A new collection of 17 science fiction and horror stories by a well-known SF novelist, including four published for the first time. New York Times bestselling author Steve Perry notes in his introduction: "He tends to grab you with the first line and not let go until the last line, and it's an interesting ride all the way through. ...Glass has a winner here."

"More than forty years ago, J. R. R. Tolkien, in his essay 'On Fairy Stories,' stated the case for the vital role of fantasy in offering us escape from the drabness of the 'real world.' Since then, his words have been borne out by the tremendous popularity and increasing influence of this fascinating genre. 'Dark Imaginings' is both an eloquent demonstration of the power of fantasy and a pioneering illumination of the Gothic style. In these sixteen tales by some of the greatest masters of fantasy fiction--some already acknowledged classics, others remarkable new discoveries--the shadowy hues of the Gothic are blended with the vivid shades of the fantastic to produce effects as uncanny and eerie as any in the realm of letters. Whether the reader is transported into the self-contained worlds of wonder, sent back into the darkest reaches of time, or faced with nightmare horror amid the chillingly familiar landscape of the contemporary scene, one element is constant: Each of these sixteen masterpieces offers an experience as inescapable and unforgettable as a dream of terror come hauntingly true."--Pg. [4] of cover.

What does it mean to say that poetry is dark? How does the presence of darkness give meaning to literary works? Such questions sit at the centre of this study of Lord Byron, a man who has been characterised as intrinsically dark by generations of scholars. This is the first book to offer a comprehensive survey of Byron's darkness, producing new and innovative readings of his poetry by exploring how darkness (both literal and figurative) helps to structure his work's ideological topography and facilitates the exchange of ideas between its different ideological systems. Canvassing a variety of issues relevant to a number of different manifestations of darkness, the study explores such diverse topics as the relationship between sublime aesthetics and the gendering of desire, the connection between darkness and Byron's Scottish nationalism and the influence of blackness on his engagement with the Orient. With such a broad focus in mind, it also engages with texts that represent Byron's oeuvre in its broadest sense, engaging not only with canonical texts such as Manfred and Don Juan, but also selections from Byron's juvenilia, the Oriental Tales and his letters and journals, as well as surveying the critical reviews that helped to influence the colour of his work and its later reception.

What would you do if you lost yourself in another world? Orphan Poe Black finds himself lost in a forest inside an attic fighting both real and imaginary entities from the spirit world. Here he meets a young girl, named Sorrow, who he shares a connection with. Two is better than one and they forge ahead together, aware of the danger that creeps ever closer toward them. Set in Finland, just after the covid pandemic, this dark and supernatural, fairy tale follows Poe Black as he manoeuvres through three entirely different worlds, the real world, a parallel world and the spirit world. Can Poe and Sorrow defeat the dark and mysterious entity and make their way back to the so called real world or will they be stuck in the other realms for all eternity?

Contains three sections: Beckett and Romanticism, the conference proceedings of Beckett at Reading 2006, and a collection of miscellaneous essays. This title presents contributions on Beckett's attitudes toward Romantic aesthetics in general. It reflects the importance of the Beckett Foundation's Archive to scholars.

This landmark work explores how our attitudes toward nature are mirrored in and influenced by poetry. Showing us a resurgent vision of harmony between nature and humanity in the work of some of our most widely read poets, Imagining the Earth reveals the power of poetry to identify, interpret, and celebrate a wide range of issues related to nature and our place in it.

The imagination has long been associated with travel and tourism; from the seventeenth century when the showman and his peepshow box would take the village crowd to places, cities and lands through the power of stories, to today when we rely on a different range of boxes to whisk us away on our imaginative travels: the television, the cinema and the computer. Even simply the notion of travel, it would seem, gives us license to daydream. The imagination thus becomes a key concept that blurs the boundaries between our everyday lives and the idea of travel. Yet, despite what appears to be a close and comfortable link, there is an absence of scholarly material looking at travel and the imagination. Bringing together geographers, sociologists, cultural researchers, philosophers, anthropologists, visual researchers, archaeologists, heritage researchers, literary scholars and creative writers, this edited collection explores the socio-cultural phenomenon of imagination and travel. The volume reflects upon imagination in the context of many forms of physical and non-physical travel, inviting scholars to explore this fascinating, yet complex, area of inquiry in all of its wonderful colour, slipperiness, mystery and intrigue. The book intends to provide a catalyst for thinking, discussion, research and writing, with the vision of generating a cannon of scholarship on travel and the imagination that is currently absent from the literature.