Winner, Good Brick Award, Preservation Houston, 2020 Just over 180 years ago, the city of Houston was nothing more than an alligator-infested swamp along the Buffalo Bayou that spread onto a flat, endless plain. Today, it is a sprawling, architecturally and culturally diverse metropolis. How did one transform into the other in such a short period? Improbable Metropolis uses the built environment as a guide to explore the remarkable evolution that Houston has undergone from 1836 to the present. Houston’s architecture, an indicator of its culture and prosperity, has been inconsistent, often predictable, sometimes bizarre, and occasionally extraordinary. Industries from cotton, lumber, sugar, and rail and water transportation, to petroleum, healthcare, biomedical research, and aerospace have each in turn brought profit and attention to Houston. Each created an associated building boom, expanding the city’s architectural sophistication, its footprint, and its cultural breadth. Providing a template for architectural investigations of other American cities, Improbable Metropolis is an important addition to the literature on Texas history.

‘Delhi is the twin of pure paradise, a prototype of the heavenly throne on an earthlyscroll’—Amir Khusrau A city of contradictions, where ancient traditions and modern aspirations jostle for space, Delhi has often been compared to a phoenix rising from the ashes. Its three thousand years of eventful history have witnessed the rise and fall of several empires, a process that continues today. City Improbable brings together writings by immigrants, residents, refugees, travellers and invaders who have engaged with India’s capital over different epochs. Babur shares his earliest experience of the city and Amir Khusrau praises the fine lads of Delhi; Ibn Battuta and Niccolao Manucci record the glories and follies of prominent rulers; William Dalrymple and Khushwant Singh provide intriguing accounts of the threshold period that saw the coming of the British and the waning of the Mughals. Poets and storytellers—Meer Taqi Meer, Ghalib, Yashpal, Kamleshwar, Ruskin Bond—narrate their versions of the city. Contemporary Delhi is featured in a variety of vignettes: the bureaucracy, the Emergency, the anti-Sikh violence, lovers and joggers in Lodi Gardens, the city’s Sufi legacy as well as its changing cuisine. Among the new pieces in this expanded edition are Sam Miller’s account of his experiences in the suburb of Noida, Manto’s story about a girl from Delhi leaving the city during Partition, Jarnail Singh’s unflinching recollection of the massacre of Sikhs in 1984, a photo essay on Shahpur Jat by Karoki Lewis, and a composite narrative by the young writers of the Cybermohalla Collective about the making of a resettlement colony.

Atlas of Improbable Places shows the modern world from surprising new vantage points that will inspire urban explorers and armchair travellers alike to consider a new way of understanding the world we live in.

Contributed articles on history and social life of Delhi, India.

Chronicles the history of the city from its being contended over as swampland through Louisiana's statehood in 1812, discussing its motley identities as a French village, African market town, Spanish fortress, and trade center.

In The Emerald City, Dan Willis takes us on a flight of imagination that paradoxically never strays far from the most tangible, even intimate subjects. His essays range from the Tower of Babel to the Wizard of Oz, from Christo to Christmas trees, from the "lightness of being" to the "weight of architecture." This ultimately optimistic book suggests that architecture is as vital as ever: "It is tempting to say that our present cultural situation...has rendered architecture nearly impossible if not unnecessary. But it is also possible to look to what our lives, at the turn of the millennium, typically lack-fulfillment, spirituality, a sense of belonging, weight-and to conclude that the ground for architecture has never been more fertile. The texts-intelligent and readable-draw equally from literary sources, architectural practice, philosophical analyses, pop culture, and everyday experiences. Willis's perspective as a writer, architect, artist, and teacher informs his work; his texts are at once reflective and proactive, as they challenge readers to rethink their participation in the built environment. Accompanying the text are the author's original illustrations, which link the forms and forces surrounding architecture at the end of the twentieth century in novel, thought-provoking ways.

In the 1960s, as gentrification took hold of New York City, Jane Jacobs predicted that the city would become the true player in the global system. Indeed, in the 21st century more meaningful comparisons can be made between cities than between nations and states. Based on case studies of Melbourne, Austin and Berlin, this book is the first in-depth study to combine academic and industry analysis of the music cities phenomenon. Using four distinctly defined algorithms as benchmarks, it interrogates Richard Florida’s creative cities thesis and applies a much-needed synergy of urban sociology and musicology to the concept, mediated by a journalism lens. Building on seminal work by Robert Park, Lewis Mumford and Jane Jacobs, it argues that journalists are the cultural branders and street theorists whose ethnographic approach offers critical insights into the urban sociability of music activity.