Young Elizabeth Shand, newly married to the unstable but handsome Hector, finds herself in the social, intellectual and spiritual strait-jacket of small-town life early in the 20th century.

Published in Antwerp in 1570, the Theatrum orbis terrarum did something no previous book had done—it presented the world in all its component parts, offering the chance to see our planet as a place of staggering variety and ultimate unity. It was the world’s first atlas. Brainchild of Abraham Ortelius, the Theatrum reflected the enormous vitality of the era, the prevailing zest for exploration and discovery, and the linked activities of international commerce and mapmaking. Paul Binding has immersed himself in the Antwerp that produced Ortelius and his atlas, and he draws on a mass of letters, personal documents, maps, and pictures to bring it vividly to life. A masterly volume that stands as a tribute to the human need to impose order and reason on an all-too-turbulent world.

We are a multicultural society. The 43 poets whose work is presented here come from cultures which have so richly contributed, through immigration, to Australia in the period since World War II: Italy, Greece, Poland, Hungary, Romania, Serbia, the Czech Republic. Included also are poets from Asia: from India, China, Vietnam. This new edition includes poets from several Middle Eastern countries and Turkey, bringing countries and cultures represented to 21. The range of Australian poets has been expanded to include additional Aboriginal poets, and poets born elsewhere and influenced by other cultures, now writing in Australia. We have also included a group of Australian poets strongly influenced by Asia. Poetry helps us understand the nuances of our diverse cultural heritage.

A unique novel about life in a 14th-century convent by one of England's most original authors. Sylvia Townsend Warner’s The Corner That Held Them is a historical novel like no other, one that immerses the reader in the dailiness of history, rather than history as the given sequence of events that, in time, it comes to seem. Time ebbs and flows and characters come and go in this novel, set in the era of the Black Death, about a Benedictine convent of no great note. The nuns do their chores, and seek to maintain and improve the fabric of their house and chapel, and struggle with each other and with themselves. The book that emerges is a picture of a world run by women but also a story—stirring, disturbing, witty, utterly entrancing—of a community. What is the life of a community and how does it support, or constrain, a real humanity? How do we live through it and it through us? These are among the deep questions that lie behind this rare triumph of the novelist’s art.

From medieval bestiaries to Borges’s Book of Imaginary Beings, we’ve long been enchanted by extraordinary animals, be they terrifying three-headed dogs or asps impervious to a snake charmer’s song. But bestiaries are more than just zany zoology—they are artful attempts to convey broader beliefs about human beings and the natural order. Today, we no longer fear sea monsters or banshees. But from the infamous honey badger to the giant squid, animals continue to captivate us with the things they can do and the things they cannot, what we know about them and what we don’t. With The Book of Barely Imagined Beings, Caspar Henderson offers readers a fascinating, beautifully produced modern-day menagerie. But whereas medieval bestiaries were often based on folklore and myth, the creatures that abound in Henderson’s book—from the axolotl to the zebrafish—are, with one exception, very much with us, albeit sometimes in depleted numbers. The Book of Barely Imagined Beings transports readers to a world of real creatures that seem as if they should be made up—that are somehow more astonishing than anything we might have imagined. The yeti crab, for example, uses its furry claws to farm the bacteria on which it feeds. The waterbear, meanwhile, is among nature’s “extreme survivors,” able to withstand a week unprotected in outer space. These and other strange and surprising species invite readers to reflect on what we value—or fail to value—and what we might change. A powerful combination of wit, cutting-edge natural history, and philosophical meditation, The Book of Barely Imagined Beings is an infectious and inspiring celebration of the sheer ingenuity and variety of life in a time of crisis and change.