Offering a unique account of identity formation in Ireland and Central Europe, this book explores and contextualises transfers and comparisons between Ireland and the successor states of the Austro-Hungarian Empire. It reveals how Irish perceptions of borders and identities changed after the (re)birth of the small states of Austria, Hungary and Czechoslovakia and the creation of the Irish Free State. Adopting a transnational approach, the book documents the outward-looking attitude of Irish nationalists and provides original insights into the significance of personal encounters that transcended the borders of nation-states. Drawing on a wide range of official records, private papers, contemporary press accounts and journal articles, Imagining Ireland Abroad, 1904-1945 bridges the gap between historiographies of the East and West by opening up a new perspective on Irish national identity.

Here are 25,000 quotations drawn from the history, politics, literature, religions, science, and popular culture of the world--ranging from the earliest Chinese sages through Shakespeare to the present day.

The two-volume work Modernism has been awarded the prestigious 2008 MSA Book Prize! Modernism has constituted one of the most prominent fields of literary studies for decades. While it was perhaps temporarily overshadowed by postmodernism, recent years have seen a resurgence of interest in modernism on both sides of the Atlantic. These volumes respond to a need for a collective and multifarious view of literary modernism in various genres, locations, and languages. Asking and responding to a wealth of theoretical, aesthetic, and historical questions, 65 scholars from several countries test the usefulness of the concept of modernism as they probe a variety of contexts, from individual texts to national literatures, from specific critical issues to broad cross-cultural concerns. While the chief emphasis of these volumes is on literary modernism, literature is seen as entering into diverse cultural and social contexts. These range from inter-art conjunctions to philosophical, environmental, urban, and political domains, including issues of race and space, gender and fashion, popular culture and trauma, science and exile, ­all of which have an urgent bearing on the poetics of modernity.

Uncovers the transnational movement by Ireland's unionists as they worked to maintain the Union during the Home Rule era. The book explores the political, social, religious, and Scotch-Irish ethnic connections between Irish unionists and the United States as unionists appealed to Americans for support and reacted to Irish nationalism.

In the aftermath of World War I, the British Empire was hit by two different crises on opposite sides of the world--the Jallianwala Bagh, or Amritsar, Massacre in the Punjab and the Croke Park Massacre, the first 'Bloody Sunday', in Ireland. This book provides a study at the cutting edge of British imperial historiography, concentrating on British imperial violence and the concept of collective punishment. This was the 'crisis of empire' following the political and ideological watershed of World War I. The British Empire had reached its greatest geographical extent, appeared powerful, liberal, humane and broadly sympathetic to gradual progress to responsible self-government. Yet the empire was faced with existential threats to its survival with demands for decolonisation, especially in India and Ireland, growing anti-imperialism at home, virtual bankruptcy and domestic social and economic unrest. Providing an original and closely-researched analysis of imperial violence in the aftermath of World War I, this book will be essential reading for historians of empire, South Asia and Ireland.

The First World War marked the end point of a process of German globalization that began in the 1870s. Learning Empire looks at German worldwide entanglements to recast how we interpret German imperialism, the origins of the First World War, and the rise of Nazism.

This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.