Cass Beecher hopes Sergeant Zach Ravenswood will fall in love with her on an outing to Ford's Theater, only to have their world turned upside down with President Lincoln's assassination. Her romantic plans continue to be thwarted by family, friends, and a mysterious stranger. Can she save the man she loves from the enemies plotting to ruin him? Zach thought with the war over, he could turn his attention to wooing the lovely Cassandra, but a fortune teller's dire predictions begin to come true when a fire disfigures him, a nun poisons him, his uncle steals his inheritance, and he's shot. Is he going mad, or is everything not as it appears?

The Civil War is over, but a chance encounter between Jules Beecher and a man from her past turns a simple trip to find her orphaned cousins into a dangerous journey. Determined to keep a promise to her father, she puts her life at risk but finds a reluctant hero in Dr. Roe Greystone. Can Jules heal the "broken doll" of the battlefield or will the past destroy any future? Roe abandoned the profession of medicine, exhausted from the suffering and butchering of the Civil War. Co-owner of a sternwheeler, Roe knew Jules was trouble the moment the kindhearted innocent boarded the Jenny Lee. He is determined to protect Jules from a madman, but will this Romeo risk all to rescue his Juliet?

From bestselling author of The Book of Delights and award-winning poet, a book of lyrical mini-essays celebrating the everyday that will inspire readers to rediscover the joys in the world around us. In Ross Gay’s new collection of small, daily wonders, again written over the course of a year, one of America’s most original voices continues his ongoing investigation of delight. For Gay, what delights us is what connects us, what gives us meaning, from the joy of hearing a nostalgic song blasting from a passing car to the pleasure of refusing the “nefarious” scannable QR code menus, from the tiny dog he fell hard for to his mother baking a dozen kinds of cookies for her grandchildren. As always, Gay revels in the natural world—sweet potatoes being harvested, a hummingbird carousing in the beebalm, a sunflower growing out of a wall around the cemetery, the shared bounty from a neighbor’s fig tree—and the trillion mysterious ways this glorious earth delights us. The Book of (More) Delights is a volume to savor and share.

A love story between two damaged people -- a rock musician and an emotionally abused young woman -- trying to make their way in the world without destroying themselves or each other.

Love's Madness is an important new contribution to the interdisciplinary study of insanity. Focusing on the figure of the love-mad woman, it presents a significant reassessment of the ways in which British medical writers and novelists of the nineteenth century thought about madness, femininity, and narrative convention. The book centers around studies of novels by Jane Austen, Sir Walter Scott, Charlotte Bront , Wilkie Collins, and Charles Dickens, as well as of previously neglected writings by Charles Maturin, Lady Caroline Lamb, and Edward Bulwer-Lytton, among others.

This book shows how an understanding of the nature and role of insanity in Hegel's writing provides intriguing new points of access to many of the central themes of his larger philosophic project. Berthold-Bond situates Hegel's theory of madness within the history of psychiatric practice during the great reform period at the turn of the eighteenth century, and shows how Hegel developed a middle path between the stridently opposed camps of "empirical" and "romantic" medicine, and of "somatic" and "psychical" practitioners. A key point of the book is to show that Hegel does not conceive of madness and health as strictly opposing states, but as kindred phenomena sharing many of the same underlying mental structures and strategies, so that the ontologies of insanity and rationality involve a mutually illuminating, mirroring relation. Hegel's theory is tested against the critiques of the institution of psychiatry and the very concept of madness by such influential twentieth-century authors as Michel Foucault and Thomas Szasz, and defended as offering a genuinely reconciling position in the contemporary debate between the "social labeling" and "medical" models of mental illness.

An examination of the effects and meaning of emotional states of distress in ancient literature