In this novel, set in the 15th century during the Hundred Years War between France and England, Hella Haasse brilliantly captures all the drama of one of the great ages of history.

In this novel, set in the 15th century during the Hundred Years War between France and England, Hella Haasse brilliantly captures all the drama of one of the great ages of history.

Set in the late fourteenth and early fifteenth centuries, during the Hundred Years War between France and England, Haasse's epic masterpiece brilliantly captures the power, passion and political intrigue of the Middle Ages.

In this vivid, dynamic novel, Hella Haasse has once more brought the past to life. This time she has chosen to illuminate a crucial, yet relatively obscure period of history: it is 414 A.D. and the once-powerful Roman Empire is in its death throes—split between East and West, menaced by barbarian hordes almost literally at its gates. The Emperor Honorius, an incompetent weakling, cowers in the marsh-bound city of Ravenna, where he has moved the government; he rarely "makes entry" into Rome. This is the brilliant canvas against which the characters in this drama interact. There is the Prefect Hadrian, a powerful official and fanatical Christian convert; there is Marcus Anicius, the pagan aristocrat who is clinging to a dying past, and there is the Jew Eliezar be Elijah, hemmed in by his own traditions and burdened by his dark vision of the future. There is the intrigue and uncertainty of life at Honorius's court, and there are the streets and tenements of Rome, pulsating with life and with corruption.

Elisabeth Tonnard's In This Dark Wood is a study of urban alienation in America. In a haunting, modern-gothic style, it pairs images of people walking alone in nighttime city streets with 90 different English translations, collected by Tonnard, of the famous first lines of Dante's Inferno: "Nel mezzo del cammin di nostra vita / mi ritrovai per una selva oscura / ché la diritta via era smarrita." ("In the middle of the journey of our life / I found myself in a dark wood / for the straight way was lost"). The images were selected from the Joseph Selle collection at the Visual Studies Workshop in Rochester, New York, which contains over a million negatives from a company of street photographers who worked in San Francisco from the 1940s to the 70s. This edition is a reprint of a work originally self-published in 2008.