Presents a selection of full-color photographs from across Africa, covering topics including sense of place, the joy of being, inner journeys, patterns of beauty, rhythm from within, and capacity to endure.

"Missionaries played a fundamental role in introducing cinema into the developing world in the early twentieth century. These representatives of the Christian community diligently produced films about far-flung cultures to bolster fundraising for mission efforts around the globe. By the interwar period, a few husband-and-wife teams in Africa were making an array of films about vanishing cultures and the struggle to bring Christianity to indigenous populations. Images Out of Africa brings to light the remarkable expedition of one such team of filmmakers. In 1938, Virginia and Ray Garner, working for the Africa Motion Picture Project, ambitiously began making films in the Belgian Congo and French Cameroons, introducing film into villages for the first time. This book features Virginia Garner's recently rediscovered diaries, which highlight the challenges of making films in Africa in the 1930s and include rich descriptions of cross-cultural interactions and micro-negotiations with chiefs, headmen, and villagers." -- P. [4] of cover.

In Out of Africa, author Isak Dinesen takes a wistful and nostalgic look back on her years living in Africa on a Kenyan coffee plantation. Recalling the lives of friends and neighbours—both African and European—Dinesen provides a first-hand perspective of colonial Africa. Through her obvious love of both the landscape and her time in Africa, Dinesen’s meditative writing style deeply reflects the themes of loss as her plantation fails and she returns to Europe. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.

Images of Africa offers a rare insight into the historical and cultural processes through which the various negative perceptions and stereotypes of Africa were deliberately created, and which the continent has struggled to shake off.

This is an exploration of the function of photography in Central Africa. It explores and links two related themes: the role of photographic images in constructing and circulating fantasies, ideas and sentiments in Europe and the US relating to peoples of Central Africa; and the role of photography in enabling Africans to project and create images of themselves during encounters with foreign photographers. The publications is devoted to the holdings of the Eliot Eliofson Photographic Archives, a department of the National Museum of African Art, USA, a repository of more than 200, 000 historical and contemporary images from all over Africa.

Set in Africa, it is the story of Dinesen's years in Africa--together with Shadows on the Grass. Copyright © Libri GmbH. All rights reserved.

Not Out of Africa has sparked widespread debate over the teaching of revisionist history in schools and colleges. Was Socrates black? Did Aristotle steal his ideas from the library in Alexandria? Do we owe the underlying tenets of our democratic civilizaiton to the Africans? Mary Lefkowitz explains why politically motivated histories of the ancient world are being written and shows how Afrocentrist claims blatantly contradict the historical evidence. Not Out of Africa is an important book that protects and argues for the necessity of historical truths and standards in cultural education.For this new paperback edition, Mary Lefkowitz has written an epilogue in which she responds to her critics and offers topics for further discussion. She has also added supplementary notes, a bibliography with suggestions for further reading, and a glossary of names.