Imagining Singapore is the first comprehensive study on the history of Pictorial photography in Singapore. Drawing from interviews, unpublished historical data and newly discovered photographs, the book unveils a fascinating aspect of visual culture and its links to global Pictorialism.

This book explores the unique Singapore experience: its internal landscape, how the landscape came about, was conceived of and conceptualised, and how the imagination played and continues to play an important role in such conceptions. the collected essays, cover a wide range of topics relating to Singapore society. These include historiography, resource and recreational planning, bilingualism and population management, religion and politics, and gender. A common thread tying together these essays is the mental construction of reality from which thinking proceeds. This new edition features two new essays ("Imagining Freedom" and "Imagining the Singapore Economy in the Next Lap"), revisions and updates to the original essays, and a new preface by the editors.

This look at gay paradises in Southeast Asia and the men who created them considers the obstacles gay men have faced in securing a voice as citizens, and how they have used images of paradise in Bali, Bangkok and Singapore to create a sense of refuge, construct homes for themselves, and dissent from typical notions of manhood and masculinity. It focuses on Walter Spies, a gay German painter who in the 1930s depicted Bali as an ideal male aesthetic state; Khun Toc, who founded an architectural paradise called Babylon in Thailand; and the "cyber-paradise" of Fridae.com created by a young Singaporean named Stuart Koe. Collectively, Atkins examines their pursuit of sexual justice, the ideologies of manhood they challenged, the different types of gay spaces they created (geographic, architectural, online), and political obstacles they have encountered. Gary Atkins is professor of communication at Seattle University. He is the author of Gay Seattle: Stories of Exile and Belonging--Página 4 de la cubierta.

AI is now a global phenomenon. Yet Hollywood narratives dominate perceptions of AI in the English-speaking West and beyond, and much of the technology itself is shaped by a disproportionately white, male, US-based elite. However, different cultures have been imagining intelligent machines since long before we could build them, in visions that vary greatly across religious, philosophical, literary and cinematic traditions. This book aims to spotlight these alternative visions. Imagining AI draws attention to the range and variety of visions of a future with intelligent machines and their potential significance for the research, regulation, and implementation of AI. The book is structured geographically, with each chapter presenting insights into how a specific region or culture imagines intelligent machines. The contributors, leading experts from academia and the arts, explore how the encounters between local narratives, digital technologies, and mainstream Western narratives create new imaginaries and insights in different contexts across the globe. The narratives they analyse range from ancient philosophy to contemporary science fiction, and visual art to policy discourse. The book sheds new light on some of the most important themes in AI ethics, from the differences between Chinese and American visions of AI, to digital neo-colonialism. It is an essential work for anyone wishing to understand how different cultural contexts interplay with the most significant technology of our time.

Despite widespread recognition that we are living in an era of mass globalization, there has been a startling resurgence of nationalism in many regions of the world. Alongside this development, many new national museums are being built or refurbished, pointing to the critical role the telling of history plays in processes of building national identity. From new museum construction to the re-purposing of colonial monuments, and from essentialized narratives to spaces which encourage visitors to dream, this book explores the development and influence of national museums in three contemporary Asian societies – Singapore, Hong Kong, and Macau.

In the decades since her defeat in the Second World War, Japan has continued to loom large in the national imagination of many of her East Asian neighbours. While for many, Japan still conjures up images of rampant military brutality, at different times and in different communities, alternative images of the Japanese ‘Other’ have vied for predominance – in ways that remain poorly understood, not least within Japan itself. Imagining Japan in Postwar East Asia analyses the portrayal of Japan in the societies of East and Southeast Asia, and asks how and why this has changed in recent decades, and what these changing images of Japan reveal about the ways in which these societies construct their own identities. It examines the role played by an imagined ‘Japan’ in the construction of national selves across the East Asian region, as mediated through a broad range of media ranging from school curricula and textbooks to film, television, literature and comics. Commencing with an extensive thematic and comparative overview chapter, the volume also includes contributions focusing specifically on Chinese societies (the mainland PRC, Hong Kong and Taiwan), Korea, the Philippines, Malaysia and Singapore. These studies show how changes in the representation of Japan have been related to political, social and cultural shifts within the societies of East Asia – and in particular to the ways in which these societies have imagined or constructed their own identities. Bringing together contributors working in the fields of education, anthropology, history, sociology, political science and media studies, this interdisciplinary volume will be of interest to all students and scholars concerned with issues of identity, politics and culture in the societies of East Asia, and to those seeking a deeper understanding of Japan’s fraught relations with its regional neighbours.