and comprehensive elementary book available for learning spoken and written French, either with or without a teacher. Working on the principle that a person learns more quickly by example then by rule, Lemaître has assembled colloquial French conversations on a variety of subjects, as well as grammar, vocabulary, and idiom studies. Index.

A collection that goes beyond the canon to analyze influential yet under-examined works of electronic music. This collection of writings on electronic music goes outside the canon to analyze influential works by under-recognized musicians. The contributors, many of whom are composers and performers themselves, offer their unsung musical heroes the sort of in-depth examinations usually reserved for more well-known composers and works. They analyze music from around the world and across genders, race, nationality, and age, discussing works that range from soundscapes of rushing water and resonating pipes to compositions by algorithm. Subjects include the collaboration of performer and composer, as seen in the work of Anne La Berge, Luciano Berio and Cathy Berberian, and others; the choice by Asian composers Zhang Xiaofu and Unsuk Chin to embrace (or not) Eastern themes and styles; and how technologies used by composers created the sound of the works, as exemplified by Bülent Arel's use of voltage-control components as compositional tools and Charles Dodge's resynthesizing of the human voice. Contributors Marc Battier, Valentina Bertolani, Kerry L. Hagan, Yvette Janine Jackson, Leigh Landy, Pamela Madsen, Miller Puckette, David Rosenboom, Jøran Rudi, Margaret Anne Schedel, Juliana Snapper, Laura Zattra Composers Bülent Arel, Cathy Berberian and Luciano Berio, Anne La Berge, Unsuk Chin, Charles Dodge, Jacqueline George, Salvatore Martirano, Teresa Rampazzi, Hildegard Westerkamp, Knut Wiggen, Gayle Young, Zhang Xiaofu