Imperial spaces takes two of the most influential minority groups of white settlers in the British Empire – the Irish and the Scots – and explores how they imagined themselves within the landscapes of its farthest reaches, the Australian colonies of Victoria and New South Wales. Using letters and diaries as well as records of collective activities such as committee meetings, parades and dinners, the book examines how the Irish and Scots built new identities as settlers in the unknown spaces of Empire. Utilizing critical geographical theories of ‘place’ as the site of memory and agency, it considers how Irish and Scots settlers grounded their sense of belonging in the imagined landscapes of south-east Australia. Imperial spaces is relevant to academics and students interested in the history and geography of the British Empire, Australia, Ireland and Scotland.

Focusing on the the eastern Mediterranean area shaped by the Byzantine and Ottoman empires, this volume explores the nexus of empire and geography. Through examination of a wide variety of texts, the essays explore ways in which production of geographical knowledge supported imperial authority or revealed its precarious grasp of geography.

Why was Rudyard Kipling so drawn in his fiction to the figure of the foreign-born Briton--what Kipling called the "native-born"? The answer lies in McBratney's "Imperial Subjects, Imperial Space, the first full-length study of a figure central to Kipling's major imperial fiction: the "native-born." In these narratives Kipling sees the native-born fulfilling two important roles: model imperial servant and ideal imperial citizen. The special abilities that allow the native-born to play these roles derive from his identity as neither exclusively British nor simply "native." This study also provides the most thorough analysis of that figure's hybrid, "casteless" selfhood in relation to shifting attitudes toward racial identity during Britain's "New Imperialism." In its endeavor to place the liminal subject within a particular moment in British discourses about race and nation, this book illuminates both the complexities of subject construction in the late Victorian and Edwardian periods and the struggles today over identity formation in the postcolonial world.

Imperial Odessa: Peoples, Spaces, Identities is a book about a cosmopolitan city written by a cosmopolitan scholar with a literary flair. Evrydiki Sifneos conceives Odessa as more of a fin-de siècle east Mediterranean port-metropolis than as a provincial port-city of the Russian Empire in the nineteenth century due to two of its principal characteristics: its function as a hub of international trade and travel, and the multi-ethnic character of its inhabitants. The book unfolds around two interpenetrating axes. The first one introduces a new "peripatetic" approach that discovers the space of the city; and the other, the one that has given it its dynamic, is the socio-economic transformations that germinated within the political changes.

Studies the effect of Rome's geographic worldview on its politics

Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated in halftones with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.

In this deeply researched and engagingly argued work, Jeffers Lennox reconfigures our general understanding of how Indigenous peoples, imperial forces, and settlers competed for space in northeastern North America before the British conquest in 1763.