Exploring the production and consumption of British commerical family bibles, this book sheds light on the history of women's sexuality, and the English view of such taboo subjects as same-sex relations, masturbation, menstruation and circumcision.

The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.

In celebration of the work of the translators of the King James Bible and the fruit of their labors, the authors of this volume, representing a wide range of disciplines and perspectives, examine the cultural and religious monument that is the King James Bible. After David G. Burkes introduction to the volume, Alister McGrath, Benson Bobrick, Lynne Long, and John R. Kohlenberger III explore in part 1 The World of Bible Translation before the King James Version. In part 2, A. Kenneth Curtis, Barclay M. Newman and Charles Houser, and Jack Lewis investigate The Making of the King James Bible. In part 3 Leonard J. Greenspoon, Cheryl J. Sanders, Lamin Sanneh, David Lyle Jeffrey, and James R. White review The World of Bible Translation after the King James Bible. Paperback. 296 pages.

The nineteenth century was a time of extraordinary scientific innovation, but with the rise of psychiatry, faiths and popular beliefs were often seen as signs of a diseased mind. By exploring the beliefs of asylum patients, we see the nineteenth century in a new light, with science, faith, and the supernatural deeply entangled in a fast-changing world. The birth of psychiatry in the early nineteenth-century fundamentally changed how madness was categorised and understood. A century on, their conceptions of mental illness continue to influence our views today. Beliefs and behaviour were divided up into the pathological and the healthy. The influence of religion and the supernatural became significant measures of insanity in individuals, countries, and cultures. Psychiatrists not only thought they could transform society in the industrial age but also explain the many strange beliefs expressed in the distant past. Troubled by Faith explores these ideas about the supernatural across society through the prism of medical history. It is a story of how people continued to make sense of the world in supernatural terms, and how belief came to be a medical issue. This cannot be done without exploring the lives of those who found themselves in asylums because of their belief in ghosts, witches, angels, devils, and fairies, or because they though themselves in divine communication, or were haunted by modern technology. The beliefs expressed by asylum patients were not just an expression of their individual mental health, but also provide a unique reflection of society at the time - a world still steeped in the ideas and imagery of folklore and faith in a fast-changing world.

Big name contributors such as Malcolm McDonald, Julia Kirby and Morris Holbrook First book to focus on marketing in the publishing industry Stephen Brown is a well known name in this sphere of marketing

In this collection of essays, thirty scholars from diverse disciplines offer their unique perspectives on the genius of the King James Version, a translation whose 400th anniversary was recently celebrated throughout the English-speaking world. While avoiding nostalgia and hagiography, each author clearly appreciates the monumental, formative role the KJV has had on religious and civil life on both sides of the Atlantic (and beyond) as well as on the English language itself. In part 1 the essayists look at the KJV in its historical contexts—the politics and rapid language growth of the era, the emerging printing and travel industries, and the way women are depicted in the text (and later feminist responses to such depictions). Part 2 takes a closer look at the KJV as a translation and the powerful precedents it set for all translations to follow, with the essayists exploring the translators’ principles and processes (with close examinations of “Bancroft’s Rules” and the Prefaces), assessing later revisions of the text, and reviewing the translation’s influence on the English language, textual criticism, and the practice of translation in Jewish and Chinese contexts. Part 3 looks at the various ways the KJV has impacted the English language and literature, the practice of religion (including within the African American and Eastern Orthodox churches), and the broader culture. The contributors are Robert Alter, C. Clifton Black, David G. Burke, Richard A. Burridge, David J. A. Clines, Simon Crisp, David J. Davis, James D. G. Dunn, Lori Anne Ferrell, Leonard J. Greenspoon, Robin Griffith-Jones, Malcolm Guite, Andrew E. Hill, John F. Kutsko, Seth Lerer, Barbara K. Lewalski, Jacobus A. Naudé, David Norton, Jon Pahl, Kuo-Wei Peng, Deborah W. Rooke, Rodney Sadler Jr., Katharine Doob Sakenfeld, Harold Scanlin, Naomi Seidman, Christopher Southgate, R. S. Sugirtharajah, Joan Taylor, Graham Tomlin, Philip H. Towner, David Trobisch, and N. T. Wright.

In Victorian Reformations: Historical Fiction and Religious Controversy, 1820-1900, Miriam Elizabeth Burstein analyzes the ways in which Christian novelists across the denominational spectrum laid claim to popular genres—most importantly, the religious historical novel—to narrate the aftershocks of 1829, the year of Catholic Emancipation. Both Protestant and Catholic popular novelists fought over the ramifications of nineteenth-century Catholic toleration for the legacy of the Reformation. But despite the vast textual range of this genre, it remains virtually unknown in literary studies. Victorian Reformations is the first book to analyze how “high” theological and historical debates over the Reformation’s significance were popularized through the increasingly profitable venue of Victorian religious fiction. By putting religious apologists and controversialists at center stage, Burstein insists that such fiction—frequently dismissed as overly simplistic or didactic—is essential for our understanding of Victorian popular theology, history, and historical novels. Burstein reads “lost” but once exceptionally popular religious novels—for example, by Elizabeth Rundle Charles, Lady Georgiana Fullerton, and Emily Sarah Holt—against the works of such now-canonical figures as Sir Walter Scott, Charles Dickens, and George Eliot, while also drawing on material from contemporary sermons, histories, and periodicals. Burstein demonstrates how these novels, which popularized Christian visions of change for a mass readership, call into question our assumptions about the nineteenth-century historical novel. In addition, her research and her conceptual frameworks have the potential to influence broader paradigms in Victorian studies and novel criticism.