Imperial Affects is the first sustained account of American action-based cinema as melodrama. From the earliest war films through the Hollywood Western and the late-century action cinema, imperialist violence and mobility have been produced as sites of both visceral pleasure and moral virtue. Suffering and omnipotence operate as twinned affects in this context, inviting identification with an American national subject constituted as both victimized and invincible—a powerful and persistent conjunction traced here across a century of cinema.

"In American culture and history, a feeling of national identity and belonging have often derived from a sense of injury, vulnerability, and loss. Sympathy and aggression operate as twinned affects in such contexts, with representations of an assaulted national body animating identification with nationalist violence and its agents. In Imperial Affects, Jonna Eagle turns to the workings of American cinema to understand the power and persistence of these conjunctions, tracing the shifting dynamics of action and pathos as they structure representations of imperialist motion and violence across the twentieth century"--

"In American culture and history, a feeling of national identity and belonging have often derived from a sense of injury, vulnerability, and loss. Sympathy and aggression operate as twinned affects in such contexts, with representations of an assaulted national body animating identification with nationalist violence and its agents. In Imperial Affects, Jonna Eagle turns to the workings of American cinema to understand the power and persistence of these conjunctions, tracing the shifting dynamics of action and pathos as they structure representations of imperialist motion and violence across the twentieth century"--

The Affect of Difference is a collection of essays offering a new perspective on the history of race and racial ideologies in modern East Asia. Contributors approach this subject through the exploration of everyday culture from a range of academic disciplines, each working to show how race was made visible and present as a potential means of identification. By analyzing artifacts from diverse media including travelogues, records of speech, photographs, radio broadcasts, surgical techniques, tattoos, anthropometric postcards, fiction, the popular press, film and soundtracks—an archive that chronicles the quotidian experiences of the colonized—their essays shed light on the politics of inclusion and exclusion that underpinned Japanese empire. One way this volume sets itself apart is in its use of affect as a key analytical category. Colonial politics depended heavily on the sentiments and moods aroused by media representations of race, and authorities promoted strategies that included the colonized as imperial subjects while simultaneously excluding them on the basis of "natural" differences. Chapters demonstrate how this dynamic operated by showing the close attention of empire to intimate matters including language, dress, sexuality, family, and hygiene. The focus on affect elucidates the representational logic of both imperialist and racist discourses by providing a way to talk about inequalities that are not clear cut, to show gradations of power or shifts in definitions of normality that are otherwise difficult to discern, and to present a finely grained perspective on everyday life under racist empire. It also alerts us to the subtle, often unseen ways in which imperial or racist affects may operate beyond the reach of our methodologies. Taken together, the essays in this volume bring the case of Japanese empire into comparative proximity with other imperial situations and contribute to a deeper, more sophisticated understanding of the role that race has played in East Asian empire.

'An exceptional account.' Prospect 'Enlightening.' Spectator For the first time in millennia we live without formal empires. But that doesn't mean we don't feel their presence rumbling through history. The Great Imperial Hangover examines how the world's imperial legacies are still shaping the thorniest issues we face today. From Russia's incursions in the Ukraine to Brexit; from Trump's 'America-first' policy to China's forays into Africa; from Modi's India to the hotbed of the Middle East, Puri provides a bold new framework for understanding the world's complex rivalries and politics. Organised by region, and covering vital topics such as security, foreign policy, national politics and commerce, The Great Imperial Hangover combines gripping history and astute analysis to explain why the history of empire affects us all in profound ways.

The Archaeology of Imperial Landscapes examines the transformation of rural landscapes and societies that formed the backbone of ancient empires in the Near East and Mediterranean. Through a comparative approach to archaeological data, it analyses the patterns of transformation in widely differing imperial contexts in the ancient world. Bringing together a range of studies by an international team of scholars, the volume shows that empires were dynamic, diverse, and experimental polities, and that their success or failure was determined by a combination of forceful interventions, as well as the new possibilities for those dominated by empires to collaborate and profit from doing so. By highlighting the processes that occur in rural and peripheral landscapes, the volume demonstrates that the archaeology of these non-urban and literally eccentric spheres can provide an important contribution to our understanding of ancient empires. The 'bottom up' approach to the study of ancient empires is crucial to understanding how these remarkable socio-political organisms could exist and persist.