"The New Testament does not develop a systematic doctrine of salvation," writes Brenda Colijn. "Instead, it presents us with a variety of pictures taken from different perspectives." Students of the New Testament and of theology will both find their vision broadened and their understanding deepened by this rich, informative study. As the author seeks to understand their implications for people of faith, she uncovers how New Testament images provide the building blocks of the master story of redemption.

In this text, Neil MacGregor engages with images of Christ wherever they may be found throughout the world. Through them he follows not only the life of Christ, but also the development of Christian culture since His birth.

All too often, the Christian understanding of salvation has been one-dimensional, reducing all that God has done for us to a single conception or idea. Tom Greggs, one of today's leading theologians, offers a brief, accessibly written, but theologically substantive treatment of the doctrine of salvation. Drawing on the broad tradition of the church and the Christian faith in explaining the Christian understandings of salvation, Greggs challenges the contemporary church to be captured afresh by the immeasurable height, depth, and breadth of God's saving actions.

We live in a visual culture. Today, people increasingly rely upon visuals to help them understand new and difficult concepts. The rise and stunning popularity of the Internet infographic has given us a new way in which to convey data, concepts and ideas. But the visual portrayal of truth is not a novel idea. Indeed, God himself used visuals to teach truth to his people. The tabernacle of the Old Testament was a visual representation of man's distance from God and God's condescension to his people. Each part of the tabernacle was meant to display something of man's treason against God and God's kind response. Likewise, the sacraments of the New Testament are visual representations of man's sin and God's response. Even the cross was both reality and a visual demonstration. As teachers and lovers of sound theology, Challies and Byers have a deep desire to convey the concepts and principles of systematic theology in a fresh, beautiful and informative way. In this book, they have made the deepest truths of the Bible accessible in a way that can be seen and understood by a visual generation.

In "THE CROSS AND ITS SHADOW," the type and the antitype are placed side by side, with the hope that the reader may thus become better acquainted with the Saviour. It is not the intention of the author of this work to attack any error that may have been taught in regard to the service of the sanctuary, or to arouse any controversy, but simply to present the truth in its clearness. This is a reprint of an important early Advent book, which explains the sanctuary and its services. - SECTION I. THE SANCTUARY. SECTION II. FURNITURE OF THE SANCTUARY. SECTION III. THE PRIESTHOOD. SECTION IV. SPRINGTIME ANNUAL FEASTS. SECTION V. VARIOUS OFFERINGS. SECTION VI. SERVICES OF THE SANCTUARY. SECTION VII. THE AUTUMNAL ANNUAL FEASTS. SECTION VIII. LEVITICAL LAWS AND CEREMONIES. SECTION IX. THE TRIBES OF ISRAEL

Corrington examines the image of the savior and the experience of salvation, two concepts that are inextricably entwined. The author asserts that Christianity set aside female images of salvation by emphasizing the maleness of Jesus. She draws on solid knowledge of Jewish and classical Greek sources to show that the image of God could be seen as both male and female.