Imagining the Pagan Past explores stories of Britain's pagan history. These tales have been characterised by gods and fairies, folklore and magic. They have had an uncomfortable relationship with the scholarly world; often being seen as historically dubious, self-indulgent romance and, worse, encouraging tribal and nationalistic feelings or challenging church and state. This book shows how important these stories are to the history of British culture, taking the reader on a lively tour from prehistory to the present. From the Middle Ages to the twenty-first century, Marion Gibson explores the ways in which British pagan gods and goddesses have been represented in poetry, novels, plays, chronicles, scientific and scholarly writing. From Geoffrey of Monmouth to Edmund Spenser, William Shakespeare to Seamus Heaney and H.G. Wells to Naomi Mitchison it explores Romano-British, Celtic and Anglo-Saxon deities and fictions. The result is a comprehensive picture of the ways in which writers have peopled the British pagan pantheons throughout history. Imagining the Pagan Past will be essential reading for all those interested in the history of paganism.

Late medieval English culture was fascinated by the figure of the pagan, the ancestor whose religious difference must be negotiated, and by the pagan's idol, an animate artefact. In romances, histories and hagiographies medieval Christians told the story of the pagans, who built the cities that Christians appropriated and the idols that they destroyed and replaced. Encounters with traces of pagan culture in the present raised the question of whether paganity had been fully eliminated, or whether it was liable to recur.

In 911, the French king ceded land along the river Seine to Rollo the Viking, on condition that he convert to Christianity. This work advances our understanding of early Normandy and the Vikings' transformation from pagan raiders to Christian princes. It also sheds light on the intersection of religious tradition, identity, and power.

This volume contains the proceedings of the first International Colloquium of the Research Centre "Polemikos" that was founded in 2016 by Joseph Verheyden (KU Leuven) and Daniela Müller (RU Nijmegen). The Centre is dedicated to the study of the history of religious polemics. This first meeting, held 14-16 of March 2018 in Leuven, studied a commonly known and broadly used way to discredit an adversary by using labels, in particular the negative label par excellence - that of being "a pagan". For practical reasons, the focus was limited to voices and evidence of Western origin - from the famous adversus Paganos literature to the controversies on native populations after the discovery of the New World and the place and role to be given to more "rationalistic" approaches to the Christian faith in the (early) modern period. The case studies presented here illustrate that the label can receive many different meanings. Among these are the characterisation of the others as strangers or barbarians and the accusation of committing idolatry, but also all sorts of insinuations or claims of immoral behaviour and more outlandish ones that associate these "pagan" others with demonic schemes. The last two contributions have less to do with "fighting" and more with "imagining" paganism, though these two aspects overlap as is shown in several of the essays; hence the choice for "Imagining Paganism" in the general title.

The first comparative, cross-cultural study of medieval illustrated histories that engages in a direct, confrontational dialogue with Byzantine historical memory.

Taking the reader into the heart of one of the fastest-growing religious movements in North America, Sabina Magliocco reveals how the disciplines of anthropology and folklore were fundamental to the early development of Neo-Paganism and the revival of witchcraft. Magliocco examines the roots that this religious movement has in a Western spiritual tradition of mysticism disavowed by the Enlightenment. She explores, too, how modern Pagans and Witches are imaginatively reclaiming discarded practices and beliefs to create religions more in keeping with their personal experience of the world as sacred and filled with meaning. Neo-Pagan religions focus on experience, rather than belief, and many contemporary practitioners have had mystical experiences. They seek a context that normalizes them and creates in them new spiritual dimensions that involve change in ordinary consciousness. Magliocco analyzes magical practices and rituals of Neo-Paganism as art forms that reanimate the cosmos and stimulate the imagination of its practitioners. She discusses rituals that are put together using materials from a variety of cultural and historical sources, and examines the cultural politics surrounding the movement—how the Neo-Pagan movement creates identity by contrasting itself against the dominant culture and how it can be understood in the context of early twenty-first-century identity politics. Witching Culture is the first ethnography of this religious movement to focus specifically on the role of anthropology and folklore in its formation, on experiences that are central to its practice, and on what it reveals about identity and belief in twenty-first-century North America.

This anthology calls Pagan and Goddess mothering into focus by highlighting philosophies and experiences of mothers in these spiritual movements and traditions. Pagan and Goddess spirituality are distinct, yet overlapping and diverse communities, with much to say about deity as mother, and about human mothers in relationship to deity. Authors share creative voices, stories, and scholarship from the forefront of Pagan- and Goddess- centered home, in which divine mothers, Goddesses, diverse female embodiments, and generative life cycles are honoured as sacred. Authors inquire into how their spirituality impacts the perceived value and experiences of mothers themselves, while generating new ways of imagining and enacting motherhood in spiritual and daily life. Pagan, Goddess, Mother opens spaces for dialogue in areas such as how Pagan- and Goddess- centred mothers engage in, and are impacted by, their spiritual leadership through practices of ceremony, ritual, magic, and priestessing. Authors consider mothers' lived connections with their children, family life, and themselves, through nature, the Earth, and mothering as a spiritual practice. Chapters reflect upon the ways that Pagan- and Goddess- identified mothers creatively navigate daily interactions with dominant religions, the public sphere, community leadership, and activism facing the challenges of such while forging new pathways for spirited well being in mothering and family life.