Yarrick: the very name carries the weight of legend, of great deeds and of wars won for the Imperium. But Sebastian Yarrick, who fought on Armageddon, who Space Marine Chapter Mastes show their fealty to on bended kneww, was not always Lord Commissar. He was once just a man, a newly minted officer from the ranks of the schola progenium. His first mission under the tutelage of Lord Commissar Rasp was on Mistral. Here, an uprising of barons had upset the delicate balance of power. But, as Yarrick was soon forced to learn, Mistral and Imperial politics are often murky, the truth seldom clear cut. As war engulfs the world, a plot unravels that pits old friends against one another and fashions unusual alliances. Chaos cults, the fanatical Adepta Sororitas and clandestine inquisitors all stan between Yarrick and his mission. Here is where the legend began. In this crucible was Lord Commissar Sebastian Yarrick forged in blood. Previous titles: Ghostmaker - 9781849708685 First and Only - 9781849708562

The thrilling exploits of one of Warhammer 40,000's most iconic characters Yarrick: the very name carries the weight of legend, of great deeds and of wars won for the Imperium. But Sebastian Yarrick, who fought on Armageddon, who Space Marine Chapter Masters show their fealty to on bended knee, was not always Lord Commissar. He was once just a man, a newly minted officer from the ranks of the schola progenium. His first mission under the tutelage of Lord Commissar Rasp was on Mistral. Here, an uprising of barons had upset the delicate balance of power. But, as Yarrick was soon forced to learn, Mistral and Imperial politics are often murky, the truth seldom clear cut. As war engulfs the world, a plot unravels that pits old friends against one another and fashions unusual alliances. Chaos cults, the fanatical Adepta Sororitas and clandestine inquisitors all stand between Yarrick and his mission. Here is where the legend began. In this crucible was Lord Commissar Sebastian Yarrick forged in blood.

This is the story of a genius and a fraud. For more than half a century, Olivier Creed, heir to a French fashion empire but out to conquer an adjacent field by himself, created the most compelling and costly perfumes in the world - scents so successful - artistically and commercially - that the world's largest asset manager bought his small olfactory enterprise for nearly $1 billion in 2020. One could arguably have called him the world's most capable perfumer. Except Olivier Creed never authored the scents for which he has long received acclaim and lucre. Gabe Oppenheim reveals the heretofore untold story behind this supposed-cologne colossus of a man - and the eponymous company that became a social media sensation: That scents were authored by someone else entirely - a brilliant ghostwriter - a hidden, scholarly figure with a great passion for Proust and an unfortunate tendency to doubt the quality of his own compositions. How these two figures met and the arrangement was struck - how they circled each other warily for the next 40 years - how lies, told often enough, became truths - Gabe Oppenheim examines as he journeys into the heart of an industry mystifying and fanciful, enormous and intimate, sensuous and yet so-damn-insubstantial. It's an expedition that takes him to a Creed shop in Dubai and the castle in Normandy where the Ghost resides, having left behind a Parisian world that, in some sense, never acknowledged him. And yet, he's a legend in a certain section of the scented demimonde for a few achievements so innovative he wouldn't yield them even to a charismatic manipulator. Oppenheim explores issues of attribution and artistry, credit and craftsmanship, ingenuity and disingenuousness. "The Ghost Perfumer" is the story of a genius and a fraud. And perhaps the greatest con in the history of luxury retail.

In this century, the world will conduct an extraordinary experiment in government. In 2050, forty percent of the planet's population will live in just four places: India, China, the European Union, and the United States. These are superstates – polities that are distinguished from normal countries by expansiveness, population, diversity, and complexity. How should superstates be governed? What must their leaders do to hold these immense polities together in the face of extraordinary strains and shocks? Alasdair Roberts looks to history for answers. Superstates, he contends, wrestle with the same problems of leadership, control, and purpose that plagued empires for centuries. But they also bear heavier burdens than empires – including the obligation to improve life for ordinary people and respect human rights. One axiom of history was that empires always died. Size and complexity led to fragility, and imperial rulers improvised constantly to put off the day of reckoning. Leaders of superstates are doing the same today, pursuing radically different strategies for governing at scale that have profound implications for democracy and human rights. History shows that there are ways to govern these sprawling and diverse polities well. But this requires a different way of thinking about the art and methods of statecraft.

Imperial Leather chronicles the dangerous liaisons between gender, race and class that shaped British imperialism and its bloody dismantling. Spanning the century between Victorian Britain and the current struggle for power in South Africa, the book takes up the complex relationships between race and sexuality, fetishism and money, gender and violence, domesticity and the imperial market, and the gendering of nationalism within the zones of imperial and anti-imperial power.

This history of early Christian creeds contains an up-to-date account of their origin and development from the credal texts in the New Testament to the fully fledged classical formulae of the 4th century. It includes the creeds’ use and alteration in subsequent periods until the time of Charlemagne and the beginnings of the filioque controversy. In addition, the author provides a scholarly commentary on the most common ancient confessions: the Nicene Creed and the Apostles’ Creed. Going beyond previous studies, the book contains chapters dedicated to the use of creeds in law, art, music, everyday life and even magic. Recently discovered source texts, such as a new Ethiopic version of the Roman Creed and a short recension of the Creed of Nicaea-Constantinople, receive extensive treatment. Credal developments in the eastern churches beyond the borders of the Roman Empire complete this comprehensive overview. This volume is intended both as a textbook for advanced students of theology and cognate disciplines and as a reference book on the creeds in a wide range of contexts. All source texts are accompanied by modern English translations. Winner of the Alberigo Award 2024 awarded by the European Academy of Religion.