Creef looks at racial profiling Asian Americans over the past 100 years by examining images by well known photographers such as Dorothea Lange and Ansel Adams.

Creef looks at racial profiling Asian Americans over the past 100 years by examining images by well known photographers such as Dorothea Lange and Ansel Adams.

"Unflinchingly illustrates the reality of life during this extraordinary moment in American history."—Dinitia Smith, The New York Times Censored by the U.S. Army, Dorothea Lange's unseen photographs are the extraordinary photographic record of the Japanese American internment saga. This indelible work of visual and social history confirms Dorothea Lange's stature as one of the twentieth century's greatest American photographers. Presenting 119 images originally censored by the U.S. Army—the majority of which have never been published—Impounded evokes the horror of a community uprooted in the early 1940s and the stark reality of the internment camps. With poignancy and sage insight, nationally known historians Linda Gordon and Gary Okihiro illuminate the saga of Japanese American internment: from life before Executive Order 9066 to the abrupt roundups and the marginal existence in the bleak, sandswept camps. In the tradition of Roman Vishniac's A Vanished World, Impounded, with the immediacy of its photographs, tells the story of the thousands of lives unalterably shattered by racial hatred brought on by the passions of war. A San Francisco Chronicle Best Book of 2006.

When the American government began impounding Japanese American citizens after Pearl Harbor, photography became a battleground. The control of the means of representation affected nearly every aspect of the incarceration, from the mug shots criminalizing Japanese Americans to the prohibition of cameras in the hands of inmates. The government also hired photographers to make an extensive record of the forced removal and incarceration. In this insightful study, Jasmine Alinder explores the photographic record of the imprisonment in war relocation centers such as Manzanar, Tule Lake, Jerome, and others. She investigates why photographs were made, how they were meant to function, and how they have been reproduced and interpreted subsequently by the popular press and museums in constructing versions of public history. Alinder provides calibrated readings of the photographs from this period, including works by Dorothea Lange, Ansel Adams, Manzanar camp inmate Toyo Miyatake (who constructed his own camera to document the complicated realities of camp life), and contemporary artists Patrick Nagatani and Masumi Hayashi. Illustrated with more than forty photographs, Moving Images reveals the significance of the camera in the process of incarceration as well as the construction of race, citizenship, and patriotism in this complex historical moment.

First-generation Japanese Issei immigrants arrived in Florin in the 1890s, after attempts at profitable strawberry cultivation by Florin landowners had failed. By 1905, however, Issei farmers had developed effective techniques for growing strawberries that delivered a resurgence of the crop. The Issei farmers discovered that Florin's shallow hardpan grew strawberries and grapes well; these fruits would blossom into Florin's major cash crops and lead to the crowning of Florin as the "strawberry capital of the world." But Japanese successes were hard-earned in the face of racist organizations such as the Asiatic Exclusion League and laws like Executive Order 9066, signed by Pres. Franklin D. Roosevelt in 1942. Florin was a community with a majority of Japanese Americans, but their forced removal--mandated by Roosevelt's order--dealt a crushing blow to the bustling agricultural town, as many Florin families never returned. The Japanese American Archival Collection (JAAC) was established in 1994 as an educational partnership between California State University, Sacramento (CSUS), and the Florin Japanese American Citizens League (JACL). The content collection was led by Florinite Mary Tsukamoto, an educator, author, and activist who was sent with her family to Japanese American concentration camps between 1942 and 1945.

For over 100 years, Japanese immigrants and Japanese Americans have called San Diego County home. Attracted to the warm climate and economic opportunities, Issei (first-generation Japanese immigrants) drifted into San Diego in the 1880s and introduced effective new fishing techniques that contributed to the growth of this industry. From the Tijuana River Valley on the border with Mexico to Oceanside in North County, Japanese American families started small truck farms in the first decades of the 20th century, developing techniques to improve crop production. Surviving the heartbreak of evacuation and incarceration during World War II in desert internment camps, San Diegans returned to rebuild a vibrant community after the war.

More than two hundred vintage images from family archives, museums, and university collections capture the cultural and economic history of Chicago's Japanese communities.