ÿOn a spectrum of hostility towards irregular migrants, South Africa ranks on top, Germany in the middle and Canada at the bottom. South African xenophobic violence by impoverished slum dwellers is directed against fellow Africans. Why would a society that liberated itself in the name of human rights turn against people who escaped human rights violations or unlivable conditions at home? What happened to the expected African solidarity? Why do former victims become victimizers?ÿ Imagined Liberationÿasks what xenophobic societies can learn from other immigrant societies which avoided the backlash against multiculturalism in Europe.

On a spectrum of hostility towards irregular migrants, South Africa ranks on top, Germany in the middle and Canada at the bottom. South African xenophobic violence by impoverished slum dwellers is directed against fellow Africans. Why would a society that liberated itself in the name of human rights turn against people who escaped human rights violations or unlivable conditions at home? What happened to the expected African solidarity? Why do former victims become victimizers? Imagined Liberation asks what xenophobic societies can learn from other immigrant societies which avoided the backlash against multiculturalism in Europe.

Today, around a million British people are of Caribbean descent, reflecting a history of post-war migration that essentially begins and ends with the Nationality Act of 1948 and the Immigration Act of 1972 - the so-called Windrush Generation. For many, London in particular was where the cultural archipelago of the Caribbean came together for the first time - communication and travel between the islands being difficult. This British-Caribbean connection gave rise to a diverse, complex and exciting wealth of Black cultural forms. At one end of the spectrum, British-Caribbean art is abstract, symbolist and at times cosmological; at the other it is socially realist, with many other positions in between or off that spectrum. Where art is engaged with changes in society, it evokes a community's struggle to forge an identity and livelihood for itself in an environment that often proved hostile. Other works evoke deeper historical experiences, in particular the traumatic after-images of plantation slavery and its legacy in culture and society. This comprehensive volume brings together key writings on the interrelationship of Britain and the English-speaking Caribbean nations, focussing specifically on the art of the Caribbean diaspora in Britain from the 1920s to today. Combining classic writings with some newlycommissioned contributions, it explores intersecting areas of Black-British cultural production and reflects the diversity of the Black-British experience. With contributions from a range of scholars, Liberation through Imagination is an invaluable sourcebook for those interested in the rich and diverse field of postcolonial British-Caribbean art.

Geographies of Liberation: The Making of an Afro-Arab Political Imaginary

This fascinating book gathers reflections by scholars and activists who consider the impact of the Black Panther Party, the BBP, the most significant revolutionary organization in the later 20th century.

Using a broad definition of fantasy to include myth, folklore, legend and fairy tale, this survey of the genre will entice as well as inform any student interested in the mysterious, mystical or magical. Beloved authors like J. R. R. Tolkien, Ursula K. Le Guin, William Morris and Robert E. Howard are examined closely.

On a spectrum of hostility towards irregular migrants, South Africa ranks on top, Germany in the middle and Canada at the bottom. South African xenophobic violence by impoverished slum dwellers is directed against fellow Africans. Why would a society that liberated itself in the name of human rights turn against people who escaped human rights violations or unlivable conditions at home? What happened to the expected African solidarity? Why do former victims become victimizers? Imagined Liberation asks what xenophobic societies can learn from other immigrant societies which avoided the backlash against multiculturalism in Europe.