The latest of Ian Hughes' Late Roman biographies here tackles the careers of the brother emperors, Valentinian and Valens. Valentian was selected and proclaimed as emperor in AD 364, when the Empire was still reeling from the disastrous defeat and death in battle of Julian the Apostate (363) and the short reign of his murdered successor, Jovian (364). With the Empire weakened and vulnerable to a victorious Persia in the East and opportunistic Germanic tribes along the Rhine and Danube frontiers, not to mention usurpers and rebellions within, it was not an enviable position. Valentian decided the responsibility had to be divided (not for the first or last time) and appointed his brother as his co-emperor to rule the eastern half of the Empire. ??Valentinian went on to stabilize the Western Empire, quelling revolt in North Africa, defeating the 'Barbarian Conspiracy' that attacked Britain in 367 and conducting successful wars against the Germanic Alemanni, Quadi and Saxons; he is remembered by History as a strong and successful Emperor. Valens on the other hand, fare less well and is most remembered for his (mis)treatment of the Goths who sought refuge within the Empire's borders from the westward-moving Huns. Valens mishandling of this situation led to the Battle of Adrianople in 378, where he was killed and Rome suffered one of the worst defeats in her long history, often seen as the 'beginning of the end' for the Western Roman empire. Ian Hughes, by tracing the careers of both men in tandem, compares their achievements and analyzes the extent to which they deserve the contrasting reputations handed down by history.

A single set of Heavenly Tribulation had caused two fairies to bear the eternal curse and live forever in the mortal world!An emotional betrayal had allowed her to travel through her previous life at any cost, just to compete with the third party!The princess of Jin Zhi's Jade Leaf had suddenly met an unexpected success. Xiang Tianya vowed to avenge himself!Fighting with others, fighting with the heavens, unable to defeat his own conscience!He had won the glory on the surface, but he had lost all of his dignity and dignity!He was his brother, his political enemy, his love rival; what did they get after all, contrary to ethics?She had struggled with her on the brink of death several times. She had paid any price for the sake of winning against the heavens!

Prince Huai, uncle to the young emperor, is the chief of all poisons, the evil manipulator, the greatest of malignant tumors… or so people say. But no matter—the imperial uncle has a plan. He will sabotage the conspiracy against the throne and make his loyalty known to all. His plan will wipe his reputation clean and put an end to the rumors. Maybe then Prince Huai can start mending the other facets of his life. Perhaps, he can even be worthy of the paragon of virtue he yearns for…

Includes the sections, "who's who in japan", "business directory", etc.

The complete New York Times–bestselling trilogy of historical fiction set in China, from an award-winning novelist and Pulitzer Prize finalist in journalism. Spanning over three centuries of Chinese history, New York Times–bestselling and Edgar Award–winning author Robert Elegant takes readers from the opulent courts and complex intrigue of the emperors to the bloody battlefields, and vividly recreates a richly detailed world where the quest for power and pleasure drives men and women to extremes of both loyalty and betrayal. In this special single-volume edition, the novels are presented in chronological historical order. Manchu: In this New York Times bestseller, soldier of fortune Francis Arrowsmith joins a Portuguese expedition to aid the decadent and corrupt Ming dynasty in its fight against the Manchu invaders. He embarks on an epic adventure that will merge his destiny with the fate of China itself. “Does for seventeenth-century China what James Clavell’s Shogun did for sixteenth-century Japan.” —The Christian Science Monitor Mandarin: In nineteenth-century China, imperial rule is crumbling as the Opium Wars and Taiping Rebellion rage. On the streets of Shanghai, a Jewish silk merchant tries to save his Chinese partner from a false accusation and corrupt penal system, while in the imperial palace the “Virtuous Concubine” Yehenala contrives to bear the opium-eating, syphilitic emperor’s only son, thus laying the foundation for her elevation to the pinnacle of power in China as the formidable empress dowager. “Exciting, historically accurate, a good read.” —The New York Times Dynasty: A New York Times bestseller, this epic of love and adultery, money and power, set amid the revolutionary turbulence of twentieth-century China, from the fall of the last emperor to the rise of Mao Tse-tung, follows the Sekloong dynasty of Hong Kong, a trading empire founded by Sir Jonathan, the illegitimate offspring of an Irish adventurer and his Chinese mistress, in all its triumphs, tragedies, betrayals, and bloodshed. “An action-packed novel . . . conjured up with perception and vigor.” —The New York Times Book Review

A pioneer in the field of Russian and Soviet studies in the West, Alfred J. Rieber’s five decade career has focused on increasing our understanding of the Russian Empire from Peter the Great to the coming of the First World War. The Imperial Russian Project is a collection of Rieber’s lifetime of work, focusing on three interconnected themes of this time period: the role of reform in the process of state building, the interaction of state and social movements, and alternative visions of economic development. This volume contains Rieber’s previously published, classic essays, edited and updated, as well as newly written works that together provide a well-integrated framework for reflection on this topic. Rieber argues that Russia’s style of autocratic governance not only reflected the personalities of the rulers but also the challenges of overcoming economic backwardness in a society lacking common citizenship and a cohesive ruling class. The Imperial Russian Project reveals how during the nineteenth century the tsar was obliged to operate within a changing and more complex world, reducing his options and restricting his freedom of action.

Imperial-Time-Order is an engagingly written critical study on a persistent historical way of thinking in modern China. Defined as normalization of unification and moralization of time, Qian suggests, the imperial-time-order signifies a temporal structure of empire that has continued to shape the way modern China developed itself conceptually. Weaving together intellectual debates with literary and media representations of imperial history since the late Qing period, ranging from novels, stage plays, films, to television series, Qian traces the different temporalities of each period and takes “time” as the analytical node by which issues of empire, nation, family, morality, individual and collective subjectivity are constructed and contested.