In a spellbinding new Argeneau novel from New York Times bestselling author Lynsay Sands, a dangerous rescue is just the beginning of red-hot adventure… Ever since Domitian Argenis recognized Sarita as his life mate, he’s been waiting for the perfect moment to claim her. Those fantasies did not include him being chained to a table in a secret lab or both of them being held hostage by a mad scientist. Somehow, they have to escape… Sarita has seen some crazy things as a cop, but nothing to rival Domitian. A vampire? Seriously? But his healing ability, incredible powers, and their mind-blowing physical connection—none of it should be possible, yet her body knows differently. Now, not only do they have to save each other, but other innocent lives are at stake. Failure is not an option, for Sarita intends that Domitian show her exactly what an eternity of pleasure feels like…

Adah Isaacs Menken was the most highly paid and most scandalous stage performer of the 1860s. She is also one of the most fascinating and unconventional writers in American literary history, and the first to follow the revolution in poetry started by Whitman's Leaves of Grass. This edition presents, for the first time, a generous selection of Menken's uncollected poems and essays, along with the first edition of Infelicia (1868), her only book. Also included is a range of carefully selected appendices that help contextualize Menken's writings in terms of theater, Judaism, Bohemianism, women's rights, and women writers.

In the captivating exploration of "Threads of Irish Mythology," readers are invited on a profound journey through the ancient tapestry of Celtic beliefs and traditions. Delving into the rich tapestry of Irish mythology, this book uncovers the timeless themes of heroism, nature, and magic that continue to resonate in our modern world. Through meticulous research and insightful analysis, we illuminate the enduring influence of Irish folklore on literature, art, and popular culture, revealing the deep roots that connect us to our ancestral past. This book offers a compelling narrative that celebrates the preservation and revival of Irish mythology in the contemporary era. With a call to action for further exploration and appreciation of this captivating heritage, it is a must-read for anyone seeking to unlock the mysteries of the past and understand the profound impact of myth on our collective consciousness.

The author of the magisterial A Biographical Guide to the Great Jazz and Pop Singers now approaches the great singers and their greatest work in an innovative and revelatory way: through considering their finest albums, which is the format in which this music was most resonantly organized and presented to its public from the 1940s until the very recent decline of the CD. It is through their albums that Ella Fitzgerald, Frank Sinatra, Peggy Lee, Sarah Vaughan, Nat King Cole, Judy Garland, and the rest of the glorious honor roll of jazz and pop singers have been most tellingly and lastingly appreciated, and the history of the album itself, as Will Friedwald sketches it, can now be seen as a crucial part of musical history. We come to understand that, at their finest, albums have not been mere collections of individual songs strung together arbitrarily but organic phenomena in their own right. A Sinatra album, a Fitzgerald album, was planned and structured to show these artists at their best, at a specific moment in their artistic careers. Yet the albums Friedwald has chosen to anatomize go about their work in a variety of ways. There are studio and solo albums: Lee’s Black Coffee, June Christy’s Something Cool, Cassandra Wilson’s Belly of the Sun. There are brilliant collaborations: famous ones—Tony Bennett and Bill Evans, Louis Armstrong and Oscar Peterson—and wonderful surprises like Doris Day and Robert Goulet singing Annie Get Your Gun. There are theme albums—Dinah Washington singing Fats Waller, Maxine Sullivan singing Andy Razaf, Margaret Whiting singing Jerome Kern, Barb Jungr singing Bob Dylan, and the sublime Jo Stafford singing American and Scottish folk songs. There are also stunning concert albums like Ella in Berlin, Sarah in Japan, Lena at the Waldorf, and, of course, Judy at Carnegie Hall. All the greats are on hand, from Kay Starr and Carmen McRae to Jimmy Scott and Della Reese (Della Della Cha Cha Cha). And, from out of left field, the astounding God Bless Tiny Tim. Each of the fifty-seven albums discussed here captures the artist at a high point, if not at the expected moment, of her or his career. The individual cuts are evaluated, the sequencing explicated, the songs and songwriters heralded; anecdotes abound of how songs were born and how artists and producers collaborated. And in appraising each album, Friedwald balances his own opinions with those of musicians, listeners, and critics. A monumental achievement, The Great Jazz and Pop Vocal Albums is an essential book for lovers of American jazz and popular music.