As she awaits an operation in hospital in Beirut, Saada Rayyis, a teacher of Arabic literature, ponders the meaning of her Christian Arab heritage. An examination of biculturalism.

As she awaits an operation in hospital in Beirut, Saada Rayyis, a teacher of Arabic literature, ponders the meaning of her Christian Arab heritage. An examination of biculturalism.

There are more than 15 million people aged over 65 currently living in the MENA region, yet little attention has been paid to the cultural significance of growing old. This book recognises the widespread silence by countering the critical corpus that reads modern Arabic novels as a political discourse with an emphasis on youth achievement. By assembling a range of fictional works from different parts of the Arab world that incorporate older characters, this book draws on a range of theoretical approaches to aging, particularly from the perspective of gender and feminism, to reconcile the biological and cultural understandings of old age. It reveals that there is no standard female or male experience and no single prototype of oldness in the modern Arabic novel, and that men and women manifest a multiplicity of identities, concerns, and experiences as they grow older.

Over the last 40 years, autobiography in Arab societies has moved away from exemplary life narratives and toward more unorthodox techniques such as erotic memoir writing, postmodernist self-fragmentation, cinematographic self-projection and blogging. Valerie Anishchenkova argues that the Arabic autobiographical genre has evolved into a mobile, unrestricted category arming authors with narrative tools to articulate their selfhood. Reading works from Arab nations such as Egypt, Iraq, Morocco, Syria and Lebanon, Anishchenkova connects the century's rapid political and ideological developments to increasing autobiographical experimentation in Arabic works. The immense scope of her study also forces consideration of film and online forms of self-representation and offers a novel theoretical framework to these various modes of autobiographical cultural production.

Scholars, composers and performers write about the art of jazz improvisation.

From Lebanon's golden age, through years of civil conflict and its aftermath, these women offer a captivating portrait of a country in flux. Well-known authors such as Emily Nasarallah, Hanan al-Shaykh and Alawiya Sobh, alongside newer voices, share he desire to push boundaries, tackling subjects from the crippling effects of war in past decades, through longing for romantic adventures in a conservative society, to the functioning of families across the divides of emigration and generational conflict. The characters in these stories are on the brink of something - whether it be religious or social divides, or sexual awakening. The language reflects the great tension, and the great beauty in their transformation. And the collection as a whole reveals the rich diversity of the complex multi-cultural society out of which these stories have emerged. 'In turn lyrical, sensuous, comic and ironic ... rare and fascinating ...' Independent 'Some truly insightful, engaging work ...' New Statesman

This much-needed guide to translated literature offers readers the opportunity to hear from, learn about, and perhaps better understand our shrinking world from the perspective of insiders from many cultures and traditions. In a globalized world, knowledge about non-North American societies and cultures is a must. Contemporary World Fiction: A Guide to Literature in Translation provides an overview of the tremendous range and scope of translated world fiction available in English. In so doing, it will help readers get a sense of the vast world beyond North America that is conveyed by fiction titles from dozens of countries and language traditions. Within the guide, approximately 1,000 contemporary non-English-language fiction titles are fully annotated and thousands of others are listed. Organization is primarily by language, as language often reflects cultural cohesion better than national borders or geographies, but also by country and culture. In addition to contemporary titles, each chapter features a brief overview of earlier translated fiction from the group. The guide also provides in-depth bibliographic essays for each chapter that will enable librarians and library users to further explore the literature of numerous languages and cultural traditions.