Images of Dignity is the first major study of the films of Barry Barclay, one of the most important film makers in New Zealand cinema history, and a major indigenous film maker world-wide. It analyzes all Barclay's film and television work, including the groundbreaking Tangata Whenua television series and the feature films The Neglected Miracle, Ngati, Te Rua, The Feathers of Peace and The Kaipara Affair, establishing him as a figure who has made a radical contribution to New Zealand's understanding of both Māori community and the bicultural present.

The most thorough study on the filmmakers who have defined New Zealand cinema from its origins to its current successes.

A new wave of religious energy is sweeping through the western nations. Although God is disappearing from religious discourse in western culture, both as a word and as a concept, there is a definite undercurrent of religious ardour, which is growing in strength. It focuses all the more attention on the issue: what or who is God in the modern era? This is the question examined through systematic studies, practical theology and empirical research, that are presented here through anthropologically relevant theology. Renowned international authors make it plain in this book: the question of God is exciting again! This book is published in honour of Johannes A. van der Ven on the occasion of his 60th birthday.

This volume works through deconstructing traditional models of the imago Dei in search of a more inclusive understanding of the doctrine, one that allows for literature to bring important questions to bear. Brief analyses of Karl Barth and Paul Tillich and then growing dissatisfaction with the two in various liberation theologies brings to light the problems of a perfected image of God. An exploration of four novels by Jean Rhys between 1928 and 1939 then follows the footsteps of Katie Cannon and others who include literature in their theological work. The Rhys novels follow tragic stories of women who are wounded both by others and by their own inability to see themselves as worthy. Through the questions these women ask about themselves and God, the reconstruction of the imago Dei is set up. This reconstruction centers trauma, wounds, and a non-contrastive transcendence that Kathryn Tanner defines. Ultimately it is not in how we are perfect, but rather through our risks, our wounds, and even our grief that we connect to God.

Have you ever wondered what the image of God means theologically? Mountains of material have been written about this topic, spanning ages, but is it just an idea or is it something physically real? This book answers those questions through ancient, modern, and scientific theories of memory in a Wesleyan anthropology. Bild-ing a Memory Model of God is a unique attempt at combining the fields of theology and neuroscience.

In Malicious Deceivers, Ioana B. Jucan traces a genealogy of post-truth intimately tied to globalizing modernity and connects the production of repeatable fakeness with capitalism and Cartesian metaphysics. Through case studies that cross times and geographies, the book unpacks the notion of fakeness through the related logics of dissimulation (deception) and simulation (performativity) as seen with software/AI, television, plastics, and the internet. Specifically, Jucan shows how these (dis)simulation machines and performative objects construct impoverished pictures of the world, ensuring a repeatable sameness through processes of hollowing out embodied histories and lived experience. Through both its methodology and its subjects-objects of study, the book further seeks ways to counter the abstracting mode of thinking and the processes of voiding performed by the twinning of Cartesian metaphysics and global capitalism. Enacting a model of creative scholarship rooted in the tradition of writing as performance, Jucan, a multimedia performance-maker and theater director, uses the embodied "I" as a framing and situating device for the book and its sites of investigation. In this way, she aims to counter the Cartesian voiding of the thinking "I" and to enact a different kind of relationship between self and world from the one posited by Descartes and replayed in much Western philosophical and — more broadly — academic writing: a relationship of separation that situates the "I" on a pedestal of abstraction that voids it of its embodied histories and fails to account for its positionality within a socio-historical context and the operations of power that define it.