Mae West, wise-cracking vaudeville performer, was one of the most controversial figures of her era. Rarely, however, do people think of Mae West as a writer. In Three Plays By Mae West, Lillian Schlissel brings this underexplored part of West's career to the fore by offering for the first time in book form, three of the plays West wrote in the 1920s--Sex (1926), The Drag (1927) and Pleasure Man (1928). With an insightful introduction by Schlissel, this book offers a unique look into to the life and early career of this legendary stage and screen actress.

'On Form' assesses both the legacy of Victorian aestheticism and the nature of the literary. It tracks the development of the world 'form' since the Romantics and offers readings of, among others, Tennyson, Yeats and Plath. Original readings of poetry are combined with a powerful argument about the nature of aesthetic pleasure.

This is an essential handbook for anyone new to the game of Mahjong. It takes you from the very beginning - learning the rules, choosing a set (or playing online) to advanced advice on strategy and gamesmanship. Each stage of play is clearly explained with diagrams and instructions and with plenty of practical examples to help you learn. Full coverage of the basics of scoring, settlements and penalties will help you become a true master of the game.

Drawing on the tools of game theory, social choice theory, experimental psychology, and evolutionary theory, Gerald Gaus advances a revised account of public reason liberalism, showing how a free society can secure a moral equilibrium that is endorsed by all, and how a just state respects, and develops, such an equilibrium.

"This book narrates some half dozen cases on freedom with which the writer happened to be connected. They all occurred between the years 1922 and 1927 and have one common characteristic, fear." cf. p. xvi.

Satan in the Dance Hall explores the overwhelming popularity of social dancing and its close relationship to America's rapidly changing society in the 1920s. The book focuses on the fiercely contested debate over the morality of social dancing in New York City, led by moral reformers and religious leaders like Rev. John Roach Straton. Fed by the firm belief that dancing was the leading cause of immorality in New York, Straton and his followers succeeded in enacting municipal regulations on social dancing and moral conduct within the more than 750 public dance halls in New York City. Ralph G. Giordano conveys an easy to read and full picture of life in the Jazz Age, incorporating important events and personalities such as the Flu Epidemic, the Scopes Monkey Trial, Prohibition, Flappers, Gangsters, Texas Guinan, and Charles Lindbergh, while simultaneously describing how social dancing was a hugely prominent cultural phenomenon, one closely intertwined with nearly every aspect of American society fromthe Great War to the Great Depression. With a bibliography, an index, and over 35 photos, Satan in the Dance Hall presents an interdisciplinary study of social dancing in New York City throughout the decade.