Imperial Boredom offers a radical reconsideration of the British Empire during its heyday in the nineteenth century. Challenging the long-established view that the empire was about adventure and excitement, with heroic men and intrepid women eagerly spreading commerce and civilization around the globe, this thoroughly researched, engagingly written, and lavishly illustrated account suggests instead that boredom was central to the experience of empire. Combining individual stories of pain and perseverance with broader analysis, Professor Auerbach considers what it was actually like to sail to Australia, to serve as a soldier in South Africa, or to accompany a colonial official to the hill stations of India. He reveals that for numerous men and women, from explorers to governors, tourists to settlers, the Victorian Empire was dull and disappointing. Drawing on diaries, letters, memoirs, and travelogues, Imperial Boredom demonstrates that all across the empire, men and women found the landscapes monotonous, the physical and psychological distance from home debilitating, the routines of everyday life wearisome, and their work tedious and unfulfilling. The empire s early years may have been about wonder and marvel, but the Victorian Empire was a far less exciting project. Many books about the British Empire focus on what happened; this book concentrates on how people felt.

During a modern age that saw the expansion of its democracy, the fading of its empire, and two world wars, Britain's hereditary aristocracy was pushed from the centre to the margins of the nation's affairs. Widely remarked on by commentators at the time, this radical redrawing of the social and political map provoked a newly intensified fascination with the aristocracy among modern writers. Undone by history, the British aristocracy and its Anglo-Irish cousins were remade by literary modernism. Modernism and the Aristocracy: Monsters of English Privilege is about the results of that remaking. The book traces the literary consequences of the modernist preoccupation with aristocracy in the works of Elizabeth Bowen, Ford Madox Ford, Aldous Huxley, D.H. Lawrence, Evelyn Waugh, Rebecca West, and others writing in Britain and Ireland in the first half of the twentieth century. Combining an historical focus on the decades between the two world wars with close attention to the verbal textures and formal structures of literary texts, Adam Parkes asks: What did the decline of the British aristocracy do for modernist writers? What imaginative and creative opportunities did the historical fate of the aristocracy precipitate in writers of the new democratic age? Exploring a range of feelings, affects, and attitudes that modernist authors associated with the aristocracy in the interwar period—from stupidity, boredom, and nostalgia to sophistication, cruelty, and kindness—the book also asks what impact this subject-matter has on the form and style of modernist texts, and why the results have appealed to readers then and now. In tackling such questions, Parkes argues for a reawakening of curiosity about connections between class, status, and literature in the modernist period.

Imperial steam explores the early history of steamship travel to Britain’s imperial East. Drawing upon the wealth of voyage narratives which were produced in the first decades of the new route to India, the book examines the thoughts, emotions and experiences of those whose lives were caught up with the imperial project. The potent symbolism of the steamship, which exceeded the often harsh realities of travel, provided a convincing narrative for coming to terms with Britain’s global empire – not just for passengers, but for those at home who consumed the ubiquitous accounts of steamship travel. Imperial steam thus contributes to our understanding of the role of imperial networks in the production of the British imperial world view.

Imperial Boredom offers a radical reconsideration of the British Empire during its heyday in the nineteenth century. Challenging the long-established view that that the Empire was about adventure and excitement, Auerbach draws on personal accounts to argue that boredom was central to the experience of Empire.

"A Temperate Empire explores the ways that colonists studied and tried to remake local climates in New England and Nova Scotia according to their plans for settlement and economic growth."--

This collection examines the intersections between the personal and the political in travel writing, and the dialectic between mobility and stasis, through an analysis of specific cases across geographical and historical boundaries. The authors explore the various ways in which travel texts represent actual political conditions and thus engage in discussions about national, transnational, and global citizenship; how they propose real-world political interventions in the places where the traveler goes; what tone they take toward political or socio-political violence; and how they intersect with political debates. Travel writing can be viewed as political in a purely instrumental sense, but, as this volume also demonstrates, travel writing’s reception and ideological interventions also transform personal and cultural realities. This book thus examines the ways in which politics’ material effects inform and intersect with personal experience in travel texts and engage with travel’s dialectic of mobility and stasis. In spite of globalization and efforts to eradicate the colonial vision in travel writing and in travel writing criticism, this vision persists in various and complex ways. While the travelogue can be a space of discursive and direct oppression, these essays suggest that the travelogue is also a narrative space in which the traveler employs the genre to assert authority over his or her experiences of mobility. This book will be an important contribution for interdisciplinary scholars with interests in travel writing studies, global and transnational studies, women’s studies, multicultural studies, the social sciences, and history.

In the context of surging interests in reconciliation and decolonization, settler colonialism increasingly occupies political, public, and academic conversations. Nothing to Write Home About is a detailed study of the settler colonial significance of British family correspondence sent between the United Kingdom and British Columbia between 1858 and 1914. Drawing on thousands of letters written by dozens of correspondents, it offers insights into epistolary topics including trans-imperial family intimacy and conflict, settlers’ everyday concerns such as boredom and food, and the importance of what correspondents chose not to write about. Analyzing both the letters’ content and their conspicuous, loaded silences, Laura Ishiguro traces how Britons used the post to navigate the family separations integral to their migration and to understand British Columbia as an uncontested settler home. This book argues that these letters and their writers played a critical role in laying the foundations of a powerful, personal settler colonial order that continues to structure the province today.