In Imaging Reality: The Faber Book of Documentary, Oscar-winning documentary-maker Kevin Macdonald ( One Day in September, Touching the Void) and leading broadcaster/historian Mark Cousins ( The Story of Film) offer an expanded, revised edition of their 'definitive, inspirational' ( Independent) compendium on the roots and history of the documentary film. Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield. The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War.

Offers information on American sociologist Charles Horton Cooley (1864-1929), presented as part of the McMaster University Archive for the History of Economic Thought. Provides access to works by Cooley.

What does imagination do for our perception of the world? Why should reality be broken off from our imagining of it? It was not always thus, and in these essays, Tim Ingold sets out to heal the break between reality and imagination at the heart of modern thought and science. Imagining for Real joins with a lifeworld ever in creation, attending to its formative processes, corresponding with the lives of its human and nonhuman inhabitants. Building on his two previous essay collections, The Perception of the Environment and Being Alive , this book rounds off the extraordinary intellectual project of one of the world’s most renowned anthropologists. Offering hope in troubled times, these essays speak to coming generations in a language that surpasses disciplinary divisions. They will be essential reading not only for anthropologists but also for students in fi elds ranging from art, aesthetics, architecture and archaeology to philosophy, psychology, human geography, comparative literature and theology.

This ain't no Dreamgirls," Rhodessa Jones warns participants in the Medea Project, the theater program for incarcerated women that she founded and directs. Her expectations are grounded in reality, tempered, for example, by the fact that women are the fastest growing population in U.S. prisons. Still, Jones believes that by engaging incarcerated women in the process of developing and staging dramatic works based on their own stories, she can push them toward tapping into their own creativity, confronting the problems that landed them in prison, and taking control of their lives. Rena Fraden chronicles the collaborative process of transforming incarcerated women's stories into productions that incorporate Greek mythology, hip-hop music, dance, and autobiography. She captures a diverse array of voices, including those of Jones and other artists, the sheriff and prison guards, and, most vividly, the women themselves. Through compelling narrative and thoughtful commentary, Fraden investigates the Medea Project's blend of art and activism and considers its limits and possibilities for enacting social change. Rhodessa Jones is co-artistic director of the San Francisco-based performance company Cultural Odyssey and founder of the Medea Project: Theater for Incarcerated Women. An award-winning performer, she has taught at the Yale School of Drama and the New College of California.

Neville was born in Barbados, West Indies in 1905 into a poor English familynine boys and one girlwhere he was raised and educated in a traditional Christian manner. His father who knew about the power of imagining, along with the help of his industrious sons, made the Goddards into the largest business presence in the island, and at his death left all ten children independently wealthy. At age seventeen Neville left Barbados for New York City where he worked in retail for several years until he became a dancer in Broadway shows. This led to a stint in London where he was introduced to metaphysical thought, and upon returning to New York he began to teach the law of imagining in 1938 to ever-growing audiences in the East, Los Angeles and San Francisco. When he moved his family to Los Angeles in the early 1950s he was attracting crowds of 2,000 for his Sunday talks. Everyone wanted somethinghomes, new jobs, mates, moneyand he successfully taught them how to fulfill those desires through the use of their all-powerful human imaginations. The techniques, testimonies from his audiences, the creative formula, visions, dreams and Bible interpretations are discussed simply and in detail in these lectures. They encourage any seeker to apply his or her imagination for success, and ultimately lead to the appreciation that there is no intermediary between God (mans I AM) and man. Starting in 1959 he had a series of six visions over a three and a half year periodresurrection/birth from above; David; splitting of the temple/ascension; and the doves descent. Then he understood his mission: To first experience these visions, understand their meanings, and then teach the meaning of these signs that are given to man after multiple lifetimes and all states of consciousness have been played by each individual. These signs confirm the awakening of mans soul. Mans origin and destiny are divinefrom unity into diversity back to unity, with no loss of individuality. All is forgiven and the exile, the prodigal returns to Lordship, greatly expanded by the journey through limitation, illusion and a sleep likened unto death.

In the early 1990s, people predicted the death of privacy, an end to the current concept of 'property,' a paperless society, 500 channels of high-definition interactive television, world peace, and the extinction of the human race after a takeover engineered by intelligent machines. Imagining the Internet zeroes in on predictions about the Internet's future and revisits past predictions—and how they turned out. It gives the history of communications in a nutshell, illustrating the serious impact of pervasive networks and how they will change our lives over the next century.

Considered Charlottesville's most eligible lesbian, Jessie Ximena has recently grown tired of that status and has stopped dating entirely. She'd rather focus on the important things in life like her job, her family, and her friends. There will always be plenty of time for relationships when she feels like jumping back into the fray. If she finds someone to hold her interest, that is. Lauren Aleric has been searching for Ms. Right since she began dating, but no one has yet filled the role. Her friends think that she's too much of a romantic mush to settle. She wishes she could be more like her good friend Jessie, who seems perfectly happy dating casually. But mostly, she wishes she could be like her best friend, Austy, who's just found her forever love. Imagining Reality is the story of these two friends and how they discover that what they're both looking for isn't as far apart as they might think. (Special Edition includes epilogue never before in print.)