In a series of wonderful, full-color plates, this superb book conveys the glory of soldiers of a military era surpassing the splendor of any others. 91 illustrations.

Dozens of new color paintings by acclaimed artist Keith Rocco complement the translation of thousands of pages of French archival documents to provide the first truly new perspective on the Imperial Guard cavalry in Napoleon's last army that fought in the Waterloo campaign of 1815.

Few military formations have attracted more attention than Napoleon's Imperial Guard, and fewer still have been so extravagantly clothed and accoutred with the finest materials and the brightest colours. On both campaign and parade, the Guard, and especially the cavalry regiments, provided a dazzling display of military grandeur. From the green and gold trappings of the Chasseurs à Cheval, to the multi-coloured Mamelukes, the Guard cavalry was among the most brilliantly dressed formations ever to grace the field of battle. In compiling this magnificent volume, the author has collected copies of almost all the surviving documents relating to the Guard, which includes a vast amount of material regarding the issuing of dress items, even in some instances down to company level. This information is supported by around 100 contemporary prints, many of which have never been published before, as well as images of original items of equipment held in museums and private collections across the globe. In addition, the renown military artist, Keith Rocco has produced a series of unique paintings commissioned exclusively for this book. This glorious book is, and will remain, unsurpassed as the standard work on the clothing and equipment of the Cavalry of the Imperial Guard, and will be eagerly sought by reenactors, wargamers and modellers, and will sit on the book shelves of historians and enthusiasts as one of the most important publications ever produced on this most famous of military formations.

Dressed in distinctive green uniforms and classically inspired copper helmets, the Dragoons of the Imperial Guard were raised in 1806 by the same criteria as other Guard units – by selection of picked, literate veterans from Line regiments who had six to ten years of service, and citations for bravery in at least two campaigns. The following year they were named Dragons de l'Impératrice in a unique compliment to the Empress Josephine. As a ceremonial regiment it enjoyed many privileges, but it also saw combat on a number of occasions, including the battles of Essling and Wagram (1809), the Russian campaign (1812, when it suffered severe losses), at Bautzen, Wachau and Leipzig (1813), in the 1814 Campaign of France, and at Ligny and Waterloo (1815).

Napoleon's Imperial Guard was the elite corps of the French Army. The Guard differed from the guard corps of other European sovereigns of the period, in that its function was rather functional than ceremonial, and its expansion was such that it came to represent a considerable portion of France's military establishment. By supplying personnel to other units, it functioned as a training school for the remainder of the army, yet the elite status of the guard did little to protect its soldiers from the rigours of combat in the brutal Napoleonic Wars.

The author of Battle for Paris 1815 examines the uniforms and equipment of the infantry of Napoleon’s Imperial Guard. From its origins as the Consular Guard of the French Republic, and as Napoleon’s personal bodyguard, the Imperial Guard developed into a force of all arms numbering almost 100,000 men. Used by Napoleon as his principal tactical reserve, the Guard was engaged only sparingly, being deployed at the crucial moment of battle to turn the tide of victory in favor of the Emperor of the French. Naturally, the Imperial Guard has been the subject of numerous books over many decades, yet there has never been a publication that has investigated the uniforms and equipment of the infantry of the Imperial Guard with such detail and precision. The author has collected copies of almost all the surviving documents relating to the Guard, which includes a vast amount of material regarding the issuing of dress items, in some instances down to company level. This information is supported by an unrivaled collection of illustrations, many of which have never been published before, as well as images of original items of equipment held in museums and private collections across the globe. In addition, the renowned military artist, Keith Rocco, has produced a series of unique paintings commissioned exclusively for this book. This glorious book is, and will remain, unsurpassed as the standard work on the clothing and equipment of the Imperial Guard, and will not only be invaluable to historians, but also reenactors, wargamers and modelers. It is one of the most important publications ever produced on this most famous of military formations.

This book draws on original regimental records to give by far the most detailed account ever published in English of the organization and personalities of the most renowned of the foreign units that served in the Emperor's armies. Unlike most of his foreign troops, these Polish horsemen were true volunteers, who owed their honoured place in his Imperial Guard to their proven courage and dash on battlefields from Spain to Russia. The text is illustrated with rare portraits and photographs, and with detailed colour plates of the Lancers' magnificent uniforms.