This pictorial history of Jewish life in Germany in the 1930s before the Holocaust, shows the stories of individuals, their increasing poverty, sad wisdom and enduring love in the years leading up to World War II.

Poems and songs in Yiddish and English accompany a collection of photographs depicting Eastern European Jewish village life during the 1930s.

Memoirs of a Jew born in 1920 in Warsaw; in 1930 he and his parents emigrated to the USA. Ch. 5 (pp. 115-143), "On the Edge of the Volcano, " contains, inter alia, recollections of and reflections on antisemitism in Poland in the 1920s.

A moving story of family and a life-long love affair in 1950s London, from the New York Times bestselling author of The House at Tyneford. London, 1958. It's the eve of the sexual revolution, but in Juliet Montague's conservative Jewish community where only men can divorce women, she ­finds herself a living widow, invisible. Ever since her husband disappeared seven years ago, Juliet has been a hardworking single mother of two and unnaturally practical. But on her thirtieth birthday, that's all about to change. A wealthy young artist asks to paint her portrait, and Juliet, moved by the powerful desire to be seen, enters into the burgeoning art world of 1960s London, which will bring her fame, fortune, and a life-long love affair.

The Lithuanian Jews, Litvaks, played an important and unique role not only within the Polish-Lithuanian Commonwealth, but in a wider context of Jewish life and culture in Eastern Europe, too. The changing world around them at the end of the nineteenth century and during the first decades of the twentieth had a profound impact not only on the Jewish communities, but also on a parallel world of the "others," that is, those who lived with them side by side. Exploring and demonstrating this development from various angles is one of the themes and objectives of this book. Another is the analysis of the Shoah, which ended the centuries of Jewish culture in Lithuania: a world of its own had vanished within months. This book, therefore, "recalls" that vanished world. In doing so, it sheds new light on what has been lost. The papers presented in this collection were delivered at the international conferences in Nida (1997) and Telsiai (2001), Lithuania. Participants came from Israel, the USA, Great Britain, Poland, Russia, Belarus, Germany, and Lithuania.

"Wilfred Thesiger's superb portraits of tribal peoples have earned him worldwide recognition as a photographer. Using a simple box camera which had belonged to his father, Thesiger began his photographic career during a short hunting trip in Ethiopia in 1930 and used the same camera to photograph hostile Danakil tribesmen when he returned three years later to explore the Awash river. Whilst in the Sudan, and now equipped with a Leica 35mm, Thesiger portrayed the Muslim tribes in Northern Darfur, pagan Nuer in the Western Nile swamps and Nuba wrestlers. Among Ethiopia's Danakil he had travelled as a European accompanied by servants, but here he lived increasingly on equal terms with his followers and his photography mirrors this changed attitude. The dramatic visual impact of Arabia's deserts fully awakened Thesiger's latent talent for portraiture and composition. During his five years in Arabia from 1945-50 he was able to depict his Bedu companions with a sensitivity and power only suggested by his pre-war photographs. Conceived in the harshest of settings, these Arabian pictures bear eloquent testimony to the inspirational effect the desert had upon this great traveller. In contrast, tranquil images of reeds, waterways and lagoons characterize Thesiger's matchless portraits of the Marsh Arabs of Iraq -- in which he captures a world which has now completely disappeared. In the seldom visited regions of Kurdistan, Pakistan and Afghanistan Thesiger took many photographs of their striking inhabitants who remained thoroughly unselfconscious in front of the camera -- as did the graceful tribespeople of northern Kenya and Tanzania later in Thesiger's eventful life. These unique portraits were all taken under exceptional conditions. Together they provide a magnificent pictorial record of diverse cultures and vanished worlds"--Publisher description.