Was Al Gore only half-kidding at the 1992 Democratic Convention when he compared Bill Clinton to "the King?" Why does Elvis's name and image still pop up in so many movies, television shows, and songs? From black velvet paintings, comic books, and postage stamps to impersonators, movie characters, and sports stars, Images of Elvis Presley in American Culture, 1977--1997 provides a surprisingly broad vista from which to view American popular culture. An insightful exploration of America's overwhelming and enduring cultural fascination with the expanding and elusive Elvis myth, this book combines historical, textual, and sociocultural analysis with a wide range of resource materials to examine the many images of Elvis in American culture. Focusing on the period following his death in 1977 up to the present, Elvis Presley in American Culture, 1977--1997 informs and entertains popular readers and academicians in American studies, popular culture, radio/television/film, sociology, music, and 20th-century American history. Elvis fans ("Elfans") and collectors of Elvis Presley materials and memorabilia also need to add this perspective-enhancing book to your personal libraries. Author George Plasketes shows us how representations, reflections, responses, and references to Elvis in art, artifacts, film, video, television, music, performance, literature, memorabilia, and alleged sightings, continue to make American culture a "mystery terrain" of endless "Elvistas." The repetition of these images is a link to our cultural identity. Elvis Presley in American Culture, 1977--1997 provides the necessary critical analysis and the resource guide to the various representations of Elvis during the past 20 years, to give readers an engaging and informative way to pursue and interpret the expansive and ever-evolving Elvis myth and its importance to American popular culture.

Explores the development of a range of cults of popular music as a response to changes in attitudes to meaning, spirituality and religion in society.>

Debut albums are among the cultural artefacts that capture the popular imagination especially well. As a first impression, the debut album may take on a mythical status, whether the artist or group achieves enduring success or in rare cases when an initial record turns out to be an apogee for an artist. Whatever the subsequent career trajectory, the debut album is a meaningful text that can be scrutinized for its revelatory signs and the expectations that follow. Please Allow Me to Introduce Myself: Essays on Debut Albums tells the stories of 23 debut albums over a nearly fifty year span, ranging from Buddy Holly and the Crickets in 1957 to The Go! Team in 2004. In addition to biographical background and a wealth of historical information about the genesis of the album, each essay looks back at the album and places it within multiple contexts, particularly the artist’s career development. In this way, the book will be of as much interest to sociologists and historians as to culture critics and musicologists.

According to Max Weber, charisma is opposed to bureaucratic order. This collection reveals the limits of that formula. The contributors show how charisma is a part of cultural frameworks while retaining its ecstatic character among American and Italian Catholics, Syrian Sufis, Taiwanese Buddhists, Hassidic Jews, and Amazonian shamans, among others.

From Please Please Me to Abbey Road, this collection of essays tells the fascinating story of the Beatles – the creation of the band, their musical influences, and their cultural significance, with emphasis on their genesis and practices as musicians, songwriters, and recording artists. Through detailed biographical and album analyses, the book uncovers the background of each band member and provides expansive readings of the band's music. • Traces the group's creative output from their earliest recordings through their career • Pays particular attention to the social and historical factors which contributed to the creation of the band • Investigates the Beatles' unique enduring musical legacy and cultural power • Clearly organized into three sections, covering Background, Works, and History and Influence, the Companion is ideal for course usage, and is also a must-read for all Beatles fans

Rabbi Menachem Mendel Schneerson was the charismatic leader of the Chabad Hasidic movement and its designated Messiah. Yet when he died in 1994, the messianic fervor he inspired did not subside. Through traditional means and digital technologies, a group of radical Hasidim, the Meshichistim, still keep the Rebbe palpably close—engaging in ongoing dialogue, participating in specific rituals, and developing an ever-expanding visual culture of portraits and videos. With Us More Than Ever focuses on this group to explore how religious practice can sustain the belief that a messianic figure is both present and accessible. Yoram Bilu documents a unique religious experience that is distinctly modern. The rallying point of the Meshichistim—that the Rebbe is "with us more than ever"—is sustained through an elaborate system that creates the sense of his constant and pervasive presence in the lives of his followers. The virtual Rebbe that emerges is multiple, visible, accessible, and highly decentralized, the epicenter of a truly messianic movement in the twenty-first century. Combining ethnographic fieldwork and cognitive science with nuanced analysis, Bilu documents the birth and development of a new religious faith, describing the emergence of new spiritual horizons, a process common to various religious movements old and new.

This fascinating book tells the story of how television became popular in the United States following the medium's debut at the 1939 New York World's Fair. You'll learn about the people, events, and performances that were televised—or influenced what was being televised—from 1939 to 1953. In addition to the entertainment and cultural aspects of this newborn medium, it also explores the business, politics, and technology of early television.