Does the design of the Tabernacle in the wilderness correspond to God’s blueprint of Creation? The Christian Topography, a sixth-century Byzantine Christian work, presents such a cosmology. Its theory is based on the “pattern” revealed to Moses on Mount Sinai when he was told to build the Tabernacle and its implements “after their pattern, which is being shown thee on the Mount.” (Exod. 25: 40). The book demonstrates, through texts and images, the motifs that link the Tabernacle and Creation. It traces the long chain of transmission that connects the Jewish and Christian traditions from Syria and ancient Israel to France and Spain from the first through the fourteenth century, revealing new models of interaction between Judaism and Christianity.

This survey of ancient Jewish art traces Tabernacle implements and their iconographic development from the Second Temple period until late sixth century CE. It examines appearances of seven-branch menorah, Torah ark, and other motifs found in archeological discoveries of burial art synagogue decorations.

This volume examines the way in which cultural ideas about "the heavens" shape religious ideas and are shaped by them in return. Our approaches to cosmology have a profound effect on the way in which we each deal with religious questions and participate in the imaginative work of public and private world-building. Employing an interdisciplinary team of international scholars, each chapter shows how religion and cosmology interrelate and matter for real people. Historical and contemporary case studies are included to demonstrate the lived reality of a variety of faith traditions and their interactions with the cosmos. This breadth of scope allows readers to get a unique overview of how religion, science and our view of space have, and will continue to, impact our worldviews. Offering a comprehensive exploration of humanity and its relationship with cosmology, this book will be an important reference for scholars of Religion and Science, Religion and Culture, Interreligious Dialogue and Theology, as well as those interested in Science and Culture and Public Education.

Andrei Orlov examines early Christological developments in the light of rabbinic references to the “two powers” in heaven, tracing the impact of this concept through both canonical and non-canonical material. Orlov begins by looking at imagery of the “two powers” in early Jewish literature, in particular the book of Daniel, and in pseudepigraphical writings. He then traces the concept through rabbinic literature and applies this directly to understanding of Christological debates. Orlov finally carries out a close examination of the “two powers” traditions in Christian literature, in particular accounts of the Transfiguration and the Baptism of Jesus. Including a comprehensive bibliography listing texts and translations, and secondary literature, this volume is a key resource in researching the development of Christology.

Hebrew manuscripts are considered to be invaluable documents and artefacts of Jewish culture and history. Research on Hebrew manuscript culture is progressing rapidly and therefore its topics, methods and questions need to be enunciated and reflected upon. The case studies assembled in this volume explore various fields of research on Hebrew manuscripts. They show paradigmatically the current developments concerning codicology and palaeography, book forms like the scroll and codex, scribes and their writing material, patrons, collectors and censors, manuscript and book collections, illuminations and fragments, and, last but not least, new methods of material analysis applied to manuscripts. The principal focus of this volume is the material and intellectual history of Hebrew book cultures from antiquity to the Middle Ages and Early Modern Period, its intention being to heighten and sharpen the reader’s understanding of Jewish social and cultural history in general.

Introduction: Standing before the Arch of Titus menorah -- From Titus to Moses-and back -- Flavian Rome to the nineteenth century -- Modernism, Zionism, and the menorah -- Creating a national symbol -- A Jewish holy grail -- The menorah at the Vatican -- Illuminating the path to Armageddon

This book explores the nexus of art, personal piety, and self-representation in the last centuries of Byzantium. Spanning the period from around 1100 to around 1450, it focuses upon the evidence of verse inscriptions, or epigrams, on works of art. Epigrammatic poetry, Professor Drpić argues, constitutes a critical - if largely neglected - source for reconstructing aesthetic and socio-cultural discourses that informed the making, use, and perception of art in the Byzantine world. Bringing together art-historical and literary modes of analysis, the book examines epigrams and other related texts alongside an array of objects, including icons, reliquaries, ecclesiastical textiles, mosaics, and entire church buildings. By attending to such diverse topics as devotional self-fashioning, the aesthetics of adornment, sacred giving, and the erotics of the icon, this study offers a penetrating and highly original account of Byzantine art and its place in Byzantine society and religious life.