Early in his career, Hitler took inspiration from Mussolini—this fact is widely known. But an equally important role model for Hitler has been neglected: Atatürk, the founder of modern Turkey, who inspired Hitler to remake Germany along nationalist, secular, totalitarian, and ethnically exclusive lines. Stefan Ihrig tells this compelling story.

In Imagining a Greater Germany, Erin R. Hochman offers a fresh approach to the questions of state- and nation-building in interwar Central Europe. Ever since Hitler annexed his native Austria to Germany in 1938, the term "Anschluss" has been linked to Nazi expansionism. The legacy of Nazism has cast a long shadow not only over the idea of the union of German-speaking lands but also over German nationalism in general. Due to the horrors unleashed by the Third Reich, German nationalism has seemed virulently exclusionary, and Anschluss inherently antidemocratic.However, as Hochman makes clear, nationalism and the desire to redraw Germany's boundaries were not solely the prerogatives of the political right. Focusing on the supporters of the embattled Weimar and First Austrian Republics, she argues that support for an Anschluss and belief in the großdeutsch idea (the historical notion that Germany should include Austria) were central to republicans’ persistent attempts to legitimize democracy. With appeals to a großdeutsch tradition, republicans fiercely contested their opponents’ claims that democracy and Germany, socialism and nationalism, Jew and German, were mutually exclusive categories. They aimed at nothing less than creating their own form of nationalism, one that stood in direct opposition to the destructive visions of the political right. By challenging the oft-cited distinction between "good" civic and "bad" ethnic nationalisms and drawing attention to the energetic efforts of republicans to create a cross-border partnership to defend democracy, Hochman emphasizes that the triumph of Nazi ideas about nationalism and politics was far from inevitable.

THE CULT NOVEL RETURNS! “The best book I read last year is A Man Lies Dreaming by Lavie Tidhar... It is so cleverly constructed and such a spectacular conclusion unfolds that you are going to take it all very seriously.” – Sting “Ambitious as hell” –Ian Rankin “An excellent novel” –Philip Kerr Since its original 2014 publication, A Man Lies Dreaming has been translated into multiple languages and gained a cult following for its dark humor, prescient politics and powerful exploration of the impossibility of fantasy. 1939: Adolf Hitler, fallen from power, seeks refuge in a London engulfed in the throes of a very British Fascism. Now eking a miserable living as a down-at-heels private eye and calling himself Wolf, he has no choice but to take on the case of a glamorous Jewish heiress whose sister went missing. It’s a decision Wolf will very shortly regret. For in another time and place a man lies dreaming: Shomer, once a Yiddish pulp writer, who dreams lurid tales of revenge in the hell that is Auschwitz. Prescient, darkly funny and wholly original, the award-winning A Man Lies Dreaming is a modern fable for our time that comes “crashing through the door of literature like Sam Spade with a .38 in his hand” (Guardian). PRAISE FOR LAVIE TIDHAR Winner – The World Fantasy Award Winner – The John W. Campbell Award Winner – The British Fantasy Award Winner – The Jerwood Fiction Uncovered Prize Winner – The Neukom Literary Arts Award Winner – The Kitschies Award Winner – The BSFA Award “Tidhar is a genius at conjuring realities that are just two steps to the left of our own.” –NPR “Tidhar changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.” –Library Journal “In a genre entirely of his own, and quite possibly a warped genius.” –Ian McDonald, author of River of Gods “Already staked a claim as the genre’s most interesting, most bold, and most accomplished writer.” –Locus “Tidhar is a master at taking concepts that really shouldn’t work and crafting them into something uniquely brilliant.” –GeekDad “He is perhaps the UK’s most literary speculative fiction writer.” –Strange Horizons “Like early Kurt Vonnegut... both writers seem to channel the same prankster glee that covers deep despair.” –Locus “Bears comparison with the best of Philip K Dick” –The Financial Times PRAISE FOR A MAN LIES DREAMING JERWOOD FICTION UNCOVERED PRIZE WINNER 2015 BRITISH FANTASY AWARD NOMINEE 2015 PREMIO ROMA NOMINEE 2016 GEFFEN PRIZE NOMINEE 2019 DUBLIN LITERATURE AWARD LONGLIST 2016 “Complex, elusive and intriguing” –The Jerusalem Post “Nasty, clever, waspish and witty... a brilliant and potent thought experiment” –The Sunday Herald “Bold and unnerving” –NPR “Damn good” –Jewish Book Council “A wholly original Holocaust story: as outlandish as it is poignant.” –Kirkus (starred review) “A vital, brilliant novel” –Barnes & Noble SFF Blog “Outstanding and moving” –Maxim Jakubowski, LoveReading.co.uk “Gripping... clever and thrilling work” –Buzz Magazine “In turns brutal, harrowing, heartbreaking and intriguing.... [an] unforgettable novel.” –Gulf Weekly “poetic & terrible... quite incredible” –Tor.com “A brilliant novel.” –Pop Verse 눀

The first book to document Heidegger's close connections to Nazism-now available to a new generation of students

'Brilliant, a 5 out of 5 masterpiece' Evening Standard The renowned historian of the Third Reich takes on the conspiracy theories surrounding Adolf Hitler and the Nazis, in a vital history book for the 'post-truth' age The idea that nothing happens by chance in history, that nothing is quite what it seems to be at first sight, that everything that occurs is the result of the secret machinations of malign groups of people manipulating everything from behind the scenes is as old as history itself. But conspiracy theories are becoming more popular and more widespread in the twenty-first century. Nowhere have they become more obvious than in revisionist accounts of the history of the Third Reich. Long-discredited conspiracy theories have taken on a new lease of life, given credence by claims of freshly discovered evidence and novel angles of investigation. This book takes five widely discussed claims involving Hitler and the Nazis and subjects them to forensic scrutiny: that the Jews were conspiring to undermine civilization, as outlined in 'The Protocols of the Elders of Zion'; that the German army was 'stabbed in the back' by socialists and Jews in 1918; that the Nazis burned down the Reichstag in order to seize power; that Rudolf Hess' flight to the UK in 1941 was sanctioned by Hitler and conveyed peace terms suppressed by Churchill; and that Hitler escaped the bunker in 1945 and fled to South America. In doing so, it teases out some surprising features these, and other conspiracy theories, have in common. This is a history book, but it is a history book for the age of 'post-truth' and 'alternative facts': a book for our own troubled times.

Witness through the Imagination presents a critical reading of themes and stylistic strategies of major American Holocaust fiction to determine its capacity to render the prelude, progress, and aftermath of the Holocaust. Criticism of Holocaust literature is an emerging field of inquiry, and as might be expected, the most innovative work has been concentrated on the vanguard of European and Israeli Holocaust literature. Now that American fiction has amassed an impressive and provocative Holocaust canon, the time is propitious for its evaluation. Witness Through the Imagination presents a critical reading of themes and stylistic strategies of major American Holocaust fiction to determine its capacity to render the prelude, progress, and aftermath of the Holocaust. The unifying critical approach is the textual explication of themes and literary method, occasional comparative references to international Holocaust literature, and a discussion of extra-literary Holocaust sources that have influenced the creative writers' treatment of the Holocaust universe.